Blog Archives

Our Latest Longest War . . . still going on

August 23, 2017
By
Our Latest Longest War . . . still going on

On Monday night, President Trump announced a new strategy for Afghanistan, where American forces have been fighting since late 2001. He gave few details, but the general indication was that the war would go on–with possibly as many as 4,000 additional troops–and that the strategy wouldn’t differ markedly from those followed by the Bush and Obama administrations. Aaron O’Connell, retired Marine lieutenant colonel, Afghan war veteran, and the editor of our collection of analysis of the Afghan war by those who have fought it, Our Latest Longest War: Losing Hearts and Minds in Afghanistan, talked with NPR’s Morning Edition on Monday. That was before the president’s speech, but O’Connell had a sense of what he was likely to say, and he wasn’t impressed: Nobody thinks 5,000 more troops is going to end the war in Afghanistan. For context, we have about 8,400 American troops there now. And at the height of the surge in 2011, we had 100,000. So adding 5,000 more won’t end the war. The hope is that it will buy the Afghan government a bit more time to bring the Taliban to a negotiated peace, or at least to halt the loss of momentum and halt the Taliban advance. . . .

Read more »

It’s here!

August 16, 2017
By
It’s here!

Seven years and countless changes to every aspect of writing, editing, and publishing* after the 16th Edition, the 17th Edition of the Chicago Manual of Style has arrived in all its glory.   Blue and beautiful, this behemoth more than any other book we publish is the product of teamwork. It may not take a village, but it does take a whole publishing house. So we thought we’d share a few photos from a birthday party we just held for it. Those are the smiling faces of people who have just proudly set this book off on its journey to the desks of writers and editors all over the world. *But not to the serial comma. We’re not monsters. . . .

Read more »

Passchendaele, a century on

August 2, 2017
By
Passchendaele, a century on

“Why should I not write it?” That’s Edmund Blunden, opening his now-classic memoir of World War I, Undertones of War, in 1928. Blunden, a poet, joined the Royal Sussex Regiment in 1915, and he served in a number of major battles of the war, including Passchendaele, which began July 31, 1917 and would continue–at a cost of nearly 600,000 dead–until November 10. Blunden’s book was one of a number published a decade or so after the war that both marked and brought about a change in English opinion about the war and its legacy. William Manchester, in The Last Lion, wrote, The most extraordinary thing about England’s disenchantment with the war is that it didn’t surface for over ten years. The reading public had been fed the self-serving memoirs of those responsible for the disaster and the thin fictional gruel of Bulldog Drummond and Richard Hannay. Those who had remained home were simply incapable of absorbing the truth. Aging Tommies told them that sixty thousand young Englishmen had fallen on the first day of the battle of the Somme without gaining a single yard. Sixty thousand! It couldn’t be true. Those who said so must be shell-shocked. But by 1929, after the publication of Undertones, Siegfried . . .

Read more »

You thought that by coming here you were going to escape all the Russia news, didn’t you?

July 23, 2017
By
You thought that by coming here you were going to escape all the Russia news, didn’t you?

Well, define “news.” Because what we have to offer is nearly a century old–but it’s also little known. Over at Aeon, Julia Mickenberg has written a piece drawing on her book American Girls in Red Russia: Chasing the Soviet Dream about the almost unknown stories of the many American women who moved to the young Soviet Union in the early part of the twentieth century in search of a better life. Most of these were ordinary women, tempted by promises of greater freedom, more equality, and a broader spectrum of rights than they could have in the United States at the time. But a few were famous–including dancer Isadora Duncan; you can read about her Soviet years in  an excerpt from the book at Lapham’s Quarterly. See? Nary a word about secret meetings, dodgy dossiers, or anything contemporary. It’s okay sometimes to live in the past–especially when that past reminds you of long-forgotten (if ultimately tragic) dreams of the future. . . .

Read more »

Happy 200th Birthday, Henry David Thoreau!

July 12, 2017
By
Happy 200th Birthday, Henry David Thoreau!

                  Henry David Thoreau was born on July 12, 1817. Laura Dassow Walls explains the trajectory of his life, which shaped his thinking about the world in every way: He was born on a colonial-era farm into a subsistence economy based on agriculture, on land that had sustained a stable Anglo-American community for two centuries and, before that, Native American communities for eleven thousand years. People had been shaping Thoreau’s landscape since the melting of the glaciers. By the time he died, in 1862, the Industrial Revolution had reshaped his world: the railroad transformed Concord from a local economy of small farms and artisanal industries to a suburban node on a global network of industrial farms and factories. His beloved woods had been cleared away, and the rural rivers he sailed in his youth powered cotton mills. In 1843, the railroad cut right across a corner of Walden Pond, but in 1845 Thoreau built his house there anyway, to confront the railroad as part of his reality. By the time he left Walden, at least twenty passenger and freight trains screeched past his house daily. His response was to call on his . . .

