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March 31, 2008

Eddie Glaude on the Wright issue

Eddie Glaude, professor of religion and African American studies at Princeton, and author of the recent In a Shade of Blue: Pragmatism and the Politics of Black America was interviewed recently on the Fox News program Hannity and Colmes. In the interview Glaude takes on the conservative half of the Hannity and Colmes duo to debate religion, blackness, and the church in the context of Obama and the recent Jeremiah Wright controversy.

Also read an excerpt from Glaude's book.

March 27, 2008

Review: Weiss, In the Shadow of the Magic Mountain

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German intellectual Thomas Mann left behind not only the legacy of his extraordinary literary career, but six children who—though often overshadowed by their father's fame—became literary and artistic figures in their own right. In her new book In the Shadow of the Magic Mountain: The Erika and Klaus Mann Story Andrea Weiss delivers a dual biography of Mann's two eldest, Erika and Clause, whose literary, political, and artistic exploits she recounts in vivid detail. In a review running in the April edition of Harper's, John Leonard notes that in delivering its candid portrait of the Mann children's dramatic lives, the book also provides a revealing look inside the elite literary and artistic circles which the Mann children traversed. Leonard writes:

The years of exile, war, and America are an extravagance of highbrow gossip, with such raisins in the cake as André Gide, Bertolt Brecht, Sybille Bedford, Jean Cocteau, Stefan Zweig, Muriel Rukeyser, Christopher Isherwood, Janet Flanner, James Baldwin, and Carson McCullers. Erika wrote magazine articles and children's books; Klaus wrote novels, plays, and film scripts; and the two of them collaborated on travel books, all while the FBI and the INS were hot on their trail for "premature anti-Fascism."

Pick up the current issue of Harper's to find out more, or read an excerpt.

March 26, 2008

Monica Prasad on the carbon tax

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Yesterday's New York Times ran an interesting op-ed piece by author and sociologist Monica Prasad on recent proposals to impose a tax on industrial emissions of carbon dioxide in an effort to combat global warming and other negative impacts of greenhouse gasses. In the article Prasad—author of the 2005 book The Politics of Free Markets: The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States—uses her superior knowledge of European economic policy to demonstrate how one European country has made the carbon tax work. Prasad writes:

The very thought of new tax revenue has a way of changing the priorities of the most hard-headed politicians—even Genghis Khan learned to be peaceful, the story goes, when he saw how much more rewarding it was to tax peasants than to kill them. But if we want lower emissions, the goal of a carbon tax is to prompt producers to change their behavior, not to allow them to continue polluting while handing over cash to the government.

How do you get them to change? First, you prevent policy makers from turning the tax into a cash cow. Carbon tax discussions always seem to devolve into gleeful suggestions for ways to spend the revenue. Reduce the income tax? Give the money to low-income consumers? Use it to pay for health care? Everyone seems to forget that the amount of revenue is directly tied to the amount of pollution that is still going on.

Denmark avoids the temptation to maximize the tax revenue by giving the proceeds back to industry, earmarking much of it to subsidize environmental innovation. Danish firms are pushed away from carbon and pulled into environmental innovation, and the country's economy isn't put at a competitive disadvantage. So this is lesson No. 1 from Denmark.

Read the rest of the article online at the NYT website.

March 25, 2008

A Runyonesque tale of schemers and suckers

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An interesting piece on David Grazian's new book On the Make: The Hustle of Urban Nightlife is running as the cover story in the current edition of the independent Philadelphia weekly City Paper. A.D. Amorosi's article begins by comparing Grazian's sociological study of Philly's nightlife to Damon Grunyon's scabrous tales of prohibition era New York:

When David Grazian started working on his most recent book, he wanted to find the skin and bones of Philly's latest nightlife renaissance. Now that it's finished, On the Make: The Hustle of Urban Nightlife paints the scene like something out of a Damon Runyon novel, full of schemers and suckers born every minute.

Flirty waitresses, winking hostesses and grinning bouncers make appearances in On the Make. So do PR consultants, drinking wing men, snobby DJs, event planners and paid partiers—the mod equivalent of Runyon's bookies and mooches. (No one in On the Make is named "Nathan Detroit" or "Sky Masterson," but a name like "Nicole Cashman" does the trick.) You can't help but expect a chorus of "Luck Be a Lady" to come swinging through the text.

