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July 31, 2008

The soft weapons of autobiography

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The July 31 edition of the London Review of Books has published several interesting articles focusing on two recent books, both of which offer some intriguing insights into the West's engagement with Middle Eastern Muslim cultures in the twentieth century.

As the LRB's Roxanne Varzi notes, Gillian Whitlock's Soft Weapons: Autobiography in Transit is a fascinating exploration of modern Middle Eastern autobiography, that demonstrates how the genre has been used in Western society as a window into an often inaccessible culture, but perhaps more often is appropriated and commodified by Western culture to serve its own interests. In her article Varzi focuses on the latter phenomenon writing:

"You shouldn't overlook the what Gillian Whitlock in Soft Weapons: Autobiography in Transit, calls the paratext: the liminal features that surround the text, not just the book's jacket and typeface but interviews with the author, reviews and commentaries. It is in transit, as commodities, that these narratives, which Whitlock calls 'veiled memoirs,' are shaped by and for the public. Whitlock reproduces an Audi ad that shows [Azar Nafisi, author of Reading Lolita in Tehran], outfitted in a cream suit, floating among shelves of books in a library (a library that contains no contemporary Iranian literature) above the words: 'Never let reality get in the way of imagination.' She is presented as the embodiment of imagination, and yet the 'reality' of contemporary Iran, which she claims to reveal to her audiences, is what provides her cultural capital.

Reading these memoirs, like watching bad reality television, gives the false sense that we are being told the 'truth' by the powerless at a time when those with the power to construct reality have limited our access to the facts.

The July 31LRB also contains an interesting piece by Megan Vaughn on Richard C. Keller's Colonial Madness: Psychiatry in French North Africa—a book that explores the history of French psychology in North Africa and its complicated nature as both a progressive and innovative scientific endeavor, and as a means for furthering colonial goals.

Pick up a copy of this month's LRB to read the full reviews.

July 30, 2008

NPR reviews A Power Stronger Than Itself

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Jazz critic Kevin Whitehead reviewed George E. Lewis's new book A Power Stronger Than Itself: The AACM and American Experimental Music for the July 29 edition of NPR's Fresh Air. In the review, Whitehead outlines the book's captivating scholarly portrait of the Chicago avant-garde jazz collective known as the Association for the Advancement of Creative Musicians, which, since its inception in 1965, has counted among its ranks internationally acclaimed artists such as Anthony Braxton, the Art Ensemble of Chicago, and Muhal Richard Abrams, and gained world wide recognition as one of the defining forces in the avant-garde jazz scene.

Listen to the archived audio on the NPR website.

Also, read an excerpt from the book.

July 29, 2008

Finding something in a whole lot of nothing

jacket imageHenry Alford reviewed William Davies King's book, Collections of Nothing, in Sunday's New York Times Book Review. King, writes Alford, inspires a certain wariness in the reader:

We're talking about a man who once collected worn strips of masking tape that he pulled off the floor of a gymnasium, a man who collects the business cards of business card printers, even though he himself carries no business card.…

Part memoir and part disquisition on the psychological impulses behind the urge to accumulate, Collections of Nothing is a wonderfully frank and engaging look at one man's detritus-fueled pathology. King's honesty and ambivalence about his pastime only increases his emotional connection to the reader. I wanted, by turns, to breast-feed and strangle him.

King believes that the impulse to collect comes "partly from a wound we feel deep inside this richest, most materialistic of all societies." But he also considers other possibilities—"It finds order in things, virtue in preservation, knowledge in obscurity, and above all it discovers and even creates value." His own fondness is for "the mute, meager, practically valueless object. … What I like is the potency of the impotent thing, the renewed and adorable life I find in the dead and despised object." For him, there's "something in nothing." A lot of nothing

Read the rest of the review and read an excerpt and an essay by the author.