Read more »

Philip Gossett (1941–2017)

June 19, 2017
By
Philip Gossett (1941–2017)

                  The world of music and opera lost one of its great champions last week with the death of Philip Gossett. It would be hard to overstate Gossett’s contribution to our understanding and experience of opera, particularly of the works of Verdi and Rossini. As the New York Times noted in their obituary, Gossett “was a pioneer in the creation of scholarly critical editions of opera scores,” and he used the knowledge he gleaned from archives and manuscripts not merely in the scholarly world, but also in the realm of performance, working with opera companies, conductors, and singers to bring the most accurate and authentic versions of both familiar and long-forgotten works to audiences around the world. In the Times, Ricardo Muti called Gossett “a blessing for the conductors that wanted, really, to bring back a certain dignity to the scores, to bring back the original ideas of the composers.” In recognition of his service to Italian opera, the Italian government awarded him the Cavaliere di Gran Croce, their highest civilian honor. At the University of Chicago, Gossett served as the Robert W. Reneker Distinguished Service Professor of Music and also as Dean of  Humanities. The . . .

Read more »

“Never have empty bedrooms looked so full.”

July 3, 2014
By

The Fourth of July will be marked tomorrow, as usual, with barbecues and fireworks and displays of patriotic fervor. This year, it will also be marked by the publication of a book that honors patriotism–and counts its costs–in a more somber way: Ashley Gilbertson’s Bedrooms of the Fallen. The book presents photographs of the bedrooms of forty soldiers–the number in a platoon–who died while serving in Iraq or Afghanistan. The bedrooms, preserved by the families as memorials in honor of their lost loved ones, are a stark, heartbreaking reminder of the real pain and loss that war brings. As NPR’s The Two-Way put it, “Never have empty bedrooms looked so full.”   {Marine Corporal Christopher G. Scherer, 21, was killed by a sniper on July 21, 2007, in Karmah, Iraq. He was from East Northport, New York. His bedroom was photographed in February 2009.} A moving essay by Gilbertson tells the story of his work on the project, of how he came to it after photographing the Iraq War, and about the experience of working with grieving families, gaining their trust and working to honor it. As Philip Gourevitch writes in his foreword, “The need to see America’s twenty-first-century war dead, and to make them . . .

Read more »

We are here

July 23, 2013
By
We are here

Ideas don’t exist in a vacuum, and neither does the University of Chicago Press. We share a corner of a immensely beautiful campus where Gothic structures mingle with modernist marvels, and a who’s who of architects give the Loop a run for its money (people aren’t quite lining up to stare down from the top of the Logan Center yet, but just give it time!). Even our heating and chiller plants are stunning, an especially lucky fact since the Press building overlooks the towering South Campus Chiller Plant with its engineering inner workings fully on display. But while they make impressive photo ops and allow for games of spot-the-gargoyle, why the gothic buildings? Why did the forward-thinking university start with an architectural style that was centuries old? The answer lies in the beautifully illustrated new book Building Ideas: An Architectural Guide to the University of Chicago. *** For the physical plan and architectural design, the founding trustees considered six local firms. Chicago’s architectural talent was adept at executing large projects, maintaining budgets, and creating designs that consistently impressed (albeit grudgingly) the critics from the East Coast. Chicago School architects designed for a demanding city: for developers who craved square footage, for . . .

Read more »

The Rise of Secularism

July 19, 2013
By
The Rise of Secularism

When it comes to American religious history, few books have caused as much debate as John Lardas Modern’s Secularism in Antebellum America. In the book, Modern uncovers surprising connections between secular ideology and the rise of new technologies that opened up new ways of being religious in the nineteenth century, and he challenges the strict separation between the religious and the secular that remains integral to the discussions of religion we engage in today. The Immanent Frame describes the debate thusly: Modern’s understanding of secularism and his argument that mid-nineteenth century American religious movements are in some sense responsible for the secularizing ethos which the majority of them opposed. From Modern’s perspective secularization represents not the separation of the religious from the profane but the opportunity for religion to discover within the secular its true meaning. Religion thus confronts modernity not by disappearing but inventing modern figures to adapt to the novelty of the technological age, and to redefine itself.  Perhaps Modern’s most compelling example of these claims is mid-nineteenth century American evangelicalism—specifically its reliance on modern media and technologies. At last fall’s American Academy of Religion conference, the book was the subject of a panel that saw each scholar responding to a specific chapter. . . .

Read more »

The Idea of Nature, the Nature of Ideas

July 17, 2013
By
The Idea of Nature, the Nature of Ideas

Guest blogger: Ryo Yamaguchi It is hard to imagine the world—or ourselves for that matter —without DNA, but for most of our intellectual history we knew nothing about those slender molecules. The modern microscope was invented near the beginning of the seventeenth century, with Friedrich Miescher isolating DNA in the late nineteenth, and between those times theories regarding biological formation and reproduction were explored by Enlightenment thinkers and scientists such as John Locke, Anton van Leeuwenhoek, Carl Linnaeus, and Comte de Buffon. We overlook it now as common knowledge, but biological reproduction was something these people had to think through, to explain without DNA, and the debates between concepts such as God, mechanics, fermentation, homunculi—and how they could inform life’s larger lineages, of the differences between species, of a natural history as a whole—abounded. Enter Immanuel Kant. Many of us do not think of Kant as a biologist, but he was deeply interested in natural history throughout his career, an interest that Jennifer Mensch takes up in Kant’s Organicism, published last month. Situating Kant among the above thinkers, she shows not only that Kant had theories of his own on the generation of life but that he applied these theories . . .

Read more »

Search for books and authors