Both entertaining and illuminating On the Make offers a riveting look at the various gambles, hustles, and put-ons that drive Philadelphia's bustling nightlife scene.

Read an excerpt.

March 24, 2008

Looking back at Iraq

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According to the New York Times, yesterday evening marked a significant checkpoint in the War in Iraq when a roadside bomb exploded killing four more U.S. troops, bringing the total American death toll in Iraq to 4000. With no end in sight and casualties steadily rising, media outlets around the globe have used the 4,000th death as an opportunity to look back on the war and the many soldiers who have lost their lives there since 2003. But providing perhaps one of the most vivid and personal of these retrospectives, is NYT photojournalist and author Ashley Gilbertson's recent Whiskey Tango Foxtrot: A Photographer's Chronicle of the Iraq War. Documenting the conflict from the initial invasion, to Iraq's first national elections, Gilbertson's book tells candidly of his own experience photographing the war and of the lives of the soldiers fighting it.

To preview some of the images from the book navigate to the author's portfolio on the NYT website.

To hear more about the Gilbertson's experience in Iraq, you can navigate to the Press's special website for the book which features and exclusive half-hour interview with the author, or see this archived video from CSPAN's Book TV of Gilbertson's talk earlier this month at a Borders Books & Music in Vienna, Virginia.

March 21, 2008

A Social Autopsy of Chicago's Heat Wave

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The Chicago Tribune recently ran an article on Steven Simoncic's new play, Heat Wave—a "drama detailing Chicago's 1995 summer meltdown that killed more than 700 people." Based on Eric Klinenberg's book of the same name, the play remains true to its source by detailing, more than just a natural disaster but "the social fault lines that the heat wave revealed." The Tribune's Louis R. Carlozo writes:

As the 100-degree days piled up, so did the corpses. Emergency rooms overcrowded to the breaking point; public officials bickered over whether heat or chronic health ailments caused the deaths. Yet as the heat broiled, no one disputed that temperatures inside many upper-floor apartments reached 125 degrees or more. While city denizens from Lincoln Park to Hyde Park cranked their air conditioners, or else cleared out of town during ComEd's power outages, many with disabilities and the poorest of the poor had no place to go, no one to turn to. They suffered, and succumbed, in silence.…

Quoting Simoncic the article continues:

"As I read Eric's book and ruminated on my drafts—which I did for two and a half years—I started to get protective of the victims. And I became [ticked] off for them. These people died and nobody noticed. Part of the reason for the book, and the play, was to tell the stories of those who were silenced, whose stories weren't told."

Especially relevant in light of recent events like hurricane Katrina, Heat Wave offers a revealing look at the failure of some of America's most trusted social institutions in the face of disaster.

Check out the article online to view an additional multimedia piece that includes an interview with Simoncic, excerpts from the play , and news footage from the 1995 disaster.

Also, see this interview with Klinenberg about the book.

March 20, 2008

Podcast: Martin Kemp on Podularity.com

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Podularity.com, a literary blog based in the UK, is running an interesting podcast of an interview with author Martin Kemp on the topic of his recent book The Human Animal in Western Art and Science. Interviewer George Miller engages Kemp in a discussion of the links between humans and animals embedded in Western culture to explore the question; where is the line between animal and human? And, does the line even exist at all? Navigate to Podularity.com to listen.

March 19, 2008

John R. Lott on the right to bear arms

jacket imageAfter hearing a case about the District of Columbia's handgun ban on Tuesday, the Supreme Court has the opportunity to redefine the legal interpretation of the Second Amendment. As laws controlling handgun ownership have been enacted, such laws have been challenged on constitutional grounds. Control advocates interpret the amendment as creating a collective right—the right of states to form militias and of individuals to participate in the common defense. Control opponents interpret the amendment as creating an individual right to own and use firearms.

John R. Lott Jr., author of the influential and hotly-debated book More Guns, Less Crime, weighs in on the side of the latter interpretation in a commentary in the National Review. You can read the article at the National Review Online.

