A cold blooded, merciless, professional killer that would make even Superman soil his tights invaded this year’s Comic-Con. As we’ve previously noted, the ruthless antihero of Donald Westlake aka Richard Stark’s series of mystery novels, known only as Parker, is making his graphic novel debut in an adaptation of Stark’s 1962 novel The Hunter, produced by illustrator Darwyn Cooke and San Diego book editor Scott Dunbier. As the Chicago Tribune‘s Geoff Boucher reports in his review of the novel for last Wednesday’s paper:
adaptation is already being hailed as a masterpiece by key tastemakers in the comics world, and last week it met the public as Cooke and Dunbier took it to Comic-Con International in San Diego, the massive pop-culture expo that is a sort of Cannes for capes or a Sundance for sci-fi.
And in a laudatory article on the new adaptation in today’s New York Times contributor George Gene Gustines writes:
Mr. Cooke depicts his characters with such emotion and conveys so much with gesture and composition that, except for the specifics of the hijacking, you could almost follow the story by the images alone. And when the words and graphics are in harmony, the effect . . .















Beyond the limits of self-consciousness
A central issue for many photographers is the peculiar way in which the presence of a camera affects the phenomenon being observed—especially when human subjects are involved. Jed Fielding’s new exposition of photographs in Look at me—a pictorial study of blind schoolchildren in Mexico, offers a fascinating exploration of this concept by documenting what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image. Capturing a rare sense of unmediated contact with his subjects Fielding has concentrated closely on these children’s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Confronting disability in a way that affirms life, Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness to produce images that reveal essential gestures of absorption and the basic expressions of our humanity.
For a preview of his work navigate to Fielding’s website where he has posted online a selection from Look at me. And if you’re in the New York area, Fielding will be exhibiting his work from September 10 through October 17th at the Andrea Meislin Gallery. See the gallery website for more details . . .
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