Camilo José Vergara is the kind of person of whom it might be said, “the epithet ‘polymath’ wouldn’t be cliché.” His photographic work, which often applies a time-lapsed and documentary style to the de-urbanization of American cityscapes, is both complicated and mirrored by his interests as a sociologist and ethnographer, themselves often focused on fracture, erosion, decline, and transformation. In 2002, he won a MacArthur Foundation “genius grant,” which cemented his reputation as one of our foremost chroniclers of the “urban.” His most recent book Harlem: The Unmaking of a Ghetto, sees him returning to many of the same locations over the course of decades (beginning in 1970) in order to document a community that is constantly changing, demographically and architecturally.
From a recent Publishers Weekly starred review of the book:
MacArthur Fellowship recipient Vergara’s archival stills are full of movement; the historic Baby Grand becomes King Party Center, a gift store, and then a Radio Shack. An ordinary address, 65 East 125th Street, first photographed in 1977, is transformed over the course of 13 photographs, becoming the Grocery Candy Smoke Shop, then a Sleepy’s, and finally, in 2011, a . . .
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In wrapping of the year’s best-of-2012 lists, we couldn’t help but single out the University of Chicago Press titles that made the cut as reads worth remembering. With that in mind, here’s a list of our books that earned praise as cream of the crop here and abroad, from scholarly journals, literary blogs, metropolitan newspapers, and the like. If you’re looking, might we (and others) recommend—
A Naked Singularity by Sergio De La Pava
made the Philadelphia City Paper’s Best of the Year list named one of the best books of the year by the Houston Chronicle included in Bookriot’s list of the five most overlooked books of 2012 picked as the book of the year by a bookseller at the Oxford Blackwell’s: “ feel so evangelical about I want to run around screaming ‘YOU MUST READ THIS BOOK OR YOUR LIFE WILL BE INCOMPLETE,’ in Billy Graham style.” named one of the ten best fiction books of 2012 by the Wall Street Journal named by Wall Street Journal fiction editor Sam Sacks as one of his own favorite fiction books of 2012 named by Sasha Frere-Jones of the New Yorker as . . .
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