Also read an interview with the author.

March 18, 2008

Off the Grid

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The April/May issue of Bookforum is running an early review of Erin Hogan's unconventional new travelogue, Spiral Jetta: A Road Trip through the Land Art of the American West. (The book will release in mid-April.) Noting the author's willingness to trek off the beaten path to experience first-hand the unique blending of landscape and sculpture in American land art reviewer Nico Israel writes:

Earth art, that consummately American movement that sprang up during the high-Vietnam War era, combined a steely-eyed commitment to the truth of materials and to the power of basic geometric forms with a desire to get off the grid or at the very least "expand the field" of sculpture. Sometimes called environmental or land art, or Earthworks, depending on its practitioner, it demanded of its actual, physical viewers—"fit, though few," as John Milton might have said—a pilgrim's willingness to go on the road to remote places in order to see the works and experience the landscapes that they reframed and illuminated.…

Enter self-described "recovering art historian" Erin Hogan, whose book Spiral Jetta records her retrospective responses to a highway journey in her Volkswagen, in which, over the course of about three weeks, she visited Spiral Jetty, Michael Heizer's Double Negative, Walter De Maria's Lightning Field, and Donald Judd's various Marfa projects.… Along the way, she offers compelling descriptions of the landscape of the American West, of the pilgrimage's contradictions—she is sharp when noting what expensive-eyeglass-wearing visitors to Sun Tunnels or Lightning Field must look like to the hardscrabble locals—and of getting lost (which seems an inevitable part of visiting Earth art).

Read the rest of the review on the Bookforum website.

March 17, 2008

Race, Gender, and Politics: Dangerous Frames

jacket imageNicholas J. G. Winter is publishing his book, Dangerous Frames: How Ideas about Race and Gender Shape Public Opinion at the perfect time, just as these issues are getting their most concrete expression in the political sphere. We asked him to reflect on the the Democratic presidential race in light of the ideas he explores in his book.


The historic presence in the Democratic primary race of both the first woman and the first African American with serious shots at a major party nomination has understandably brought lots of media attention to the roles of gender and race in Americans’ political thinking and voting. Much of this coverage obscures rather than clarifies those roles.

On the one hand, commentators ask whether black and female voters support “one of their own.” Do black voters support Obama? Do women support Clinton?

On the other hand, others ask some version of the question “Are Americans more racist or more sexist?” Is gender more fundamental to American social structure, or is racism more centrally embedded in American politics. More concretely, will white male swing voters be more disinclined to vote for a woman or an African American man in the general election?

Much of this coverage boils down to a single broader theme: the Democratic primaries as the “race vs. gender” election.

This is deeply unfortunate, because it obscures rather than clarifies the roles of race and gender in American politics. It does so in (at least) two ways. First, it sets up race and gender as mutually-exclusive categories. This makes black women particularly invisible, or implicitly forces them to choose between their race and their gender identities. More subtly, it implies that only women have gender and that only non-whites have a race; this theme also reifies the American notion of race as a black/white dichotomy.

(Relatedly, while the Latino vote has been hotly contested, the media discourse here has been oddly disconnected from the racial storyline—a consequence in part of tenacity of the traditional American tendency to understanding race as black-and-white. Similarly, discussion of the rust-belt union vote has been detached from discussion of both race and gender; detached, in other words, from the legacy of American industrial unionism as a largely white male phenomenon.)

Second, thinking about 2008 as the “race vs. gender” election hides the ways that candidates’ enactment of race and gender roles have always influenced elections. That is, it hides the more subtle but pervasive ways that citizens’ ideas about race and about gender shape their political choices.

Take race. In politics—as in the rest of American life—being black involves much more than skin tone. Toni Morrison dubbed Bill Clinton “America’s First Black President” not because he supported black interests—though he did—and certainly not due to his skin color. Rather, she drew attention to the ways that Clinton fit social, cultural, economic, and even sexual tropes of blackness, and the ways that mainstream white America—embodied in Kenneth Starr—attacked him for that. In his personal style, as well as his political substance, Bill Clinton was black—more black, as Morrison predicted, than “any actual black person who could ever be elected in our children’s lifetime.”

