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February 27, 2007

Review: Kuzniar, Melancholia's Dog

jacket imageA recent review by Elizabeth Marshall Thomas in the February 22 London Review of Books begins by noting the fact that "the dog/human bond, for all its importance, is one of the least examined relationships in Western culture." And indeed, though the attachment between dogs and their human companions plays an important role in the lives of millions of Americans, "dogs have never been considered an appropriate subject for serious scholarship."

Alice Kuzniar's new book Melancholia's Dog: Reflections on Our Animal Kinship promises to change that.

Moving beyond the stereotypes that confine discussion of the dog/human relationships to "lowbrow, popular media and arts," as LRB notes, "this is probably the first time that a scholar of Kuzniar's ability has shown the courage to tackle the deeper aspects of our relationships with dogs."

The review continues:

Our dogs are metaphors for ourselves, something that many of us may have long suspected, but because the idea had never been articulated, or not fully, perhaps we did not appreciate the fact. Or perhaps we didn't want to face it. Thanks to Alice Kuzniar we know it now.

February 23, 2007

Happy Birthday, Thomas Jones

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It was his birthday, so it's fitting that Thomas Jones had a piece in the London Review of Books yesterday on The Birthday Book, Holt N. Parker's translation of the third century Roman scholar Censorinus' meditations on that most personal of holidays. Expanding the concept of the birthday to comment on everything from music and history, to astronomy and astrology, Censorinus' book is a sublime picture of the universe as it was conceived by the Romans. But, as Jones notes, though the work has had significant influence on western culture, until now it has only been accessible to those who read Latin:

Though this is its first translation into English, The Birthday Book enjoyed many centuries of popularity. "It has come down to us through a large number of manuscripts from as early as the beginning of the eighth century AD," Parker says, and "was among the earliest books printed in Europe, with a first edition in 1497, and new editions in 1498 and 1500, with eight more in the 16th century alone." Copernicus and Kepler were both familiar with it. And even if the book itself has since fallen into obscurity, its form is recognizable in such modern assemblages as Schott's Miscellany or Does Anything Eat Wasps?

The Birthday Book has long been cherished by classicists and poets, but with this graceful and lively new translation—accompanied by an illuminating introduction and detailed notes—Holt Parker unearth's one of the Roman world's lost treasures for modern readers.

We previously posted an excerpt from the book.

February 22, 2007

Harvey Sachs on 98.7 WFMT

jacket imageIn commemoration of the 50th anniversary of the death of conductor Arturo Toscanini, WFMT's Critical Thinking with Andrew Patner will feature a two part conversation with Harvey Sachs, editor of The Letters of Arturo Toscanini, which we recently published in paperback. The first show airs on February 26 at 10:00 pm central time and the second on March 5 at the same time. If you're in the Chicago area be sure to catch the show, if you're not, WFMT offers streaming audio, but you'll have to subscribe to listen.

Fifty years after his death, Arturo Toscanini is still considered one of the greatest conductors in history, and probably the most influential. His letters, expertly collected, translated, and edited in The Letters of Arturo Toscanini, will give readers a new depth of insight into his life and work. As Sachs puts it, they "reveal above all else a man whose psychological perceptions in general and self-knowledge in particular were much more acute than most people have thought likely." They are sure to enthrall anyone interested in learning more about one of the great lives of the twentieth century.

Read an excerpt.

February 21, 2007

Borscht belt with a PhD

jacket imageRuth Fredman Cernea, editor of The Great Latke-Hamantash Debate, was interviewed in the February 20 edition of the Jewish Ledger, a Connecticut weekly. In her conversation with staff writer Judie Jacobson, Cernea talks about the genesis of the University of Chicago's famous Latke-Hamantash debates, some of its notable participants, and the meaning—or lack thereof—in its annual deliberations. From the interview in the Ledger:

Q: When and why did the debate get started?

