University of Chicago Press author, professor emeritus at the University of Illinois at Chicago, dedicated Americanist, photographer, writer, cyclist, and musician Peter Bacon Hales (1950–2014) died earlier this week, near his home in upstate New York. Once a student of the photographers Garry Winogrand and Russell Lee, Hales obtained his MA and PhD from the University of Texas at Austin, and launched an academic career around American art and culture that saw him take on personal and collaborative topics as diverse as the history of urban photography, the Westward Expansion of the United States, the Manhattan Project, Levittown, contemporary art, and the geographical landscapes of our virtual and built worlds. He began teaching at UIC in 1980, and went on to become director of their American Studies Institute. His most recent book, Outside the Gates of Eden: The Dream of America from Hiroshima to Now, was published by the University of Chicago Press earlier this year.
From Outside the Gates of Eden:
“We live, then, second lives, and third, and fourth—protean lives, threatened by the lingering traces of our mistakes, but also amenable to self-invention and renewal. . . . The cultural landscape is hazy: it could . . .
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When you think about Wikipedia, you might not immediately envision it as a locus for a political theory of openness—and that might well be due to a cut-and-paste utopian haze that masks the site’s very real politicking around issues of shared decision-making, administrative organization, and the push for and against transparencies. In Wikipedia and the Politics of Openness, forthcoming this December, Nathaniel Tkacz cuts throw the glow and establishes how issues integral to the concept of “openness” play themselves out in the day-to-day reality of Wikipedia’s existence. Recently, critic Alan Liu, whose prescient scholarship on the relationship between our literary/historical and technological imaginations has shaped much of the humanities turn to new media, endorsed the book via Twitter:
With that in mind, the book’s jacket copy furthers a frame for Tkacz’s argument:
Few virtues are as celebrated in contemporary culture as openness. Rooted in software culture and carrying more than a whiff of Silicon Valley technical utopianism, openness—of decision-making, data, and organizational structure—is seen as the cure for many problems in politics and business.
But what does openness mean, and what would a political theory of openness look like? With Wikipedia and the Politics of Openness, Nathaniel Tkacz uses Wikipedia, the most prominent . . .
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Carl Zimmer is one of our most recognizable—and acclaimed—popular science journalists. Not only have his long-standing New York Times column, “Matter,” and his National Geographic blog, The Loom, helped us to digest everything from the oxytocin in our bloodstream to the genetic roots of mental illness in humans and animals, they also have helped to circulate cutting-edge science and global biological concerns to broad audiences.
One of Zimmer’s areas of journalistic expertise is providing context for the latest research on virology, or, as the back cover of his book A Planet of Viruses explains: “How viruses hold sway over our lives and our biosphere, how viruses helped give rise to the first life-forms, how viruses are producing new diseases, how we can harness viruses for our own ends, and how viruses will continue to control our fate for years to come.”
It shouldn’t come as any surprise, then, that with regard to recent predictions of an Ebolapocalypse Zimmer stands ready to help us interpret and qualify risk with regard to Ebola and the biotech industry’s push for experimental medications and treatments.
At The Loom, Zimmer shows a strand of the ebola virus as an otherworldly cul-de-sac against a dappled pink light. As he writes, we still have no antiviral treatment . . .
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Wayne C. Booth (1921–2005) was the George M. Pullman Distinguished Service Professor Emeritus in English Language and Literature at the University of Chicago, one of the most renowned literary critics of his generation, and an amateur cellist who came to music later in life. For the Love of It is a story not only of one intimate struggle between a man and his cello, but also of the larger conflict between a society obsessed with success and individuals who choose challenging hobbies that yield no payoff except the love of it.
“Will be read with delight by every well-meaning amateur who has ever struggled.… Even general readers will come away with a valuable lesson for living: Never mind the outcome of a possibly vain pursuit; in the passion that is expended lies the glory.”—John von Rhein, Chicago Tribune“If, in truth, Booth is an amateur player now in his fifth decade of amateuring, he is certainly not an amateur thinker about music and culture. . . . Would that all of us who think and teach and care about music could be so practical and profound at the same time.”—Peter Kountz, New York Times Book Review
“Wayne Booth, the prominent American literary critic, has . . .
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