More generally in American politics, the “black candidate” is simply a political candidate who is black. Rather, the “black candidate” is someone whose political outlook is anchored in the history of civil-rights era race relations; for whom issues of race are central. Think Jesse Jackson; think Al Sharpton. A candidate who does not fit that prototype—regardless of skin color—is not seen by many Americans as fully a “black candidate.” Thus, in a recent New York Times piece on the black state representative for an overwhelmingly white district in Alabama, one white constituent remarked, “Really, I never realize he’s black.”

And indeed Barack Obama—the black man with the best shot at the job right now—began his campaign consciously pursuing a strategy of deemphasizing race. He worked, that is, to avoid being perceived as a stereotypical “black candidate,” to the point that Time asked in February 2007, “Is Obama Black Enough?” in an article about Obama’s then-ambivalent relationship with African American communities.

Black voters have since rallied to Obama in the primaries, partly as a result of Bill Clinton’s ill-advised attempts to frame Obama as a narrow “black candidate” by comparing him with Jesse Jackson. Before that, though, it was less clear which candidate was the more symbolically black. (Ironically, black women’s movement toward Obama may have been aided as well by the Clinton campaign’s attempts to solidify the female vote. As Clinton draws on language and surrogates from the feminist movement of the 1970s to appeal to women, this may remind many black women of the ways that movement focused on the needs and aspirations of white women.)

Similarly in the realm of gender, throughout her post-White House political career, Clinton has consciously countered gender stereotypes in her emphasis on experience and leadership, her unwillingness to repudiate her support for the Iraq invasion, and more. Female politicians face a strategic choice to run with or against their gender, because voters’ gender stereotypes predispose them to see female candidates as less competent, less qualified as leaders, and less prepared to deal with issues like defense and the economy, but also as more honest, more compassionate and better on issues involving families and children. A female candidate, then, can capitalize on the “positive” gender stereotypes by running on honesty, compassion and “women’s” issues, or she can counter the negative ones by running on experience, leadership and “men’s” issues.

Interestingly, in casting himself as a new and different type of leader, Obama does not draw on traditional imagery of the patriarchal, masculine leader. Martin Linsky argued last month in Newsweek that Obama is a “female presidential candidate.” In contrast to Clinton’s relatively authoritarian style, Linsky argues that Obama’s “commitment to inclusiveness in problem solving, deep optimism, modesty about knowing all the answers, the courage to deliver uncomfortable news, not taking on all the work alone, and a willingness to air dirty linen” represent a stereotypically feminine leadership approach.

In some ways, then, this race has involved a literally female candidate who emphasizes a symbolically masculine style running against a literally male candidate who emphasizes a more symbolically feminine approach. The history of presidential campaigns suggests that even in the absence of female candidates, these symbolic aspects of gender matter quite a bit.

Since at least Reagan, Republican candidates have painted themselves as “real men,” running against symbolically feminine (or at least less masculine) Democrats. They have accomplished this through a focus on both style (recall the unfortunate footage of Michael Dukakis in an armored personnel carrier and John Kerry wind-surfing and hunting) and substance (through suggestions that candidates from Carter through Kerry would be “soft” on foreign enemies and crime, for example).

This is nothing new. The transformation of John Kerry from war hero to effeminate flip-flopper parallels President McKinley’s struggles to oppose the Spanish-American War in 1898. The former war hero’s hesitation to invade Cuba led to accusations that he lacked the “backbone” to stand up to the Spanish—a term whose phallic imagery was well understood by contemporaries.

It is certainly possible in the current political context that Americans may find appealing Obama’s more consensual, less patriarchal approach. Nevertheless, we can understand the recent focus on Obama’s “toughness” in reaction to Clinton’s attacks as reflecting some concern about whether he is ultimately manly enough for the job first held by George Washington, the symbolic father of the country.

For the moment the campaigns and many commentators are focusing on race and gender explicitly. It is worth remembering, however, that even when race and gender fade from the discussion, they both will continue to shape voters’ perceptions of the candidates and the issues in important and sometimes surprising ways.