A: It began more than 60 years ago as an inspired "lark" by three people at the University of Chicago—Professor Sol Tax, an anthropologist; Professor Louis Gottshalk, a historian, and Rabbi Maurice Pekarsky. They were worried about the intellectual and social climate at the university for the numerous Jewish faculty and students there. This was a time when it was not professionally advisable to advertise your ethnic background on campus, when being an objective scientist meant burying the "yid" inside. In fact, many of the faculty had been brought up in homes rich in Eastern European Jewish culture: they knew Yiddish, ate the traditional East European foods, and went to "cheder." In another world they might have become Talmudists. …

The Tax-Gottshalk-Perkarsky spur-of-the-moment idea? A shmooze in the Hillel house, with faculty arguing the merits of familiar traditional foods, just before winter break. It would be a haven in the midst of the Christmas carols on campus. Sol Tax would make latkes. Faculty would let their hair down and speak the in-group vernacular of their childhood homes, Yiddish, and students would experience these forbidding figures as approachable, whole human beings.

Q:Who are some of the people who've participated in the Latke-Hamantash Debate?

A: It's almost easier to list who has not! The book includes papers by two Nobel Prize winners, Milton Friedman and Leon Lederberg; three university presidents, former Chicago President Hanna Grey, former Princeton University President Harold Shapiro, and Barnard's current President Judith Shapiro; and key people from a wide range of academic disciplines. Considering that it takes significant effort to produce an academic paper, spoof or not, it's noteworthy that such serious scholars took the time to write and joke about their lives and their life's work.

Our online feature for the book includes the text and audio of Ted Cohen’s “Consolations of the Latke” as well as recipes for both the immortal pancake and the equally worthy pastry. With Purim about two weeks away, there's still time to learn to make hamantashen.

February 20, 2007

Views of the suburbs

jacket imageSunday's San Jose Mercury News carried an interesting review of an exhibit at the San Jose Museum of Art. The exhibit gathers photographs, paintings, and sculpture on the theme of suburbia—so appropriate for the heart of Silicon Valley.

The Mercury News reviewer, Alan Hess, takes the exhibit to task however, and juxtaposes what he sees as typical condescending attitude towards suburban development with the insights of one of our authors, Robert Bruegmann, whose book Sprawl: A Compact History works to overturn the conventional wisdom on suburbia. Hess writes:

Vacant neighborhoods, sterile landscapes, and scary people dominate the exhibit "Suburban Escape: The Art of California Sprawl," at the San Jose Museum of Art … . But until we stop repeating these myths—and stop basing architectural and planning policies on them—suburban cities such as San Jose will never achieve their full potential.

Fortunately, some serious academics are taking a fresher look at the facts. A 2005 book with the catchy title Sprawl: A Compact History, by University of Illinois Professor Robert Bruegmann is one excellent antidote to decades of flawed opinions.

As it happens though, we have dogs on both sides in this fight. The catalog for the exhibition, Suburban Escape: The Art of California Sprawl, is published by the Center for American Places, whose publications we are pleased to distribute. So, while Mr. Hess seems to have made up his mind, we invite you to look at both of these intriguing new works on the future of American city planning and the diverse viewpoints they provide.

We have an excerpt from Sprawl.

Press Release: Taylor, Mystic Bones

jacket image In a December 2006 New York Times editorial (which we reprinted online), Mark C. Taylor wrote that his current manner of thinking and teaching "cultivate[s] a faith in doubt that calls into question every certainty." This philosophy is on elegant display in Taylor's newest book, Mystic Bones. By combining images of weathered bones with philosophical aphorisms, Taylor refigures death in a way that allows life to be seen anew. These haunting photographs speak to themes of ruin, mortality, and ritual, and to a theology based on immanence rather than transcendence. At once a fine art book of great originality and a profound spiritual meditation, Mystic Bones is Taylor's most personal statement yet of after-God theology.

See the press release.