July 28, 2008

Loved the ride

jacket imageA great review of Erin Hogan's Spiral Jetta: A Road Trip through the Land Art of the American West appeared in yesterday's New York Times Book Review. Reviewer Tom Vanderbilt has traveled some of the same Western highways as Hogan in his search for atomic bomb sites. He appreciates Hogan's candor about her quest to see the monuments of American land art—works like Robert Smithson's Spiral Jetty, Nancy Holt's Sun Tunnels, and Walter De Maria's Lightning Field:

A prototypical urbanite, surrounded by friends and noise, Hogan says she was beset by an “early midlife crisis,” wondering if there wasn't more to life than meetings and e-mail. “I wanted to learn to enjoy being alone,” she writes. And as a “recovering art historian,” she longed to experience works she had only known refracted through art criticism and seminar slide shows.

So Hogan packed up her Volkswagen Jetta and headed west.…

I can attest to the anomie of motels that still advertise color TV, the dread of cracked roads with “No Services” signs, and the difficulties in being the only stranger in a bar. As a woman alone—Thelma sans Louise—Hogan faces this even more intensely. She tells a tale, by turns humorous and almost harrowing…

Vanderbilt concludes:

I was never quite sure what Hogan was looking for when she set out—self-fulfillment or some new insights into what art is, or what it is for—or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn't magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing. As one guide tells Hogan while they look at art in Marfa, Tex., “You're supposed to draw your own conclusions.”

Read the rest of the review on the New York Times website. The Sunday edition of the Chicago Sun-Times also ran a review of Spiral Jetta.

We have an excerpt from the book and an interview with the author.

Press Release: King, Collections of Nothing

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William Davies King makes no bones about it: he's odd. And his collections are odder: loops of wire, skeleton keys, seafood tins, water bottle labels, envelope liners, strips of masking tape, canceled credit cards, boulders—and that's just for starters. You might call it junk, but to King, it's a very special sort of nothing. Suffice it to say, no one on earth has a garage quite like his.

King's unusual collections reflect his belief in the intrinsic value of the discarded, unwanted, and ephemeral—but as he makes clear in Collections of Nothing, the urge that drives his hoarding is not all that different from that which leads a more typical person to prize uncanceled stamps or pristine sets of baseball cards. Both an affecting memoir and an idiosyncratic examination of the desire to accumulate, Collections of Nothing takes us deep inside the soul of the solitary collector. King's life story is deftly interleaved with his insightful meditations on the nature of the acquisitive mind; the result is a book that defies categorization, a unique hybrid that will speak to anyone who has ever found himself bitten by the collecting bug.

Read the press release. Also, read an excerpt and an essay by the author.

July 25, 2008

The Skyscraper and the City on the Cityroom Blog

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The New York Time's City Room blog published a post this morning on Gail Fenske's new book, The Skyscraper and the City: The Woolworth Building and the Making of Modern New York. City Room contributor Sewall Chan writes:

The book provides a new perspective on some of the most notable aspects of the Woolworth Building, like its eclectic design—Beaux-Arts with Gothic ornamentation, over steel-frame engineering.…

Its Gothic gestures suggested comfort, "moralizing evocations" of the old world from which many of Woolworth's customers had come, [and] by turning to Beaux-Arts design, Professor Fenske writes, Gilbert and Woolworth "resisted the forces of sensationalism and spectacle" associated with advertising and mass culture.…

Summarizing the legacy of the Woolworth Building, Professor Fenske writes:

"Woolworth and Gilbert's project represented in the eyes of contemporaries more than a vulgar contraption for producing a profit, and more than a dubious expression of corporate power, egregious advertising, or an aggressive assault on New York's new signature skyline."

As the building approaches its centennial, she argues, New Yorkers should recognize not only its "aesthetic distinction" but also how "it reflected and refracted the many dreams and obsessions of the urban society that produced it."

Read the full posting on the NYT's City Room blog.

