Pulitzer prize winning writer Russell Baker recently published an interesting review of several new books about the tenuous state of American journalism focusing on topics like Rupert Murdoch’s recent takeover of the Wall Street Journal, and the growing scarcity of substantive news coverage. In the review written for the August 16 New York Review of Books, Baker cites Lance W. Bennett, Regina G. Lawrence, and Steven Livingston’s When the Press Fails: Political Power and the News Media from Iraq to Katrina to argue that many modern news sources have already shown alarming signs of failure in their obligation to keep the public informed in a fair and unbiased way, especially as evidenced by the media’s dealings with the current Bush administration. Baker writes:
Assignment to Washington is one of the highest prizes a newspaper has to offer, and not surprisingly the Washington press is an elite group: well-educated, well-paid, talented, at ease among the mighty, a bit smug perhaps about knowing secrets others don’t, but for the most part sensitive to an obligation to keep the public informed without fear or prejudice. Yet they failed this obligation during the Bush years, the authors of When The Press Fails contend, . . .














Antonioni and Bergman
This week has been a tragic one in the world of cinema. Both Swedish director Ingmar Bergman, and his colleague Italian director Michelangelo Antonioni passed away within hours of one another this Monday, July 30th 2007; a coincidence that is perhaps indicative of the creative and intellectual space shared by the two masters of modern moviemaking. Both filmmakers became well known for their radically innovative visual styles and insightful explorations of modern society, and both have left behind a legacy of filmmakers and fans heavily influenced by their works, evidenced by the many articles published recently to mark their passing.
The New York Times has published several fascinating retrospectives on the two directors, and Roger Ebert, who discusses Bergman’s films in Awake in the Dark: The Best of Roger Ebert has also posted an article on Bergman to his website. But for those interested in more in-depth study, the press has two new books: the forthcoming The Architecture of Vision: Writings and Interviews on Cinema—a collection of essays, theory, and autobiographical sketches of Michelangelo Antonioni’s life and work, and the recently published The Magic Lantern: An Autobiography—a fascinating portrait of the life of the late Ingmar Bergman. One of . . .
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