February 16, 2007

Review: Biro, One Must Also Be Hungarian

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Earlier today, Gabriel Sanders, associate editor of the Jewish daily Forward, published an interesting review of Adam Biro's new book One Must Also be Hungarian. Biro's book is a biographical account of the lives of his Jewish-Hungarian ancestry that traces their struggles back through famine, poverty, and the Holocaust. Sanders writes:

Biro's attitude toward his ancestral land is complex. He is enchanted by its mysteries, disgusted by its villains and, ultimately, bereft in the face of what he sees as its disappearance. The part of Europe "from where I am so proud of hailing," he writes, "is no longer the source of dark geniuses like Kafka, of Hungarian suicides and musicians, of Dr. Sigmund and other Austro-Hungarian kindred spirits. &hellip It has now joined the chase for the buck, and this is so sad, so lonely."

The book, elegiac yet witty, gains in complexity as Biro grapples with the fact that his ancestors were not only Hungarian but also Jewish, or, as the author puts it, "Jewish but Hungarian." …

Throughout his mournful and evocative book, this émigré son, who left Hungary when he was 15, tries to come to grips with why his unhappy heritage continues to have such a hold on him. Amid his discussion of his father's father—a great patriot betrayed by the country he loved—Biro offers a possible explanation.

"One day," he writes, "my father told me, 'Jews are very intelligent, Hungarians very creative, so, a Hungarian Jew is the apex of the human species.' I believed him for a long time. And, all shame set aside, I must confess that I might still believe it."

Read an excerpt.

February 15, 2007

Podcast: Alice Kuzinar, Melancholia's Dog

jacket imageAlice A. Kuzinar, author of Melancholia's Dog: Reflections on Our Animal Kinship, was recently interviewed by Deborah Harper for Psychjourney, her Web site for mental health professionals and consumers. Drawing from her new book, Kuzinar discusses the philosophical and psychological significance of man's best friend and helps to demonstrate why "dog-love can be a precious but melancholy thing." Archived audio from the interview is available in the podcasts section of Harper's site.

An attempt to understand human attachment to the canis familiaris in terms of reciprocity and empathy, Melancholia's Dog tackles such difficult concepts as intimacy and kinship with dogs, the shame associated with identification with their suffering, and the reasons for the profound mourning over their deaths. In addition to philosophy and psychoanalysis, Alice A. Kuzniar turns to the insights and images offered by the literary and visual arts—the short stories of Ivan Turgenev and Franz Kafka, the novels of J. M. Coetzee and Rebecca Brown, the photography of Sally Mann and William Wegman, and the artwork of David Hockney and Sue Coe. Without falling into sentimentality or anthropomorphization, Kuzniar honors and learns from our canine companions, above all attending the silences and sadness brought on by the effort to represent the dog as perfectly and faithfully as it is said to love.

February 14, 2007

Help desk for the book

Publishing the online edition of The Chicago Manual of Style has given us some insight into how people use electronic editions of books, an awareness of the usability issues posed by the online environment, and a renewed appreciation for the simplicity and naturalness of the physical book.

Or at least the physical book seems a simple and intuitive interface. But maybe not. Maybe the first users of the codex had technical difficulties just as computer users have today. Maybe every monastery had a help desk to assist readers and scribes with recalcitrant books. Via YouTube:


According to a comment on YouTube, the clip is from a show called Øystein og meg (Øystein and I) and appeared in 2001 on NRK, the Norwegian television network. The sketch was written by Knut Nærum and performed by Øystein Bache and Rune Gokstad. The spoken language in the clip is Norwegian; the subtitles are in English and Danish.

[Updated February 23: If the video above does not play, try this version from YouTube, which has the advantage of including a bit at the end about reading the manual (RTFM), but the disadvantage of being quite dark. On February 19, NRK had a news story about the worldwide interest in this video.]

February 13, 2007

Aggressive advice from our manuscript editors

CMOS QandAEvery month the manuscript editors at the Press field questions submitted to The Chicago Style Q&A, a feature of the new Chicago Manual of Style Online. Our manuscript editors respond to these questions with serious explications of the subtleties of style and usage, although they cannot resist the occasional—well, maybe more than occasional—diversion into delicious irony.

This month's Harper's reprinted some highlights from the Q&A under the appropriately paradoxical title of "Stet Offensive," further described on their Web site as "aggressive advice from the editors of the Chicago Manual of Style." Here are examples of our editors' advice:

Q: When I began learning English grammar from the nuns in 1951, I was taught never to use a comma either before or after independent clauses or compound sentences. Did the rules of English grammar and punctuation change while I was in that three week coma in 1965, or in the years it took to regain my basic and intellectual functioning before I returned to teaching?