July 24, 2008

Jonathan Kern on "driveway moments"

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Jonathan Kern, author of Sound Reporting: The NPR Guide to Audio Journalism and Production, was a guest last Sunday on NPR's Weekend Edition. On the show Kern joined host Liane Hansen in an interesting discussion about broadcast journalism and the phenomenon of the "driveway moment," which the NPR website explains as "a term used to describe a radio story that keeps you in your car after you've reached your destination, just to listen."

You can find a podcast of the show at the NPR website.

Also read an excerpt from the book.

July 23, 2008

The art of nothing

jacket imageColin Marshall of the Santa Barbara Independent talked to of William Davies King last week about his new book, Collections of Nothing. From broken folding chairs to soup labels, as Marshall writes, "King's are collections of nothing, that is, things of no outward value." Yet through the act of gathering, organizing, and displaying these objects, King finds them imbued with a deeply personal significance:

"It comes out of a 20th-century vocabulary of art, going back to Dadaism, which was an art that believed in nothing" King said. "My own education led me to the Dadaist artists and their strange, often outsider art that was alert to the idea that emptiness of meaning might be as expressive and 'true' as art that purports to be full of meaning. I searched for artwork that would express my own anxiety in the face of the modern world's questionable values. I think anxiety takes the form of nothingness: it's this strange void within you that never seems to get filled up."

Read the article on the Santa Barbara Independent website. We have an excerpt from the book and an essay by the author.

July 22, 2008

You are what you read

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Seth Lerer, author of Children's Literature: A Reader's History from Aesop to Harry Potter was a featured guest yesterday on WGN radio's Extension 720 with Milt Rosenberg. On the show, Lerer engages Rosenberg in a fascinating discussion of the history of children's literature and its indelible influence on young readers. Listen to the archived podcast on the WGN website.

Lerer's book was also mentioned in an article in yesterday's New Yorker about NYC librarian and critic Anne Carol Moore who, during the early part of the twentieth century, played an important, yet controversial role in bringing children's literature into the mainstream of American literary culture. Read the article online at the New Yorker website.

Also read an excerpt from Lerer's book.

July 21, 2008

Dorothea Lange and Daring to Look on NPR

jacket imageThe Sunday edition of NPR's All Things Considered included a segment on Anne Whiston Spirn and her book, Daring to Look: Dorothea Lange's Photographs and Reports from the Field.

The NPR story begins where almost every mention of Lange begins, with the photograph titled "Migrant Mother." Spirn explains why Lange took that photograph and similar images that showed the destitute during the 1930s. Spirn also discusses her favorite Lange photograph, "Migratory Children Living in 'Rambler's Park,'" in which a roll of linoleum figures prominently.

We have an illustrated excerpt from the book.

July 18, 2008

The other side of nineteenth-century NYC

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Writing for the July 17 Times Higher Eduction Laurel Brake delivers an enthusiastic review of The Flash Press: Sporting Male Weeklies in 1840s New York—a book whose look at the provocative weeklies that proliferated in mid-nineteenth century NYC Brake notes, reveals an important, yet often overlooked, aspect of the city's history and culture. From the review:

Generically, [the "flash" papers] mostly seem to be saucily illustrated weeklies, ranging from titillating to soft porn, including simple woodcuts, more than 50 of which are reproduced here. Their distribution points (which included hawker-newsboys, saloons, oyster bars, barber shops, steamboats and theatres), sporting connections and maps and accounts of brothels suggest that most were aimed at a bachelor subculture. An exception is the Whip and Satirist, whose detailed woman's fashion column implies that it both sought female readers and employed women writers.

Commentary and excerpts support the authors' contention that the existence of this genre in antebellum New York establishes the city as cultural capital of the republic in low culture as well as high and indicates a dimension of this period and its press neglected in hegemonic accounts of this "Victorian" city.

Read the review on the THE website. Also, read an excerpt from the book.

