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Verdi’s Nabucco at the Lyric Opera

February 9, 2016
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Verdi’s Nabucco at the Lyric Opera

Full of “blood and thunder“—words for the Lyric Opera of Chicago’s staging of Giuseppe Verdi’s Nabucco, an amalgamation of quasi-stories from the Book of Jeremiah and the Book of Daniel coalesced around a love triangle, here revived for the first time since 1998. On the heels of its opening—the full run is from January 23 to February 12—UCP hosted a talk and dinner featuring a lecture “Nabucco and the Verdi Edition” by Francesco Ives. That Verdi Edition, The Works of Giuseppe Verdi, is the most comprehensive critical edition of the composer’s works. In addition to publishing its many volumes, the University of Chicago Press also hosts a website devoted to all aspects of the project, which you can visit here; to do justice to the scope and necessity of the Verdi Edition, here’s an excerpt from “Why a Critical Edition?” on that same site: The need for a new edition of Verdi’s works is intimately tied to the history of earlier publications of the operas and other compositions. When Verdi completed the autograph orchestral manuscript of an opera, manuscript copies were made by the theater that commissioned the work or by his publisher (usually Casa Ricordi). These copies were used in performance, and most of the . . .

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The Catharine Stimpson Prize for Outstanding Feminist Scholarship

February 5, 2016
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The Catharine Stimpson Prize for Outstanding Feminist Scholarship

From our colleagues at Signs: The University of Chicago Press and Signs are pleased to announce the competition for the 2017 Catharine Stimpson Prize for Outstanding Feminist Scholarship. Named in honor of the founding editor of Signs: Journal of Women in Culture and Society, the Catharine Stimpson Prize is designed to recognize excellence and innovation in the work of emerging feminist scholars. The Catharine Stimpson Prize is awarded biennially to the best paper in an international competition. Leading feminist scholars from around the globe will select the winner. The prizewinning paper will be published in Signs, and the author will be provided an honorarium of $1,000. All papers submitted for the Stimpson Prize will be considered for peer review and possible publication in Signs. Eligibility: Feminist scholars in the early years of their careers (fewer than seven years since receipt of the terminal degree) are invited to submit papers for the Stimpson Prize. Papers may be on any topic that falls under the broad rubric of interdisciplinary feminist scholarship. Submissions must be no longer than 10,000 words (including notes and references) and must conform to the guidelines for Signs contributors. Deadline for Submissions: March 1, 2016. Please submit papers online at http://signs.edmgr.com. . . .

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Free e-book for February: Outside the Gates of Eden

February 3, 2016
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Free e-book for February: Outside the Gates of Eden

Our free e-book for February: Peter Bacon Hales’s Outside the Gates of Eden: The Dream of America from Hiroshima to Now Download your copy here. *** Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age. Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as . . .

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What is an Air Guitar?

February 1, 2016
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What is an Air Guitar?

The University of Chicago Press: you’ve got the answer(s), we’ve got the question(s). (And by questions, I mean Dave Hickey’s other books.)          To read more about The Invisible Dragon, click here. To read more about 25 Women: Essays on Their Art, click here. . . .

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Jennifer Tyburczy on Sex Museums for Artforum

January 29, 2016
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Jennifer Tyburczy on Sex Museums for Artforum

Just a snippet from a fab piece by Jennifer Tyburczy for Artforum on the research informing her recent book Sex Museums: The Politics and Performance of Display, which places the museum in its spatial, political, and sexual contexts, each imbricated by the other, as well as our notions of public and private. You can read more from her “500 Words” piece here. *** The big surprise, though, was that as soon as I started to write about sex museums, they started to close. The latter part of my book is dedicated to an ethnography of these spaces. It was disconcerting when I would plan out a visit to Los Angeles to see an erotic museum that then closed mere months before I could make the trip. Part of the book became about the failure of these ventures, and I don’t mean in a Jack Halberstam, Queer Art of Failure kind of way. Ultimately, many of these museums could not provide what visitors wanted, which was a really raw experience with sex drawn from the archive and arranged in displays. A lot of the museums I discuss—whether in New York, Denmark, or Spain—had an ingrained idea of who their normative visitor was and where their threshold . . .

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“Anthropology’s Storyteller-Shaman-Sorcerer”

January 28, 2016
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“Anthropology’s Storyteller-Shaman-Sorcerer”

From a recent review of Michael Taussig’s The Corn Wolf at Pop Matters: Taussig’s work is the sort of bewilderingly beautiful prose (one is often tempted to call it poetry) that’s able to operate on multiple intellectual levels. The first essay in the collection, “The Corn Wolf: Writing Apotropaic Texts”, immerses the reader fully and mercilessly in the style. It opens with a poor graduate student realizing that writing up their fieldwork is the most difficult and important task of graduate school, and also the one thing graduate school teaches you nothing about. Fieldwork and writing; “they are both rich, ripe, secret-society-type shenanigans. Could it be that both are based on impossible-to-define talents, intuitions, tricks, and fears?” No wonder many careerist academics dislike him. Of course the essay isn’t so much about graduate writing as about his own writing, and about the act of writing—the magical act of writing—itself. For example, Taussig considers anthropology’s treatment of magic and shamanic sorcery: “Pulling the wool over one’s eyes is a simpler way of putting it… What we have generally done in anthropology is really pretty amazing in this regard, piggybacking on their magic and on their conjuring—their tricks—so as to come up with explanations that . . .

