Duke Ellington’s America in the New Yorker

May 13, 2010
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Duke Ellington’s influence on the world of music is well documented, but less so his impact on race relations in twentieth century America. In his new biography, Duke Ellington’s America, cultural historian Harvey G. Cohen shows how, as Ellington’s music propelled him to international fame, he was able to harness his unique social status and artistic genius to influence issues of race, equality and religion. A recent article on Ellington in the New Yorker draws on Cohen’s biography to offer a glimpse into Ellington’s life and his strategies for manipulating American cultural attitudes towards race. In the article, Claudia Roth Pierpont paints a picture of Ellington as a man constantly struggling to maintain a broad appeal, (even in the American south where he occasionally played for segregated audiences), while making his music the front on which he waged war against the racism that inevitably shaped his compositions, performances, and his life.
Read it online at the New Yorker website.
Also read an excerpt from the book.

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