July 17, 2008

Iran's nuclear capabilities have been exaggerated

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William O. Beeman, whose book The Great Satan vs. the Mad Mullahs: How the United States and Iran Demonize Each Other was reprinted last year by the press, teamed up with nuclear scientist Dr. Behrad Nakhai to write an interesting commentary on Iran's nuclear activity posted yesterday to the New American Media website. In the article Beeman argues against rumors in the media about Iran's nuclear weapons capabilities, saying that while "Iran is engaged in peaceful nuclear research" it is still far from being able to produce a nuclear weapon, and suggests that claims to the contrary have been fabricated to bolster Israeli official's "requests for the Bush administration's blessing to bomb Iranian nuclear facilities."

Read the full article on the New American Media website or find out more about Beeman's book here.

July 16, 2008

Allan H. Meltzer op-ed in the Wall Street Journal

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Allan H. Meltzer, professor of economics and author of A History of the Federal Reserve, Volume 1: 1913-1951, wrote an interesting op-ed piece for today's Wall Street Journal that warns policymakers against increasing the Federal Reserve's supervision of investment banks. In his article, Meltzer argues that the Federal Reserve's increased involvement with private investment banking firms could lead to greater assurance of government bailouts, and encourage more of the risky lending practices that have led to the highly publicized bank closures in recent months.

Read Meltzer's article on the WSJ website, or find out more about Meltzer's book, A History of the Federal Reserve, Volume 1: 1913-1951. Volume Two is currently slated for publication in the Fall of 2009.

July 15, 2008

Physics for sale?

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In the July issue of Physics Today William H. Wing reviews Daniel S. Greenberg's recent book Science for Sale: The Perils, Rewards, and Delusions of Campus Capitalism—a revealing look at academic science and its commoditization in the hands of private interests. From the review:

Greenberg's research is extensive. His knowledge of the institutions, policymakers, and industries involved in the development of marketable science, and their effects on the science community and public policy, is vast.…

[But] many of Greenberg's examples pertain to the biomedical sciences. Some difficulties he describes—the complex ethical issues involved in human-subject research, extensive regulations, and massive documentation requirements—are issues that physical scientists rarely encounter. Thus those scientists may infer that the book is not relevant to them. They should not. Results in the physical sciences can have enormous human and societal impacts and can raise knotty moral problems, as history has shown. Science for Sale is a cautionary tale that should provoke thoughtful discussions among researchers and academic administrators.

Read the review on the Physics Today website.

Press Release: Spirn, Daring to Look

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Despite the ubiquity of Dorothea Lange's photographs, a surprisingly large number of them have languished in archives, more or less unseen, for decades. With Daring to Look, Anne Whiston Spirn brings nearly 200 of those photos to light, revealing new facets of Lange's celebrated achievement.

Daring to Look is far more than just a book of photos, however. Spirn presents the images—taken in 1939 in California, North Carolina, and the Pacific Northwest—alongside Lange's own field notes and captions, which the photographer considered to be an essential component of her attempt to document the hardscrabble lives of her subjects. Spirn joins that work to an insightful account of Lange's life, as well as a fascinating look at the current state of many of the locations Lange shot. Spirn's own photographs of those towns and farms reflect the changes—and the surprising continuity—over decades, carrying Lange's documentary project into a new century.

Daring to Look brings to life a crucial moment in American history—and illuminates a missing period in the life of one of America's greatest artists.

Read the press release.

Also read an excerpt from the book.

July 14, 2008

The economics of war

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Jurgen Brauer and Hubert van Tuyll's new book Castles, Battles, and Bombs: How Economics Explains Military History was given a positive review by Geoffrey Blainey in the July/August edition of the Australian Book Review. Praising the book for its unique and insightful use of economic principles to explain military strategy throughout the ages Baliney writes:

Castles, Battles & Bombs offers insights about various periods of warfare. Some insights arise from the alertness of the authors… but other lessons in the book probably arise from their unusual technique. As economics is perhaps the most advanced of the social sciences, and as it is not frightened of making bold generalisations about human behaviour, some of its theories, the authors imply, should be applicable to military behaviour. Accordingly, they select six important episodes in warfare, five in western Europe and one in the United States, and then found a well-known economic theory or tool which might help to illuminate each episode.

