The PROSE Awards (or, the American Publishers Awards for Professional and Scholarly Excellence) are unique to the scholarly and professional publishing communities—not only prestigious, but selected from “over 535 entries of books, reference works, journals,and electronic products in more than 40 categories,” juried by a community of peer publishers, librarians, and academics. In addition to offering congratulations to all the winners, we are delighted to point you toward those books from our own list that received either a PROSE Award or honorable mention for general excellence:
Home Front: Daily Life in the Civil War North
By Peter John Brownlee, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens
Biological Sciences (Honorable Mention)
The Ornaments of Life: Coevolution and Conservation in the Tropics
By Theodore H. Fleming and W. John Kress
The Lost World of Fossil Lake: Snapshots from Deep Time
By Lance Grande
Education, Justice, and Democracy
Edited by Danielle S. Allen and Rob Reich
Environmental Science (Honorable Mention)
Our Once and Future Planet: Restoring the World in the . . .
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The Gordon J. Laing Prize is awarded annually by the University of Chicago Press to the faculty author, editor, or translator of a book published in the previous three years that brings the Press the greatest distinction. The varied expertise of past recipients has spanned the disciplines—from intellectual property wars and evolutionary theory to racial profiling and eighteenth-century Italian opera—and helped to generate an enviable listing of scholars that the University is lucky to call their own. On top of all that, this year marks the fiftieth anniversary of the Prize, first awarded to Bernard Weinberg in 1963 for A History of Literary Criticism in the Italian Renaissance.
This year, the 2013 Laing Prize went to Andreas Glaeser, associate professor of soci0logy at the University, for Political Epistemics: The Secret Police, the Opposition, and the End of East German Socialism. Glaeser’s book considers socialist East Germany’s unexpected self-dissolution in 1989, building on extensive in-depth interviews with former secret police officers and the dissidents they tried to control, among other resources, to offer an epistemic account of socialism’s failure that differs markedly from existing explanations.
Included below are some snapshots from the recent Laing Prize reception taken by . . .
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The University of Chicago Press extends its congratulations to our own Unoriginal Genius Marjorie Perloff—whose astute exploits in literary theory, criticism of twentieth- and twenty-first-century poetics, and consideration of the visual arts we’ve blogged about before, now and again. Why raise another glass to Marjorie?
Well, the American Philosophical Society—the nation’s oldest and most esteemed scholarly organization (founded in 1743)—whose mission is to “promote useful knowledge in the sciences and humanities through excellence in scholarly research, professional meetings, publications, library resources, and community outreach,” just called her a member. Among her cohort of those inducted with distinction in the humanities? Mary Beard, Marjorie Graber, Wu Hung, Rosalind Krauss, Brent D. Shaw, and Salvatore Settis, in a class of 2012 inductees that extended its reach through the arts and public affairs (along with the physical, natural, and social sciences) to include such luminaries as Jill Abramson, William Kentridge, Cormac McCarthy, Gerhard Richter, and Richard Serra.
We’ve been lucky enough to shepherd several of Perloff’s books into publication, and though the list only reflects a portion of her overwhelming scholarship, it’s nothing to shake a stick at. Radical Artifice: Writing Poetry in the Age of Media, John Cage: Composed in America, Frank . . .
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Adrian Johns is having a pretty good series of weeks. Earlier this month, the intellectual property specialist was named a 2012 Guggenheim Fellow. The chair of the Committee on Conceptual and Historical Studies of Science and the Allan Grant Maclear Professor in History at the University of Chicago, Johns plans to use his Guggenheim funding to study the intellectual property defense industry.
Johns is no stranger to prizes. His earlier work The Nature of the Book: Print and Knowledge in the Making won the Leo Gershoy Award of the American Historical Association, the John Ben Snow Prize of the North American Conference on British Studies, the Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies, and the SHARP Prize for the best work on the history of authorship, reading and publishing. Piracy: The Intellectual Property Wars from Gutenberg to Gates, his most recent volume, won the American Society for Information Science and Technology’s Book of the Year Award and was a CHOICE Outstanding Academic Title.
Just yesterday, Johns was feted in a ceremony bestowing yet another honor on his work with Piracy, the Gordon J. Laing Prize for best faculty author, editor or translator of a book published in . . .
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For the second year in a row, a former Phoenix Poet has taken home the Poetry Foundation’s Ruth Lilly Poetry Prize—and, for W. S. Di Piero, the legacy is a long, tall glass of water. He joins the company of twenty-six fellow poets who have soldered the experience of working class lives into indomitable verse, like Philip Levine; those who, like C. K. Williams and Adrienne Rich, have championed social issues and countered injustice; and those, like John Ashbery, who also deal in the criticism of the visual arts.
What makes Di Piero unique, in a body of work conjures the presence of divinity in everyday life, redresses the grievances of a working-class South Philadelphia upbringing, and moves with effortless comfort from plain-style speech to bold translations from Euripides and Giacomo Leopardi, is exactly what doesn’t. He tells the truth, and I think it’s fair to say, it’s not slant. Di Piero questions poets and the quotidian equally, and what he arrives at is often something close to a sense of permission.
As Christian Wiman, editor of Poetry magazine stated the Foundation’s official announcement:
“R. P. Blackmur once said that great poetry ‘adds to the stock of available reality,’ and . . .
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