Subjects

Everything’s coming up Howie

January 23, 2015
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Everything’s coming up Howie

 

 

Adam Gopnik, writing in the New Yorker, recently profiled eminent American sociologist Howard S. Becker (Howie, please: “Only my mother ever called me Howard”), one of the biggest names in the field for over half a century, yet still, as with so many purveyors of haute critique, better known in France. Becker is no wilting lily on these shores, however—since the publication of his pathbreaking Outsiders: Studies in the Sociology of Deviance (1963), he’s been presiding as grand doyen over methodological confrontations with the particularly slippery slopes of human existence, including our very notion of “deviance.” All this, a half dozen or so honorary degrees, a lifetime achievement award, a smattering of our most prestigious fellowships, and the 86-year-old Becker is still going strong, with his most recent book published only this past year.

From the New Yorker profile:

This summer, Becker published a summing up of his life’s method and beliefs, called “What About Mozart? What About Murder?” (The title refers to the two caveats or complaints most often directed against his kind of sociology’s equable “relativism”: how can you study music as a mere social artifact—what about Mozart? How can you consider criminal justice a mutable convention—what about Murder?) The book is . . .

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A Show-Trial: An excerpt from Bengt Jangfeldt’s Mayakovsky

January 22, 2015
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A Show-Trial: An excerpt from Bengt Jangfeldt’s Mayakovsky

“A Show-Trial”

Excerpted from Mayakovsky: A Biography by Bengt Jangfeldt

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Mayakovsky returned to Moscow on 17 or 18 September. The following day, Krasnoshchokov was arrested, accused of a number of different offenses. He was supposed to have lent money to his brother Yakov, head of the firm American–Russian Constructor, at too low a rate of interest, and to have arranged drink– and sex–fueled orgies at the Hotel Europe in Petrograd, paying the Gypsy girls who entertained the company with pure gold. He was also accused of having passed on his salary from the Russian–American Industrial Corporation ($200 a month) to his wife (who had returned to the United States), of having bought his mistress flowers and furs out of state funds, of renting a luxury villa, and of keeping no fewer than three horses. Lenin was now so ill that he had not been able to intervene on Krasnoshchokov’s behalf even if he had wanted to.

His arrest was a sensation of the first order. It was the first time that such a highly placed Communist had been accused of corruption, and the event cast a shadow over the whole party apparatus. Immediately . . .

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Daniel Albright (1945–2015)

January 14, 2015
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Daniel Albright (1945–2015)

On January 3, 2015, scholar Daniel Albright (1945–2015), the Ernest Bernbaum Professor of Literature at Harvard University—who counted himself, among other accolades, as an NEH Fellow, a Guggenheim Fellow, and a Berlin Prize Fellow at the American Academy in Berlin—passed away unexpectedly. The author of sixteen books, which straddled a range of interests from literary criticism and musicology to panaesthetics and the history of modernism, Albright taught in three departments at Harvard, where he had worked for the past decade.

From an article in the Harvard Crimson:

As an undergraduate at Rice University, Albright originally declared a major in mathematics before switching to English. Upon graduating from Rice in 1967, he attended Yale, where he received his M.Phil in 1969 and his Ph.D. in 1970. Prior to his arrival at Harvard in 2003, Albright taught at the University of Virginia, the University of Munich, the University of Rochester, and the Eastman School of Music.

Once at Harvard, he taught in the English, Music, and Comparative Literature departments. English Department chair and professor W. James Simpson spoke highly of Albright’s career in Cambridge.

“Whenever Dan was in a room, the room was full of fun and amusement and delight . . .

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Alice Kaplan on Patrick Modiano

January 7, 2015
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Alice Kaplan on Patrick Modiano

 

Below follows, in full, an interview with Alice Kaplan on the career of recent Nobel Laureate Patrick Modiano. The interview was originally published online via the French-language journal Libération, shortly after the Nobel announcement.

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The American academic Alice Kaplan, author of the outstanding The Collaborator: The Trial and Execution of Robert Brasillach, and more recently, Dreaming in French, teaches Modiano at Yale University, where she chairs the Department of French. She evokes for us the particular aura of the French Nobel Laureate in the United States.

Is Patrick Modiano well known in American universities?

There have been sixteen PhD dissertations on Modiano in American universities since 1987, a significant number, given that he is a both foreigner and a contemporary novelist. Yale University Press has just published a trilogy of novels originally published by the Editions du Seuil under the title Suspended Sentences. Modiano’s attraction comes from his style, which is laconic and beautiful but also quite accessible, in English as well as in French. Then there is the particular genre he invented, inspired by detective fiction, familiar to American readers. The obstacle is obviously the number of references to specific places in Paris that are . . .

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Free E-Book for January: The Hunt for Nazi Spies

January 2, 2015
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Free E-Book for January: The Hunt for Nazi Spies

 

Our free e-book for January is Simon Kitson’s The Hunt for Nazi Spies: Fighting Espionage in Vichy France; read more about the book below:

From 1940 to 1942, French secret agents arrested more than two thousand spies working for the Germans and executed several dozen of them—all despite the Vichy government’s declared collaboration with the Third Reich. A previously untold chapter in the history of World War II, this duplicitous activity is the gripping subject ofThe Hunt for Nazi Spies, a tautly narrated chronicle of the Vichy regime’s attempts to maintain sovereignty while supporting its Nazi occupiers.Simon Kitson informs this remarkable story with findings from his investigation—the first by any historian—of thousands of Vichy documents seized in turn by the Nazis and the Soviets and returned to France only in the 1990s. His pioneering detective work uncovers a puzzling paradox: a French government that was hunting down left-wing activists and supporters of Charles de Gaulle’s Free French forces was also working to undermine the influence of German spies who were pursuing the same Gaullists and resisters. In light of this apparent contradiction, Kitson does not deny that Vichy France was committed to assisting the Nazi cause, . . .