In studying medieval warfare, and its emphasis on building defensive castles rather than equipping large armies, the authors invoke the principle of 'opportunity cost'. They point out that the castle had special advantages. It was a cheap way of guarding and controlling conquered enemy territory. Moreover, in an era of defensive warfare, a small force of men could defend it for a long period against a large army waiting outside the ditches and walls.…

The heavy British bombing of German cities in World War II persuaded the authors to consult another economic theory: 'diminishing marginal returns.' In the face of massive air raids, German railways and factories were surprisingly resilient, and Germany continued to make more and more aircraft. Moreover, contrary to predictions, the bombs did not weaken the German civilian morale, just as the earlier German bombing of London had not dinted British morale.…

Read the full review on the ABR website.

Also read an excerpt from the book.

July 11, 2008

The Wall Street Journal dances to the music of time

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Few fictional works are as long, or as universally acclaimed, as Anthony Powell's A Dance to the Music of Time. Originally published in twelve volumes over a thirty-year period, we republished them in 1995 in a lovely package of four books. Powell's epic literary tale of twentieth-century London continues to enthrall readers. Cynthia Crossen has an appreciative review in today's Wall Street Journal. From the review:

I have just finished the first two books in the 12-volume cycle, and I'm definitely going to read the rest. I've thrown in my lot, at least for the next few weeks, with Nicholas Jenkins, the narrator, and his well-born friends, lovers and enemies in England between 1914 and 1971.

Novels of manners are often dismissed as soap operas, aimed at women who cut their literary teeth on Jane Austen. Men don't live in the parlor; they go to war, or at least to work. But Mr. Powell, from his own experience, knew that men indeed live in the parlor, like it or not, and spend agonizing amounts of time trying to make sense out of other people's domestic behavior. Mr. Powell, wrote the English critic V. S. Pritchett, "revived the masculine traditions of English social comedy."

What elevates soap opera to the level of literature are the intelligence, sensitivity and comic eye of the author, especially how deeply he or she penetrates human character. Appearances are important, too, and Mr Powell is a puckish observer of the human form. "His hands were small and gnarled, with nails worn short and cracked, as if he spent his spare time digging with them down in the soil. Stringham had said that the nails of the saint who had hollowed out his own grave without tools might fairly have competed against Widmerpool's in a manicure contest."

Click on the first search result on Google News to read the full review, or find out more about the books on our website:

A Dance to the Music of Time: First Movement

A Dance to the Music of Time: Second Movement

A Dance to the Music of Time: Third Movement

A Dance to the Music of Time: Fourth Movement

July 10, 2008

Who are scientists?

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The July 6 Boston Globe published an enlightening interview with Steven Shapin, Harvard professor of the History of Science and author of the forthcoming book The Scientific Life: A Moral History of a Late Modern Vocation. In the interview Shapin discusses his book and its critique of conventional notions about the various motivations and incentives that drive scientific production. Instead, Shapin proposes a much more nuanced picture of of the scientific career and character. From the preface to the interview:

Testifying before congress in 1950, MIT president Karl Compton declared, of American scientists: "I don't know of any other group that has less interest in monetary gain."

That view of scientists might draw a few wry smiles around Kendall Square today. But it also represents a lingering 20th-century ideal: The scientist as a virtuous academic who pursues knowledge as an end in itself. In contrast to that ideal stands the wealth-seeking industrial scientist, a specialist who merely applies science to the problem of putting new products on the market.…

That's the wrong way to think about the whole scientific enterprise, says Steven Shapin.… Scientists, Shapin thinks, do not merely choose between virtue and riches, instead worrying more about where they can pursue their intellectual goals, and thus open up new scientific frontiers.