A: I'm sorry I can't account for your state of mind, but standard punctuation calls for a comma before a conjunction that joins two independent clauses unless the clauses are very short. I would go further and suggest that it's a good idea to examine any rule you were taught that includes the word "never" or "always."


Q: Is there any standard for the usage of emoticons? In particular, is there an accepted practice for the use of emoticons that includes an opening or closing parenthesis as the final token within a set of parenthesis? Should I incorporate the emoticon into the closing of the parenthesis (giving a dual purpose to the closing parenthesis, such as in this case :-); simply leave the emoticon up against the closing parenthesis, ignoring the bizarre visual effect of the doubled closing parenthesis (as I am doing here, producing a double-chin effect :-)); or avoid the situation by using a different emoticon (some emoticons are similar :-D), placing the emoticon elsewhere, or doing without it (i.e., reword to avoid awkwardness)?

A: Until academic standards decline enough to accommodate the use of emoticons, I'm afraid CMOS is unlikely to treat their styling, since the manual is aimed primarily at scholarly publications. And the problems you've posed in this note have given us added incentive to keep our distance.

Read more Q&A and sign up for a free trial of The Chicago Manual of Style Online.

February 09, 2007

An excerpt from The Birthday Book by Censorinus

jacket imageIn the year AD 238, in the capital of the Roman Empire, the scholar Censorinus gave a present to his best friend, the noble Quintus Caerellius. The gift was this charming work, which he called The Birthday Book (De die natali liber). In its few dozen pages, Censorinus sets down everything related to the idea of birthdays. He begins simply, with the right way to sacrifice to one’s birthday spirit. By the time he has finished he has sketched a glorious vision of the universe ruled by harmony and order, where the microcosm of the child in the womb corresponds to the macrocosm of the planets.—From Holt N. Parker’s Preface to The Birthday Book by Censorinus

Part 4, "Seed and Conception"

1. Your lifetime starts on your birthday, but there are also many things before that day which pertain to the origin of humankind. It seems relevant, therefore, to say something first about the things which are themselves first in the order of nature. So I shall briefly set out some of the opinions which the ancients held about the origins of mankind.

2. The first and general question treated by the men of old who were learned in wisdom was this: Everyone agrees that individual humans are created from the seed of their parents and in succession propagate offspring, generation after generation. But some authors have maintained that they were never born from anything except human beings, and that there never had been any beginning or starting point to the human race. Others maintained that there was a time when humans did not exist and that they were allocated a particular point of origin and beginning by Nature.

3. The authorities of the first opinion, that humans have always existed, are Pythagoras of Samos, Ocellus of Lucania, and Archytas of Tarentum, all Pythagoreans; but Plato of Athens, Xenocrates, and Dicaearchus of Messenia and other philosophers of the old academy seem to have held the same opinion. Also Aristotle of Stagira, Theophrastus, and many other important Peripatetic philosophers wrote the same thing. They gave, as illustration of this fact, a puzzle which they said could never be solved: Are birds of eggs created first, since an egg cannot be created without a bird and a bird cannot be created without an egg?

4. And so they say that for all things in this eternal world, things that always were and always will be, there was no beginning. Instead there is this kind of cycle of things creating and being born, in which the beginning and end of each created thing seems to exist simultaneously.

5. However, there have been many men who believe that the first humans were created by divinity or nature, but they held very different opinions about it.

6. I will skip over what the fabulous stories of the poets tell: that the first humans were formed by Prometheus out of soft mud or were born from the hard rocks tossed by Deucaliion and Pyrrha after the flood. However, some of the professors of philosophy themselves have offered theories in their teachings no less, I won’t say monstrous, but certainly no less incredible.

