Introduction An excerpt from The Territories of Science and Religion by Peter Harrison *** The History of “Religion” In the section of his monumental Summa theologiae that is devoted to a discussion of the virtues of justice and prudence, the thirteenth-century Dominican priest Thomas Aquinas (122–74) investigates, in his characteristically methodical and insightful way, the nature of religion. Along with North African Church Father Augustine of Hippo (354–430), Aquinas is probably the most influential Christian writer outside of the biblical authors. From the outset it is clear that for Aquinas religion (religio) is a virtue—not, incidentally, one of the preeminent theological virtues, but nonetheless an important moral virtue related to justice. He explains that in its primary sense religiorefers to interior acts of devotion and prayer, and that this interior dimension is more important than any outward expressions of this virtue. Aquinas acknowledges that a range of outward behaviors are associated with religio—vows, tithes, offerings, and so on—but he regards these as secondary. As I think is immediately obvious, this notion of religion is rather different from the one with which we are now familiar. There is no sense in which religio refers to systems of propositional beliefs, and no sense of . . .
2015 marks the 50th anniversary of the Association for the Advancement of Creative Musicians, Inc.(AACM), founded on Chicago’s South Side by musicians Muhal Richard Abrams (pianist/composer), Jodie Christian (pianist), Steve McCall (drummer), and Phil Cohran (composer). A recent piece in the New York Times by Nate Chinen summarizes their achievements, in short: Over the half-century of its existence, the association has been one of this country’s great engines of experimental art, producing work with an irreducible breadth of scope and style. By now the organization’s significance derives not only from the example of its first wave—including Mr. Abrams, still formidable at 84—but also from an influence on countless uncompromising artists, many of whom are not even members of its chapters in Chicago and New York. The AACM’s legend extends beyond their Chicago origins—just as emphatically as it remains intertwined with them. Aiming to “provide an atmosphere conducive to the development of its member artists and to continue the AACM legacy of providing leadership and vision for the development of creative music,” the AACM turned twentieth-century jazz on its head, rolled it sideways, stood it upright again, and then leaned on it with the right combination of grace and pressure. Among the events organized around this anniversary are Free at First . . .
Our free e-book for March is Freud’s Couch, Scott’s Buttocks, Brontë’s Grave by Simon Goldhill. Read more and download your copy below. *** The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the places where their heroes wrote and thought, walked and talked. Even Shakespeare was roped in, as Victorian entrepreneurs transformed quiet Stratford-upon-Avon into a combination shrine and tourist trap. Stratford continues to lure the tourists today, as do many other sites of literary pilgrimage throughout Britain. And our modern age could have no better guide to such places than Simon Goldhill. In Freud’s Couch, Scott’s Buttocks, Brontë’s Grave, Goldhill makes a pilgrimage to Sir Walter Scott’s baronial mansion, Wordsworth’s cottage in the Lake District, the Brontë parsonage, Shakespeare’s birthplace, and Freud’s office in Hampstead. Traveling, as much as possible, by methods available to Victorians—and gamely negotiating distractions ranging from broken bicycles to a flock of giggling Japanese schoolgirls—he tries to discern what our forebears were looking for at these sites, as well as what they have to say to the modern mind. What does it matter . . .
Now in their 39th year, the PROSE Awards honor “the very best in professional and scholarly publishing by bringing attention to distinguished books, journals, and electronic content in over 40 categories,” as determined by a jury of peer publishers, librarians, and medical professionals. As is the usual case with this kind of acknowledgement, we are honored and delighted to share several University of Chicago Press books that were singled-out in their respective categories as winners or runners-up for the 2015 PROSE Awards. *** Kurt Schwitters: Space, Image, Exile By Megan R. Luke Art History, Honorable Mention *** House of Debt: How They (and You) Caused the Great Recession, and How We Can Prevent It from Happening Again By Atif Mian and Amir Sufi Economics, Honorable Mention *** American School Reform: What Works, What Fails, and Why By Joseph P. McDonald Winner, Education Practice *** The Public School Advantage: Why Public Schools Outperform Private Schools By Christopher A. Lubienski and Sarah Theule Lubienski Winner, Education Theory *** Earth’s Deep History: How It Was Discovered and Why It Matters By Martin J. S. Rudwick Honorable Mention, History of STM *** The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition By Pier Paolo . . .