Monthly Archives: February 2018

WSJ reviews Christopher Kemp’s “The Lost Species”

February 25, 2018
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WSJ reviews Christopher Kemp’s “The Lost Species”

Tales of expeditions to the farthest reaches of the globe by intrepid scientists and explorers in search of undiscovered species that inhabit it have always captivated the public’s imagination. Take, for example, the apparent popularity of the David Attenborough-themed raves currently taking the UK by storm, featuring episodes of Planet Earth II and Blue Planet II set to samples of the 90-year-old biologist’s narration (as well as some of today’s hottest dance tracks). But while the BBC’s premier nature documentaries might make the work of today’s biologists seem like a neverending jungle adventure, as a recent Wall Street Journal review of Christopher Kemp’s new book The Lost Species points out, in recent years some of the most fascinating new biological discoveries were actually made by researchers working behind the scenes, sorting through vast collections of zoological specimens stored in the the drawers and cavernous basements of natural history museums. As Kemp’s book explains, for decades after their collection, specimens housed in museum archives can remain incorrectly categorized, or not categorized at all–not only due to the sheer size of some of these collections, but also the complex detective work that must go into proper taxonomic classification. David MacNeal writes for . . .

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The Alexander Medvedkin Reader receives 2017 AATSEEL Award

February 13, 2018
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The Alexander Medvedkin Reader receives 2017 AATSEEL Award

The University of Chicago Press is proud to announce that The Alexander Medvedkin Reader has been named the best scholarly translation into English for 2017 by the American Association of Teachers of Slavic and East European Languages. Translated by film scholars Jay Leyda and Nikita Lary in cooperation with Alexander Medvedkin himself, the book offers unprecedented insight into Medvedkin’s film making demonstrating the importance of his work as a crucial link in the history of documentary film, on par with that of his contemporaries Sergei Eisenstein and Alexander Dovzhenko. But you don’t have to take our word for it. The prize announcement on the AATSEEL website offers a great overall picture of the book and the decades-long history of its translation and compilation. Calling it a “mother lode of source material for research on Medvedkin” the announcement continues: The translations are lucid and readable, ably conveying the tone and style of the original. The publication of The Alexander Medvedkin Reader fills a major lacuna in our understanding of early Soviet cinema, and is a gift whose value to the global community of film scholars and film enthusiasts is hard to overestimate. Congratulations to Nikita Lary and the rest of the . . .

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