A recent review from the New Yorker—and more about the book here.
“The wings of the pterosaur take us to the Wright Brothers, the pinhole eyes of the nautilus to the invention of the daguerreotype. In fact, the linkage is pointed: it’s not nature’s story or ours but both together. Divorcing human achievements from their relations in natural life means that Homo sapiens, too, is only ‘barely imagined.’”
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From Josh Cook’s review of Recalculating by Charles Bernstein, in the May issue of Bookslut:
With translations, imitations, and homages, and with poems of poetry’s motion, and manifestos of politics and poetics, Bernstein has gone beyond a personal anthology of poetics to write a book I struggle to categorize. If you could remove all the term’s negative connotations, all the personal and cultural associations with boredom and restriction, if you could extract the term from the worst of academics and education, you could call Recalculating a textbook. It is the syllabus, the required reading, the example, the supplemental critical exploration, and the challenge. It is a shiv tearing at the fabric of poetry for a glimpse of the poetic future. It is the wall, the empty cans of spray paint, and the graffiti. It is the schematics for every part of the bomb but the fuse; the reader is the fuse. But as explosive as Recalculating is, the image of a bomb isn’t right, for, ultimately Bernstein is not a destroyer but a motivator. At the end of Recalculating, Bernstein wants you to believe poetry has not met its potential.
The . . .
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Barbara J. King is having quite a week—at least in terms of traversing brave new (pop-cultural) frontiers for the scholarly pursuits of animal intelligence and emotion. First came an excerpt from King’s latest book How Animals Grieve in a recent edition of the New York Post—noteworthy enough; so noteworthy, in fact, that it led to a mention of the book and King’s work on an episode of Howard Stern’s syndicated SIRIUS radio show (Stern, who along with his wife, is an animal rights advocate, experienced the traumatic loss of his English bulldog Bianca just a year ago; he even gave the book a plug via his Twitter feed). As if all this weren’t enough to render a tear in academic publishing’s space-time continuum, King herself made an appearance on Stern’s show, evidencing some of the ideas surrounding animal mourning that her book draws upon.
In How Animals Grieve, King considers a recent shift in anthropological attention to our companion species, which recognizes our long-chided tendency to anthropomorphize animal emotions might instead hold grains of truth. She tells of elephants surrounding their matriarch as she weakens and dies, and, in the following days, attending to her corpse as if holding a vigil. . . .
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Last week the New York Times Book Review ran a review of three books about Chicago. The review generated an “epic backlash,” and got everyone talking about, well, everything but the books reviewed. We want to change that.
For the first five days of May, we are making Neil Steinberg’s book You Were Never in Chicago available for download—free of charge—exclusively through the University of Chicago Press website at http://bit.ly/freebk. It’s one of our bestsellers; it just won the Society of Midland Authors Award for Best Non-Fiction of 2012; and it has been critically acclaimed—even by the New York Times itself, who in September called it, “A strong case for Second City exceptionalism.”
Why free? Because we are so certain people will fall in love with Steinberg’s distinctive, wry, and unpretentious take on Chicago that we think they’ll read it and want to buy it as a gift for themselves or someone else who loves Chicago. Or who loves any city of the broad-shouldered kind.
Steinberg’s book takes its title from a Chicagoan’s outraged response to a New Yorker’s critique of Chicago—A. J. Liebling’s 1952 three-part essay in the New Yorker, in which he dubbed Chicago the “Second City.” . . .
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Rodney F. Powell, our editor for film and cinema studies, remembers Roger Ebert:
Alas, Roger Ebert has passed, too soon at 70. The University of Chicago Press has been privileged to publish three of his books—Awake in the Dark: The Best of Roger Ebert, Scorsese by Ebert, and The Great Movies III. I worked on all three, and Ebert’s professionalism and good humor were always evident. It was also a pleasure to note his passionate advocacy of the printed word—as a voracious reader, as well as an enthusiastic film-lover.
Ebert’s celebrity status tended to obscure the fact that was hidden in plain sight throughout his career—that he was, first and foremost, an excellent writer. His ability to recognize the essential in films was matched by his ability to write clearly, concisely, and evocatively about those essential qualities, with a welcoming, unforced ease. He brought those same qualities from his daily reviews to the longer and more reflective essays he wrote for his Great Movies series. And, at his best, there was something more. Like other lasting critics, he could make his readers understand the moral qualities of the works he valued most by revealing how . . .
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To better understand the shift in activist politics and policy—from rejection of marriage as an institution to lobbying for same-sex couples’ right to marry—by gay and lesbian rights organizations, read The Nuptial Deal: Same-Sex Marriage and Neo-Liberal Governance by Jay Cee Whitehead.
Whitehead’s argument parallels the transformation that occurred in the minds of activists and ordinary citizens with the rise of neo-liberalism, ultimately arguing that the federal government’s resistance to same-sex marriage stems not from “traditional values” but from fear of exposing marriage as a form of governance rather than a natural expression of human intimacy.
To better grasp the pattern of waxing and waning same-sex marriage has faced in terms of public visibility—and to comprehend how policy cycles and political opportunity have characterized debates since the 1996 passing of the Defense of Marriage Act—read The Politics of Same-Sex Marriage, edited by Craig A. Rimmerman and Clyde Wilcox.
The Politics of Same-Sex Marriage brings together an esteemed list of scholars who consider how court rulings and local legislatures have kept the issue alive in the political sphere, and conservatives and gay rights advocates have made the issue a key battlefield in . . .
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