Guest blogger: Ryo Yamaguchi
It is hard to imagine the world—or ourselves for that matter —without DNA, but for most of our intellectual history we knew nothing about those slender molecules. The modern microscope was invented near the beginning of the seventeenth century, with Friedrich Miescher isolating DNA in the late nineteenth, and between those times theories regarding biological formation and reproduction were explored by Enlightenment thinkers and scientists such as John Locke, Anton van Leeuwenhoek, Carl Linnaeus, and Comte de Buffon. We overlook it now as common knowledge, but biological reproduction was something these people had to think through, to explain without DNA, and the debates between concepts such as God, mechanics, fermentation, homunculi—and how they could inform life’s larger lineages, of the differences between species, of a natural history as a whole—abounded.
Enter Immanuel Kant. Many of us do not think of Kant as a biologist, but he was deeply interested in natural history throughout his career, an interest that Jennifer Mensch takes up in Kant’s Organicism, published last month. Situating Kant among the above thinkers, she shows not only that Kant had theories of his own on the . . .
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“Still longer than a tweet and still shorter than A River Runs Through It—”
SUMMER CHICAGO SHORTS
Publication Date: June 18, 2013
The University of Chicago Press is pleased to announce the launch of our summer series of Chicago Shorts—distinguished selections, including never-before-published material, off-the-radar reads culled from the University of Chicago Press’s commanding archive, and the best of our newest books, all priced for impulse buying and presented exclusively in DRM-free e-book format.
Aimed at the general reader and running the gamut from the latest in contemporary scholarship to can’t-miss chapters from classic publications, Chicago Shorts continues to turn the page on the twenty-first-century reading experience.
With summer upon us, we’ve selected a group of shorts that offer all the pleasures you look for in that season: they’re light, funny, and engaging; they stoke our dreams of faraway places and outdoor adventures; and like summer itself—they leave you wanting more.
Among the Summer Shorts, you’ll find:
Ain’t Love Grand! From Earthworms to Elephant Seals by Marty Crump God: The Autobiography by Franco Ferrucci (trans. by Raymond Rosenthal) Spiral Jetta Summer: Swimming in the Great Salt Lake by Erin Hogan It’s Alive! The . . .
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A recent review from the New Yorker—and more about the book here.
“The wings of the pterosaur take us to the Wright Brothers, the pinhole eyes of the nautilus to the invention of the daguerreotype. In fact, the linkage is pointed: it’s not nature’s story or ours but both together. Divorcing human achievements from their relations in natural life means that Homo sapiens, too, is only ‘barely imagined.'”
. . .
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Barbara J. King is having quite a week—at least in terms of traversing brave new (pop-cultural) frontiers for the scholarly pursuits of animal intelligence and emotion. First came an excerpt from King’s latest book How Animals Grieve in a recent edition of the New York Post—noteworthy enough; so noteworthy, in fact, that it led to a mention of the book and King’s work on an episode of Howard Stern’s syndicated SIRIUS radio show (Stern, who along with his wife, is an animal rights advocate, experienced the traumatic loss of his English bulldog Bianca just a year ago; he even gave the book a plug via his Twitter feed). As if all this weren’t enough to render a tear in academic publishing’s space-time continuum, King herself made an appearance on Stern’s show, evidencing some of the ideas surrounding animal mourning that her book draws upon.
In How Animals Grieve, King considers a recent shift in anthropological attention to our companion species, which recognizes our long-chided tendency to anthropomorphize animal emotions might instead hold grains of truth. She tells of elephants surrounding their matriarch as she weakens and dies, and, in the following days, attending to her corpse as if holding a vigil. . . .
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As Adam Rome’s new history of Earth Day–recently reviewed in the New Yorker–reminds us: Earth Day has been around for a long, long time now. And while progress certainly has been made, from the big (the establishment of the EPA) to the small (the fact that when Don Draper casually chucks a beer can into the park in Mad Men, it feels as old-timey as anything in the whole series), the overall project–of conservation, preservation, and restoration–is never done.
Given the strength of our list in science and conservation, it’s no surprise that we’re big Earth Day fans over here–we’d be fans of Earth Year, Earth Millennium, or even Universe Eternity if it could be worked. But you start with what you know, so here we are for Earth Day, with a reminder about some of our best recent conservation photography books, perfect for inspiring and educating people about the importance of biodiversity and conservation.
The best way to appreciate David Liitschwager’s A World in One Cubic Foot is to check out the slideshow at National Geographic‘s site. There you’ll see Liittschwager’s breathtaking portraits of the stunning variety (and quantity) of living things that passed through a single cubic . . .
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