Thinking otherwise means we fail to understand the very people whose inventions in medicine or computer science are, Shapin writes, "making the worlds to come."

Read the interview on the Boston.com website.

Also see these other books by Steven Shapin previously published by the press:

A Social History of Truth: Civility and Science in Seventeenth-Century England
The Scientific Revolution

July 09, 2008

Two books in the TLS

The July 4 Times Literary Supplement ran an excellent review Evelyn Bloch-Dano's Madame Proust: A Biography—an engaging account of the life of Jeanne Wiel, mother to Marcel Proust, and as Bloch-Dano demonstrates, a decisive influence on the great writer's career. Touching on a myriad of ways in which Proust's mother helped to mold her son into one of the nineteenth-century's most famous novelists the review pays special attention to Proust's mother as a German Jew living in France just before the Dreyfus affair, which revealed the strong undercurrents of antisemitism and injustice that permeated French culture and greatly affected the role Jeanne took in protecting her son from the social pressures and prejudices of the day. Ingrid Wassenar writes for the TLS:

For Bloch-Dano the key to Jeanne is her status as an assimilated Jew. She is represented as a Third Republic Esther: "To save her people, Esther must hide her true origins without ever denying them." In the Old Testament, Esther treads a fine line between obeying the Persian King Ahasuerus and placating her Israelite uncle, Mordecai. In similar ways Jeanne Weil did not truly belong to herself.…

Madame Proust raises fascinating questions about the nature of maternal love and the degree to which motherhood necessitates self-effacement. As the author insists: "We have to admit that this supremely intelligent woman had no other ambition than the happiness of her loved ones. She wouldn't have conceived of her role as sacrificial, but let's hope there were some secondary benefits.…"

Read an excerpt from the book on our website.

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In the same issue Paul Reitter continues on the theme of Judaism in Western culture with a review of Michael P. Steinberg's Judaism Musical and Unmusical. Steinberg's book argues that modernity gave rise to a Jewish consciousness that has increasingly distanced itself from the sacred in favor of worldliness and secularity—a trend contributed to by a who's who of Jewish composers and intellectuals including such figures as Sigmund Freud, Walter Benjamin, Hannah Arendt, Charlotte Salomon, Arnaldo Momigliano, Leonard Bernstein, and Daniel Libeskind. From Reitter's review:

In 1934, Sigmund Freud, old, ailing, and painfully aware of the precariousness of the political situation in Austria, decided to write a book about Moses.… Completed in exile in Britain, Moses and Monotheism argues —doggedly and not very convincingly—that Moses was an Egyptian. Thus, at a time of unprecedented Jewish dispossession, we find Freud struggling mightily to take away Moses, too.… [But in] Steinberg's reading, Freud, by denying "his people" Moses, does nothing other than make his greatest gift to "the Jews."

The idea on which this interpretation rests is an organizing principle in Steinberg's book. What he admires and wants to track are certain modern Jewish "subjectivities," ones that for him emerged vividly in Central Europe and … involved "resisting" the ideology of origins, "loving history," and cultivating a reflective cosmopolitan "secularity.…"

Steinberg's "constellating of Jewishness…could well have a substantial impact on discussions of Central European Jewish culture, where, as he emphasizes, there is a pressing need for new conceptual life.


July 08, 2008

The Stone Angel in theaters Friday

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Set in the fictitious town of Manawaka, Manitoba, Margaret Laurence's The Stone Angel offers a moving portrait of its protagonist, nonagenarian Hagar Shiply, as she struggles to come to terms with the troubles of her past in a dramatic story of a life drawing to a close. Alongside the other novels in her "Manawaka series"—A Jest of God, The Fire-Dwellers, A Bird in the House: Stories, and The Diviners—Laurence's The Stone Angel has been lauded as one of her most poignant narratives and the most famous work by one of Canada's most prominent feminist writers.

