From our colleagues at Signs: The University of Chicago Press and Signs are pleased to announce the competition for the 2017 Catharine Stimpson Prize for Outstanding Feminist Scholarship. Named in honor of the founding editor of Signs: Journal of Women in Culture and Society, the Catharine Stimpson Prize is designed to recognize excellence and innovation in the work of emerging feminist scholars. The Catharine Stimpson Prize is awarded biennially to the best paper in an international competition. Leading feminist scholars from around the globe will select the winner. The prizewinning paper will be published in Signs, and the author will be provided an honorarium of $1,000. All papers submitted for the Stimpson Prize will be considered for peer review and possible publication in Signs. Eligibility: Feminist scholars in the early years of their careers (fewer than seven years since receipt of the terminal degree) are invited to submit papers for the Stimpson Prize. Papers may be on any topic that falls under the broad rubric of interdisciplinary feminist scholarship. Submissions must be no longer than 10,000 words (including notes and references) and must conform to the guidelines for Signs contributors. Deadline for Submissions: March 1, 2016. Please submit papers online at http://signs.edmgr.com. . . .
“The Four Questions” by Sandra M. Gustafson *** On January 6, 1941, Franklin Delano Roosevelt delivered the State of the Union address known as the “Four Freedoms” speech. Then recently elected to an unprecedented third presidential term, Roosevelt had run on a platform that included the promise to “not send American boys into any foreign wars.” In the days leading up to his speech, Nazi Germany had begun a bombing campaign on the coal port at Cardiff, Wales, and the Roosevelt administration had announced the Liberty Ship Program to build freighters for the war effort. A few days after the address, thousands of Jews were killed in a pogrom in Bucharest, Romania, and over the next several weeks, anti-Jewish measures spread across Eastern Europe. This was the state of things that prompted Roosevelt to articulate “four essential human freedoms” as a basis for a secure world: freedom of expression; freedom of religion; freedom from want, which, he explained, “translated into world terms, means economic understandings which will secure to every nation a healthy peacetime life for its inhabitants everywhere in the world”; and freedom from fear, focusing on dramatic reductions in armaments to eliminate the possibility of wars of aggression. . . .
The controversy surrounding Alice Goffman’s On the Run is nothing new—the book’s appearance was met with both laudatory curiosity and defensive criticism, from within and outside academic sociology. On the Run offers an ethnographic account based on Goffman’s work in the field—and the field happens to be a mixed-income, West Philadelphia neighborhood, whose largely African American residents lived their lives under the persistence presence of the cops, whose pervasive policing left Goffman’s subjects, the members of her community, caught in a web of presumed criminality. The elephant(s) in the room: how does a privileged white woman engage in this kind of (often passé) participant-observer research without constantly self-checking her positionality? How can this type of book—and its more sensational elements—be true to the word? Who has permission to write about whom? And what happens when these questions leave the back-and-forth behind the closed doors of the academy and bring up very real suggestions about legal culpability, fabrication, and the politics of representation? In a long-form piece for the New York Times Magazine, Gideon Lewis-Kraus assesses Goffman’s predicament and how her personal experiences shaped several of the more controversial aspects of the book’s account. All the while, he traces the book’s emergence during a crucial (and heated) moment for the . . .