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Paddy Woodworth on Our Once and Future Planet

December 26, 2014
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Paddy Woodworth on Our Once and Future Planet

A little more than a year ago, we published Paddy Woodworth’s Our Once and Future Planet,  an ambitious, even monumental account of the past, present, and future of the ecological restoration movement that was recently named one of the year’s Outstanding Academic Titles by the ALA’s Choice. Then, this past autumn, Paddy came to the States and spent a little over a month talking with people about the book in a variety of settings. Now that he’s back in Ireland and settling in for the holidays, we asked Paddy to offer some thoughts on what it’s like to hit the road promoting not just a book, but an idea.

Publishing a book is a little like casting a stone into a well. We write, as Seamus Heaney put it, “to set the darkness echoing.” And often we wait a long time for the echoes, and must count ourselves lucky if we hear any at all.

Our Once and Future Planet was published by the University of Chicago Press a year ago last October. It charts my journey into the challenging world of ecological restoration projects worldwide; it examines and ultimately finds precious if tenuous hope in restoration ecology’s promise to reverse the globalized . . .

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Launch: Baronova and Baryshnikov

December 18, 2014
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Launch: Baronova and Baryshnikov

Irina Baronova and the Ballets Russes de Monte Carlo chronicles one of the most acclaimed touring ballet companies of the twentieth century, along with its prima ballerina and muse, the incomparable Irina Baronova. Along the way, it expands upon the rise of modern ballet as a medium, through an unprecedented archive of letters (over 2,000 of them), photographs, oral histories, and interviews conducted by Victoria Tennant, the book’s author and Baronova’s daughter. Earlier this month, the book was feted at a launch by none other than Mikhail Baryshnikov at his eponymous Arts Center in New York City. Although less sumptuous than those collected in the book, below follow some candid photos from the event:

 

To read more about Irina Baronova and the Ballets Russes de Monte Carlo, click here.

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House of Debt on the Independent’s Best of 2014

December 16, 2014
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House of Debt on the Independent’s Best of 2014

Atif Mian and Amir Sufi’s House of Debt, a polemic about the Great Recession and a call to action about the borrowing and lending practices that led us down the fiscal pits, already made a splash on the shortlist for the Financial Times‘s Best Business Book of 2014. Now, over at the Independent, the book tops another Best of 2014 list, this time proclaimed, “the jewel of 2014.” From Ben Chu’s review, which also heralds another university press title—HUP’s blockbuster Capital by Thomas Piketty (“the asteroid”):

As with Capital, House of Debt rests on some first-rate empirical research. Using micro data from America, the professors show that the localities where the accumulation of debt by households was the most rapid were also the areas that cut back on spending most drastically when the bubble burst. Mian and Sufi argue that policymakers across the developed world have had the wrong focus over the past half decade. Instead of seeking to restore growth by encouraging bust banks to lend, they should have been writing down household debts. If the professors are correct—and the evidence they assemble is powerful indeed—this work will take its place in the canon of literary economic breakthroughs.

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The Hoarders

December 15, 2014
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The Hoarders

This past week, New Yorker critic Joan Acocella profiled Scott Herring’s The Hoarders, a foray into the history of material culture from the perspective of clutter fetish and our fascination with the perils surrounding the urge to organize. The question Herring asks, namely, “What counts as an acceptable material life—and who decides?,” takes on a gradient of meaning for Acocella, who confronts the material preferences of her ninety-three-year-old mother, which prove to be in accord with the DSM V‘s suggestion that, “hoarding sometimes begins in childhood, but that by the time the hoarders come to the attention of the authorities they tend to be old.”

In The Hoarders, Herring tells the tale of Homer and Langley Collyer, two brothers to whom we can trace a legend (um, legacy?) of modern hoarding, whose eccentricity and ill health (Langley took care of Homer, who was both rheumatic and blind) led to a lion’s den of accrual, and a rather unfortunate end. As Acocella explains:

In 1947, a caller alerted the police that someone in the Collyer mansion may have died. After a day’s search, the police found the body of Homer, sitting bent over, with his head on his knees. But where was Langley? It took . . .

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Forthcoming: The Big Jones Cookbook

December 11, 2014
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Forthcoming: The Big Jones Cookbook

It’s unconventional, to say the least, for a university press to publish a cookbook. But an exception to this rule, coming in Spring 2015, is Paul Fehribach’s Big Jones Cookbook, which expands upon the southern Lowcountry cuisine of the eponymous Chicago restaurant. As mentioned in the book’s catalog copy, “from its inception, Big Jones has focused on cooking with local and sustainably grown heirloom crops and heritage livestock, reinvigorating southern cooking through meticulous technique and the unique perspective of its Midwest location.” More expansively, Fehribach’s restaurant positions the social and cultural inheritances involved in regional cooking at the forefront, while the cookbook expands upon the associated recipes by situating their ingredients (and the culinary alchemy involved in their joining!) as part of a rich tradition invigorated by a kind of heirloom sociology, as well as a sustainable farm-to-table tradition.

This past week, as part of the University of Chicago Press’s Spring 2015 sales conference, much of the Book Division took to a celebratory meal at Big Jones, and the photos below, by editorial director Alan Thomas, both show Fehribach in his element, as well as commemorate the occasion:

 

To read more about The Big Jones Cookbook, forthcoming in Spring 2015, . . .

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