The book was also recently made into a feature film by Canadian filmmaker Kari Skogland with its world premiere showing at the 2007 Toronto International Film Festival. This Friday, July 11 the film will also see its U.S. debut in select theaters, including NYC's Landmark Century theaters, and hopefully will see a wider distribution (to Chicago maybe) in the following weeks. Check out a trailer for the film on the official The Stone Angel movie website, or find out more about the book here.

Press Release: Kern, Sound Reporting

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Starting in 1970 with 30 people and an idea for a program, NPR has grown to become one of the world's most trusted major news organizations, with journalists worldwide and 26 million listeners each week. Featuring colorful anecdotes, lively examples, and insights from such award-winning journalists as Robert Siegel and Renee Montagne, this rare insider's tour of public broadcasting reveals how NPR has succeeded as no other medium can in connecting with audiences and capturing the imaginations of its listeners.

Jonathan Kern, a talented guide who has worked in almost every position at NPR News, narrates a day in the life of a host and lays out the nuts and bolts of production with equal wit and warmth. Along the way, he explains the importance of writing the way you speak, reveals how NPR books guests ranging from world leaders to neighborhood newsmakers, and gives sage advice on everything from proposing stories to editors to maintaining balance and objectivity. The result is an unprecedented look at the principles and expertise that have made NPR so integral to American culture.

Read the press release.

Also read an excerpt from the book.

July 07, 2008

Lost architecture reclaimed

jacket imageTwenty-nine houses could be added to the Frank Lloyd Wright catalog of built work. The houses in question are all in suburban Chicago and include two in Berwyn, one each in Wilmette and Glen Ellyn, and an incredible twenty-four houses in River Forest, all on the 700 block of William Street. A group of researchers led by William Allin Storrer has gone public with the claim that Wright designed these homes during a period of his life when attributing a design to him would have detracted from the salability of the house.

Chicago Tribune architectural critic Blair Kamin discussed the claims in a story in yesterday's edition. The houses have previously been attributed to other Prairie School architects, but examination of both interior and exterior details has led the research team to conclude that Wright designed them. The houses date from the 1910s; during this period Wright was a social outcast in the Chicago area because of the scandal of his affair with Mamah Cheney, wife of client Edwin Cheney.

Photos of all the houses and many more details are available on Storrer's website, the FLlW Update. We have published two books by Storrer, The Architecture of Frank Lloyd Wright: A Complete Catalog and The Frank Lloyd Wright Companion. The early twentieth-century period of Wright's professional life is examined in Anthony Alofsin's Frank Lloyd Wright—the Lost Years, 1910-1922. We have also published Meryle Secrest's biography, Frank Lloyd Wright and a volume of Blair Kamin's columns, Why Architecture Matters.

July 03, 2008

Seth Lerer on WBUR Boston Public Radio

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Seth Lerer was featured on the Wednesday July 2 edition of WBUR's On Point with guest host Jane Clayson to discuss his new book Children's Literature: A Reader's History from Aesop to Harry Potter. More than just a historical account of the iconic works of children's literature, as Clayson notes, Lerer's book can be read as a history of childhood itself as children are indelibly molded by the tales they hear and read—stories they will one day share with their own sons and daughters.

Listen to the podcast of their fascinating discussion about children's literature and what it tells us about growing up on the WBUR website.

Also read an excerpt from the book.

July 02, 2008

Scholarly Publishing: Now on Video

clapperboard.jpgFor decades digital technology has steadily transformed the business of academic publishing, but much of the digitization of the industry has, until more recently, gone on behind the scenes in the form of new printing technologies, databases, design and production tools, etc. Then in the mid-1990s the internet began to change how our customers find out about and purchase our books. And just as the textual media have been transformed by digitization, so the audiovisual media are being changed. Audio and video have become much easier to produce and distribute in the age of digital cameras, formats, and online distribution channels.