March 14, 2008

Navigating the vast wasteland of YouTube

TVHow many videos are available on YouTube? That number isn't easy to find. But consider this: ten hours of video is uploaded to YouTube every minute. The simile about drinking from a firehose doesn't do justice to the flood.

How can you find anything worth watching in a collection of content exploding like a super nova? Well, you could rely on the wisdom of the crowd and restrict your YouTube viewing to just those videos that are rated five stars. How many is that? I heard that cited a few weeks ago as seven million, which means it's probably up to eight million now. Have at it. Five stars has got to be good, right?

Or you could be guided by Dan Colman at Open Culture who has assembled a list of "50+ Smart Video Collections on YouTube." We are happy to see our YouTube channel among them.

Colman's list is interesting in a number of ways. A YouTube channel is like a publisher's imprint—it reflects editorial direction and judgment. Gather quality imprints and you have a quality collection of content. The obvious need to compile such a list exhibits the dysfunctional aspects of YouTube: the system of search and recommendation does not work well enough to find relevant, high-quality content.

That's reminiscent of the early days of the worldwide web, when many users compiled and posted lists of worthwhile websites, simply because the existing search engines were so bad at finding good content. On the strength of such recommendations the Google search algorithm gained traction and, eventually, dominance.

Maybe a search engine will be invented that can find quality video content or maybe a critical role will need to be played by producers whose imprimatur signifies quality and the collection-building skills of people like Dan Colman. Or to put it another way: the functionality of Web 2.0 can disintermediate content, but it seems apparent that the navigational skills of publishers and librarians are still needed in the vast sea stretching before us.

March 13, 2008

Vicki Hearne in Poetry

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Vicki Hearne's (1946-2001) posthumously published Tricks of the Light: New and Selected Poems has received a positive review in this month's issue of Poetry magazine by critic Joel Brouwer. Praising her work for transforming her practical knowledge of the dogs and horses she trained into a unique philosophical exploration of "language and the mind," Brouwer writes:

Nearly all of Hearne's writing, regardless of genre or audience, drew upon her work as a professional horse and dog trainer. But to think of this poet in those terms alone would be as misguided as thinking of E.O. Wilson as an entomologist. Communicating with animals helped Hearne to think through a variety of philosophical concerns, particularly questions of representation. What stories do we tell ourselves about our relationships with the animals we live and work with, feed and eat, love and fear? What really happens, and what do we imagine happens, when two species with fundamentally differing consciousnesses and languages—people and dogs, say—attempt to communicate? Above all, how might our investigation of such questions lead us to more general insights about representation and reality?

The review concludes: "Hearne's verse is … rigorously intelligent, rhetorically supple, wholly unafraid of complexity, formally deft, and, … liable to begin to glow with tricks of light."

Read the review on the Poetry magazine website.

March 12, 2008

Weather as Science and Culture

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An interview with Jan Golinsky author of British Weather and the Climate of Enlightenment was posted yesterday to Benjamin Cohen and David Ng's science blog, the World's Fair. The interview begins with an interesting synopsis of the book and its unique contribution to both cultural history and the history of science. From the World's Fair:

WORLD'S FAIR: What do we have here? When you sent in the prospectus to Chicago, what did you tell them this would be about?

JAN GOLINSKI: The book explores beliefs about weather and climate in eighteenth-century Britain and its colonies. I argue that these beliefs reflect some of the important social and cultural changes of the period. People began to study the weather in a way that we recognize as more "scientific," but traditional attitudes also survived, even what we might call "superstitions." The tensions between scientific and traditional approaches seemed to me symptomatic of the age, and to some extent of modern attitudes to the natural environment in general.

WF: You're a premier historian of science, respected, influential, articulate, good-humored, don't worry, I'm going somewhere with this…namely, what does a book about the weather contribute to our understanding of the history of science?

JG: I think of it as a combination of history of science with cultural history. I didn't set out to trace the origins and growth of a science of weather, but to place scientific practices like record-keeping and the use of instruments in their cultural context. So, I suppose it contributes to the way we can understand science as a set of practices and beliefs that has developed in specific historical settings.

Read the rest of the interview on the World's Fair blog.