7. For example, Anaximander of Miletus supposed that out of water and earth, after they ad been heated, there had arisen fish out fish-like animals, inside of which humans coalesced. They were retained inside as embryos until puberty; then finally they burst open, and men and women, who were already able to feed themselves, came forth. Empedocles, in his wonderful poem, which Lucretius praised as being so good "that it scarcely seems created by the human race," confirms something of the sort.

8. In the beginning individual members were produced everywhere out of earth, as if it were pregnant, then they came together and produced the material for a complete human being, composed of fire and moisture mixed. But what is the point of continuing with these improbable things? The same opinion is found in Parmenides of Velia, with the exception of a few small details where he differed from Empedocles.

9. According to Democritus of Abdera, humans were first produced from water and mud. Epicurus is not far behind: he believed that at first "wombs" of some kind grew in the heated mud, clinging to the roots of the earth; children were born out of these and the wombs offered them an organically occurring milky fluid, with natures’ help. These original children when grown and adult, propagated the human race.

10. Zeno of Citium, the founder of the Stoic school of philosophy, held that the origin of the human race lay at the beginning of the world. The first humans were created from the earth with support from the divine fire, that is, the providence of God.

11. Finally, it is commonly believed—by nearly all the genealogical authorities, for example—that the ancestors of various peoples who are not descended from the foreign stock were born from the earth, and they are called "autochthonous." This is the case in Attica, Arcadia, and Thessaly. The rough and ready credulity of our ancestors easily believed that even in Italy "Nymphs and native-born Satyrs" held certain forests (as Virgil sang).

12. But nowadays the passion of poetic license has reached a point that they invent things you can barely listen to, claiming within the memory of man, long after the various nations were created and cities founded, humans were still being born from the earth in various ways. So in Attica they say that King Erichthonius was born from the seed of Vulcan spilled on the ground; in Colchis and Boetia, the legend goes that the "Sown Men" came forth fully armed from the sowing of Dragon’s teeth; after they killed each other in mutual slaughter, only a few remained who helped Cadmus found Thebes.

13. Also in the area of Tarquinia a divine boy named Tages is said to have been plowed up, who sang poems about the science of reading entrails, which the "Lucumones," priests who ruled Etruria back then, wrote down.

From The Birthday Book by Censorinus, translated by Holt N. Parker.

February 08, 2007

Review: Dürrenmatt, The Pledge and The Inspector Barlach Mysteries

jacket imageBook publishing is globalized; it has never been easier to obtain any book that has been published anywhere. As well, more and more English-language books are being translated in the non-English speaking world. The reverse is not so true, however. There is a trickle of foreign titles translated into the only language most of us in this country can read compared to the flood flowing in the opposite direction.

So it is noteworthy that last Sunday's Washington Post featured an article reviewing a sampling of some international voices currently hitting the U.S. mystery scene, including our translations of Swiss author Friedrich Dürrenmatt's The Pledge and The Inspector Barlach Mysteries. Richard Lipez writes for the Post:

Friedrich Dürrenmatt (1921-1990) was best known as the author of clever, morally inquisitive plays such as The Visit and The Physicists. In the early 1950s he also wrote three short, spellbinding mystery novels, which the University of Chicago Press has reissued in paperback with new translations from the German by Joel Agee: The Pledge and The Inspector Barlach Mysteries: The Judge and His Hangman & Suspicion. The latter includes a thoughtful foreword by Sven Birkerts, who praises Dürrenmatt's talent as a captivating entertainer who could also "play through complex moral issues with a speed-chess decisiveness and inexorability." Dürrenmatt was Swiss and sounds it. He is sober, formal, precise and, when it suits him, to the point.… These are slender tales. But they have the weight and texture of classics. Mystery readers should be grateful to the University of Chicago Press for bringing these gems back to life.

We have a website for our Dürrenmatt translations, where you can read more about The Pledge, The Inspector Barlach Mysteries as well as our three-volume set of Dürrenmatt's Selected Writings.