No surprise that as our readership encounters more and more visual media online, that is where we—and our university press comrades—want to be found. The higher education media are taking note of the trend.

The July 4 edition of the Chronicle of Higher Ed has an article by Nina C. Ayoub on how several academic publishers' are using online video "book trailers" to promote new titles. The article begins with mention of our own multimedia website for Claire Nouvian's The Deep:

When Mark Heineke was asked if the University of Chicago Press had tried trailers, his reply was a pithy "kinda." The press created two sites with multimedia in advance of two books. Heineke, the director of publicity, further elaborated, "I think the trailers are a magnificent idea if you have a book with the visuals or vivacity to make the most of the medium, and if you have the personnel and acumen to pull it off and get it out there." A trailer/slide show "out there" for Chicago was for Claire Nouvian's The Deep: The Extraordinary Creatures of the Abyss (http://www.thedeepbook.org) In it, eerie sea creatures float, one by one, into view against a black background. Each is accompanied by text of its common and scientific names, its size, and its marine depth, as well as by sternum-throbbing music. The Deep's trailer, Heineke says, "truly went viral" for the press when one creature "became somewhat of a Web 2.0 celebrity." The Dumbo octopus (Grimpoteuthis) extended its arms' reach into blogs, poetry, T-shirts, and other realms.

Over at Inside Higher Ed Scott McLemee has a wrap-up of the recent meeting of the Association of American University Press in Montreal. McLemee delivers a broader assessment of digital technology and academic publishing, noting that though digital technologies are promoted by evangelists, university presses often remain skeptical about the efficacy and cost-effectiveness of these new technologies for publishing. But one area that seems to be catching on is the use of multimedia as marketing tools. McLemee writes:

Some panels in Montreal addressed ways to promote paper-and-ink books via digital means. A panel on "New Media for Scholarly Publishers" focused on one medium in particular as having important potential: online video. Participants emphasized the decreasing cost of digital movie cameras and editing equipment, the growing distribution of the skills required for using them, and the rapidly expanding segment of the public that regularly watches video on the internet.

This was persuasive in spite of the gremlins. The audience did at least get to see a Princeton University Press clip of Henry Frankfurt discussing the peculiar susceptibilities to bullshit of the highly educated. Panelists and members of the audience suggested that a press could build a "studio" from scratch for under ten thousand dollars. A ready pool of camera operators and video editors is there to be tapped by any university with a radio-television-film program.

Will video transform scholarly communication? Will academic knowledge be disseminated in film clips? Will it be peer-reviewed? We don't know. And some of us, no doubt, would prefer the user interface offered by the book to the thrill of lectures on a screen. But promotion of our books through audiovisual media will continue.

Here's what we've done so far:

A Flash intro and image gallery for The Deep: The Extraordinary Creatures of the Abyss
A slideshow narrated by the author for Sally A. Kitt Chappell's Chicago's Urban Nature: A Guide to the City's Architecture + Landscape
A six-part video interview for Ashley Gilbertson's Whiskey Tango Foxtrot: A Photographer's Chronicle of the Iraq War

Our YouTube channel has versions of the videos. All will be available at the ITunes store soon. Stay tuned…

July 01, 2008

A posting about nothing

jacket imageThe July 7 edition of The New Yorker briefly but approvingly notes William Davies King's memoir of his lifelong obsession with ephemera, Collections of Nothing. The New Yorker praises the book for "the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one" and continues:

"I lost and found myself in remote topical aisles of scholarship-wreck," [King] says of his hours in Yale's library, reading the most obscure books he could find. His hard-won self-awareness gives his disclosures an intensity that will likely resonate with all readers, even those whose collections of nothing contain nothing at all.

Read the rest at The New Yorker website. Also read an excerpt from the book and an essay by King, “Nothing to Speak About.”

Collections of Nothing was also an object of much affection on Omnivoracious and the cover is “Most Coveted Cover #181” over at Readerville.