March 11, 2008

Review: Sher, The Enlightenment and the Book

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In a short review running in the April edition of the Atlantic Monthly reviewer Peter Hoey praises Richard B. Sher's The Enlightenment and the Book: Scottish Authors and Their Publishers in Eighteenth-Century Britain, Ireland, and America for its revealing account of the essential role publishers played in fostering the explosion of intellectual activity in Enlightenment Europe:

The marriage of commerce and culture is always fraught with difficulties, but when it works, its issue can indeed be remarkable. Nowhere was this truer than in Scotland during the late 18th century, when such writers as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns worked in creative cooperation with their equally enlightened publishers, disseminating their revolutionary works throughout Britain, Europe and most tellingly, the Americas. Discerningly illustrated, at once scholarly and accessible, this is an essential addition not only to 18th-century studies but also to the history of the book—a poignant subject in our post-book age.

Read an excerpt from the book.

March 10, 2008

John Nagl on the surge and the strain

jacket imageIn an op-ed published in last Sunday's Washington Post Lt. Colonel John A. Nagl, author of Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam and contributor to the U.S. Army/Marine Corps Counterinsurgency Field Manual, draws on his hands-on knowledge of counterinsurgency operations to deliver an insightful analysis of current U.S. strategy in the Middle East. While praising the success of last year's "surge" Nagl warns that it may still be a bit "too soon to take a victory lap." Nagl writes:

The "surge" of five brigades and the extension of Army combat tours in Iraq from 12 to 15 months has strained the Army to the breaking point. Neither the Army nor the Marine Corps has a reserve of ground troops to handle other crises. Meanwhile, the Taliban is regaining strength in Afghanistan and the lawless border regions of Pakistan,… and the foreseeable consequences of a hasty U.S. withdrawal from Iraq… could easily reverse last year's gains and provide a new home for terrorism in the Middle East.

The best short-term solution is rapidly expanding the Iraqi and Afghan security forces to hold towns cleared by U.S. forces. Local forces, stiffened by foreign advisers, have historically been the keys to success in counterinsurgency warfare. As such, I've been among the serving officers and veterans who've urged the U.S. Army to create a standing Adviser Corps.
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But even greatly expanding and institutionalizing the role of advisers cannot win the wars in Iraq and Afghanistan. Insurgencies are ultimately inspired by ideas, and defeating the Iraqi insurgency will require a counter-narrative—backed up by robust economic development, a solid and committed government in Baghdad, and providing the Iraqi people with basic services such as water, electricity and (above all) security. As such, the single most important step the United States could take toward victory is re-creating an information agency to discredit our enemies' narratives and amplify those of our allies.

Read more Nagl in his new preface to Learning to Eat Soup with a Knife, or see his foreword to the The U.S. Army/Marine Corps Counterinsurgency Field Manual, “The Evolution and Importance of Army/Marine Corps Field Manual 3-24, Counterinsurgency

March 07, 2008

The iconic photographs of Ashley Gilbertson

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In No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy authors Robert Hariman and John Louis Lucaites undertook a fascinating survey of some of the most iconic images of the last century, analyzing their profound effects on the American political and social landscape. Since the 2007 publication of their book, the authors have also started a blog where they continue their critique of the role that photojournalism and other visual practices play in democratic society, bringing their ideas to bear on current issues and new media in real-time.
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Today's posting showcases the work of another UCP author, photographer Ashley Gilbertson and his extraordinary images of the war in Iraq which have illustrated the pages of the New York Times and other publications since the beginning of the U. S. invasion in 2003. The No Caption Needed blog offers a brief slide show of Gilbertson's work taken from his recent book, Whiskey Tango Foxtrot: A Photographer's Chronicle of the Iraq War. Navigate to www.nocaptionneeded.com to check it out as well as read the other insightful critiques of visual media the author's offer.

To find out more about Gilbertson's book see the press's special website featuring an exclusive half-hour interview with the author where he relates his experiences photographing the war in Iraq as well as some of the his own ideas about the importance and impact of his images on public culture.