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The Party Decides on The Brian Lehrer Show

January 27, 2016
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The Party Decides on The Brian Lehrer Show

The Party Decides: Presidential Nominations Before and After Reform is having quite a week—and quite an election season, in general. The book was adopted early by Nate Silver at his FiveThirtyEight blog, which led to explorations of its hypothesis here and here, and most recently here: where Silver posits the book as the most “misunderstood” of the 2016 primary season. The point of Silver’s statement rests on whether or not a Trump nomination would destroy the Republican Party. The book’s argument is that party elites—unelected insiders—control who ultimately ends up nominated at the convention, and that decision is made many months before the primary campaign season even begins. Was anyone but Trump the nominee (say Marco Rubio, or even Jeb Bush), then The Party Decides had it right all along; if Republicans put forward DT, then it may be less a sign that the statistically supported data of the book is incorrect, and more a case of the possible dissolution of the Grand Old Party. In the meantime, you can hear more about the book and what a Trump nomination might signify on today’s episode of The Brian Lehrer Show below: To read more about The Party Decides, click here. . . .

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WJT Mitchell on Pixar’s The Good Dinosaur

January 21, 2016
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WJT Mitchell on Pixar’s The Good Dinosaur

From WJT Mitchell’s review of Pixar’s The Good Dinosaur, live at the LA Review of Books: The Pet Collector reminds us of the most fundamental role of language: the ability to name things, and by doing so, to make them belong to us, and we to them. (The naming of and “dominion over” animals are central to Adam’s role in the Garden of Eden.) But the Collector doesn’t just take possession of his adopted family of animals; in his excessive abundance of attachments, he is clearly also possessed, and appears to be a fearful hoarder of living things. Arlo, by contrast, only needs his one companion, Spot, and he is comfortable with letting Spot go when he finds a human family to join at the conclusion of the film. All this reeks of what anthropologists used to call totemism, the adoption of natural things (animals and plants) as kinfolk and symbols of kinship in so-called primitive cultures. The problem is that dinosaurs were unknown to primitive cultures; they are a thoroughly modern discovery, never named, classified, or adopted until the British paleontologist Richard Owen proclaimed their existence in 1843. Could it be that modern cultures need totemism too? Freud’s Totem and Taboo argued . . .

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If the US economy is so good, why does it feel so bad?

January 19, 2016
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If the US economy is so good, why does it feel so bad?

“If the US economy is so good, why does it feel so bad?”* by Salvatore Babones (*adapted from Sixteen for ’16: A Progressive Agenda for a Better America, first published on the Policy Press Blog) *** With a 2 percent annual growth rate, 5 percent unemployment, and zero inflation, the US economy is the envy of the world. Growth seems to be rising and unemployment seems to be falling, which means that most analysts expect an even better US economy in 2016. Throw in low gas prices and a strong dollar, and what’s not to like? If the US economy is doing so well, why are ordinary people so unhappy with their own economic prospects? The aggregate US economy may be growing but most people’s personal economies are not. Census Bureau data show that real per capita income is still below 2007 levels—despite six years of solid economic growth. And Bureau of Labor Statistics data show that despite today’s low unemployment rates the jobs still haven’t come back. Back in 2006 the employment rate of the civilian population—the proportion of adults who had jobs—was over 63 percent. Allowing for people who are still in school, people who are retired, people who . . .

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The New York Times Magazine on Alice Goffman

January 13, 2016
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The New York Times Magazine on Alice Goffman

The controversy surrounding Alice Goffman’s On the Run is nothing new—the book’s appearance was met with both laudatory curiosity and defensive criticism, from within and outside academic sociology. On the Run offers an ethnographic account based on Goffman’s work in the field—and the field happens to be a mixed-income, West Philadelphia neighborhood, whose largely African American residents lived their lives under the persistence presence of the cops, whose pervasive policing left Goffman’s subjects, the members of her community, caught in a web of presumed criminality. The elephant(s) in the room: how does a privileged white woman engage in this kind of (often passé) participant-observer research without constantly self-checking her positionality? How can this type of book—and its more sensational elements—be true to the word? Who has permission to write about whom? And what happens when these questions leave the back-and-forth behind the closed doors of the academy and bring up very real suggestions about legal culpability, fabrication, and the politics of representation? In a long-form piece for the New York Times Magazine, Gideon Lewis-Kraus assesses Goffman’s predicament and how her personal experiences shaped several of the more controversial aspects of the book’s account. All the while, he traces the book’s emergence during a crucial (and heated) moment for the . . .

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