February 06, 2007

An unabashed fan of the bourgeoisie

jacket imageDeirdre McCloskey is no stranger to controversy and her latest work, The Bourgeois Virtues: Ethics for an Age of Commerce promises to make her the focus of debate once again. An ingenious reply to more than a century's worth of critics whose scorn for the bourgeois lifestyle has become ubiquitous in modern culture, McCloskey's book is nothing less than a wholesale reinterpretation of Western intellectual history; a dead-serious reply to the critics of capitalism that has got the reviewers talking. In an article in the February 4 Chicago Sun Times critic Hedy Weiss remarks:

"To put it in a nutshell: McCloskey is an unabashed fan of the bourgeoisie and the system of capitalism that has led to the creation of the much-maligned class she defines in the broadest terms."

Quoting McCloskey, the article continues:

"The bourgeois life… generates and sustains what I consider to be seven important virtues, including common sense and know-how, courage, temperance or self-command, a sense of justice and fairness to others, and the notion of transformative love. It also can be the source of hope, which I would define as being able to imagine a future goal, and faith, which I see as the source of our identity and our ability to think back to the past."

Countering centuries of assumptions and unexamined thinking, Deirdre McCloskey's The Bourgeois Virtues offers a fascinating reinterpretation of the significance of capitalism in Western society. Read an excerpt. We also have an excerpt from McCloskey's memoir, Crossing.

February 05, 2007

Review, Bernstein: Girly Man

jacket imageLast week, Robert Pinsky's Poet's Choice column in the Washington Post featured Charles Bernstein's latest book, Girly Man. As Pinsky notes, much of the work in Girly Man is a meditation on the medium of language itself, an approach to poetry that makes for a refreshing departure from rhetorical convention. Pinsky writes:

Charles Bernstein writes both prose and poetry about poetry, sometimes brilliantly, in ways calculated to upset the middlebrow and thwart the bland. The more you like the poetic equivalent of a nice tune, easy to hum, the more Bernstein means to disrupt your complacency.

We have been delighted to publish several of Bernstein's books and his latest, Girly Man, is another provocative and aesthetically challenging collection of verse from one of America's most innovative poets.

We are also always delighted to have another opportunity—though the month of April is barely visible on the frozen horizon— to refer readers to Bernstein's equally provocative essay, "Against National Poetry Month As Such."

February 02, 2007

Press Release: Biro, One Must Also Be Hungarian

jacket imageThe only country in the world with a line in its national anthem as desperate as "this people has already suffered for its past and its future," Hungary is a nation defined by poverty, despair, and conflict, but also by creativity and artistic genius. Its history, and especially the history of Hungarian Jews, took of course, an even darker and more tragic turn during World War II and the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is what acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian, an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years.

Read the press release. Read an excerpt.

February 01, 2007

Review: Grene, Of Farming and Classics

jacket imageYesterday's New York Sun carried a review of David Grene's Of Farming and Classics: a Memoir that made a few insightful remarks about the atypical synthesis of classical literature and farming that lies at the heart of Grene's autobiography.

Writing for the Sun, reviewer Victor Hanson notes that in bringing together the disparate worlds of farming and classics Grene places himself in closer proximity to the world of the ancient Greeks than one might think. Hanson writes: "Nine out of 10 ancient Greeks were rural people. The majority of them were farmers. And that truth is reflected in many of Homer's similes in his Iliad and Odyssey, Hesiod's Works and Days, Aristophanes' Acharnians, or the vast treatises of Theophrastus, where so often Greek thought is expressed through the life of agriculture."

Thus, Hanson's review notes that Of Farming and Classics delivers to a modern audience several vital lessons embedded in an ancient synthesis of farming and philology: "First is the symbiosis between the life of contemplation and action—and just how it is that hard physical and dirty work offers real value in rediscovering nature, bringing with it a certain pragmatism that permeates reading and thinking.… Second, Grene reminds us of what constitutes success in life. It surely wasn't nice homes, large farms, distinguished titles, or top salaries. Rather, as we read here, Grene was more interested in students, and above all in imparting some wisdom gained to others that neither Greek nor farming alone might bequeath, but could in concert."

To find out more about Grene's captivating autobiography take a look at these excerpts we previously posted to the blog:
Dublin Theatre in the 1920s and '30s
Learning Greek and Latin in Dublin Schools
Honors Classics at Trinity College