March 06, 2008

Memorable moments from presidential debates

jacket imageNewton Minow is more responsible than any other individual for the televising of presidential debates—an oasis in what he famously termed “a vast wasteland.” From the creation of the Kennedy-Nixon debates to his current service on the Commission on Presidential Debates, he has worked to bring political discussion into the mass media. He is uniquely situated to write the just-released Inside the Presidential Debates: Their Improbable Past and Promising Future, which he authored with journalism professor Craig L. LaMay.

Minow and LaMay reviewed the history of presidential debates in their book and from their comments we culled some of the memorable moments from past debates, supplemented with images and links to online videos where available. Nixon sweating, “I knew Jack Kennedy,” presidential scowls and more—review them and relive them.

We also have an excerpt about the first televised debate between Nixon and Kennedy.

March 05, 2008

Review, Bliss: The Discovery of Insulin

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Writing for the February 28 New England Journal of Medicine Dr. Chris Feudtner reviews our new edition of Michael Bliss's The Discovery of Insulin, a fascinating account of the struggle of four Canadian scientists—Frederick Banting, J.J.R. Macleod, Charles Best, and J.B. Collip—to make one of the most important medical discoveries of the modern age. Feudtner writes:

During the past century, medical science has produced numerous remarkable therapeutic achievements, but few accomplishments can rival—in terms of importance or drama—the development of insulin in 1921 and 1922.…

Twenty-five years ago, the historian Michael Bliss composed his remarkably illuminating recounting of this saga. It has proved to be the definitive account. Bliss, now a university professor emeritus at the University of Toronto, has also written highly regarded biographies of the inimitable physician Sir William Osler, the polymath surgeon Harvey Cushing, and the fascinating, albeit mercurial, Banting. But as Bliss confides, "The Discovery of Insulin is my favourite," and the book has now been released in a 25th anniversary edition, with a new preface and an updated concluding chapter.

You can find the full text of the review on the New England Journal of Medicine website, or find out more about the book here.

March 04, 2008

Review: Greeenberg, Science for Sale

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Daniel S. Greenberg's Science for Sale: The Perils, Rewards, and Delusions of Campus Capitalism has already generated much interest in the U. S. where the effect of the marketplace on academic science has been news for quite some time. But last Friday London's Physics Today ran a positive review of Greenberg's insightful analysis of campus capitalism as well, noting the book's applicability to science policy in the UK. Greg Parker writes for Physics Today:

When I joined the University of Southampton's microelectronics group in 1987 after spending 10 years in industry, I shared some of my commercial ideas for advancing the group into the 21st century with my academic colleagues. To say that my personal vision of paradise was close to their vision of hell is probably a pretty accurate observation. Two decades on, I now understand why they felt that way. Science for Sale contains a lot of information that explains this vast difference in perception, and the book also does a good job of highlighting how academia and industry differ on practical and ethical levels.

Parker continues:

My first worry on picking up the book was that it would be almost totally inapplicable to the current situation in the UK. Daniel Greenberg is a US journalist who usually writes about American science policy and practice, so I was expecting to find very little overlap with the reality of academic and business life in the UK. Much to my surprise, however, the overlap was almost 100%…

[T]his book does an excellent job of listing in detail the problems and the successes of trying to link the industrial world with academia.…

March 03, 2008

Heat Wave: the play

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Based on Eric Klinenberg's Heat Wave: A Social Autopsy of Disaster in Chicago, a new play by Steven Simoncic looks at the 1995 heat wave that hit the city of Chicago with 106 degree temperatures and caused the deaths of over seven hundred people—one of the deadliest disasters in Chicago's history. Reviewing the play for the Chicago Sun-Times theater critic Heidi Weiss writes:

Mayor Daley is known to be an avid theatergoer. But it's unlikely that he, or City Council members, or a slew of officials from major city agencies who were on the job during the summer of 1995, will be stopping in at Pegasus Players in the coming weeks to catch Heat Wave. If they do, they will be subjected to a most uncomfortable two hours.

As for everyone else, this world premiere (produced with Live Bait Theater) will serve as a vivid reminder of a moment when (a decade before Hurricane Katrina) both municipal government and that far more diffuse thing that might be termed "the human safety net" failed miserably.

More about the play is available at the Pegasus players website. More about the book is at our website and in our interview with Eric Klinenberg.