The Reverend Gary Davis was born in Piedmont, South Carolina, on April 30, 1896. He died in Hammonton, New Jersey, on May 5, 1972. In between, he become one of the most protean guitar players of the twentieth century, and his finger-picking style influenced everyone from Bob Dylan and the Grateful Dead to Keb’ Mo’ and Blind Boy Fuller.
Born partially blind as the sole surviving son to two sharecroppers in the Jim Crow South, by the 1940s, Davis, ordained as a Baptist minister, was playing on Harlem streetcorners and storefronts, making his living as an itinerant, singing gospel preacher. By the beginning of the 1960s folk revival, he had moved in circles that included Lead Belly and Woody Guthrie, recorded a series of albums for the legendary Folkways label, and been embraced by a generation of educated, middle-class young people eager for fodder to spur a folk revival. See his performance at the 1965 Newport Folk Festival for further illumination of this cultural congruence. Even before his death in 1970, he was the subject of two television documentaries. Davis’s legacy, however, still exists outside a canon that has acknowledged his peers, including Muddy Waters and Robert Johnson—his music, like his troubled life, is the stuff of . . .