“I did the job with a guy,” Parker said. “I guess I’ll get in touch with him again.”
Donald E. Westlake was a twentieth-century master of crime fiction. Under the name Richard Stark, one of his many pseudonyms, he penned the legendary Parker novels, including three just brought back into print by the University of Chicago Press this week: Butcher’s Moon (1974), Comeback (1997), and Backflash (1998), each with a new foreword by Westlake’s friend and writing partner Lawrence Block. To celebrate their release, Press publicity manager and Parker masterfan Levi Stahl sat down with Brian Garfield, novelist (author of the cult classics Death Wish and Hopscotch), screenwriter, and an old friend of Westlake’s. What’s in store? Behind-the-scenes snapshots of a legendary poker game, insight into the film adaptations spawned by the Parker series, a look into Westlake’s writing process, and more:
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LTS: First off, why don’t you just tell us a bit about your friendship with Donald Westlake. When and where did you meet? Were you friends for a long time?
BG: We met at a poker game in New York, 1965. It was a regular weekly quarter-limit writers’ game. Lawrence Block and agent Henry Morrison were . . .
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Playing poker with Parker: An interview with Brian Garfield
“I did the job with a guy,” Parker said. “I guess I’ll get in touch with him again.”
Donald E. Westlake was a twentieth-century master of crime fiction. Under the name Richard Stark, one of his many pseudonyms, he penned the legendary Parker novels, including three just brought back into print by the University of Chicago Press this week: Butcher’s Moon (1974), Comeback (1997), and Backflash (1998), each with a new foreword by Westlake’s friend and writing partner Lawrence Block. To celebrate their release, Press publicity manager and Parker masterfan Levi Stahl sat down with Brian Garfield, novelist (author of the cult classics Death Wish and Hopscotch), screenwriter, and an old friend of Westlake’s. What’s in store? Behind-the-scenes snapshots of a legendary poker game, insight into the film adaptations spawned by the Parker series, a look into Westlake’s writing process, and more: