Michael Kammen (1936–2013)
“Underpinned by exhaustive research and abundant documentation, Professor Kammen’s books, essays and criticism—he was a frequent contributor to the New York Times Book Review and other publications—were noteworthy for remaining accessible to the general reader. His work, which stood at the nexus of history, folklore, psychology and sociology, helped cast the form of the modern scholarly field known as memory studies.”
This clip, culled from the New York Times obituary, helps contextualize the prolific contributions of Pulitzer Prize–winning historian, American culture scholar, and longtime Cornell University professor Michael Kammen, who passed away earlier this month after a long illness.
The Newton C. Farr Professor of American History and Culture emeritus at Cornell University, Kammen authored more than a dozen volumes situated between history, remembrance, and the composition of American character, including People of Paradox: An Inquiry Concerning the Origins of American Civilization, which won the 1973 Pulitzer Prize for history. In addition to his frequent scholarship and journalistic contributions, Kammen also served as past president of the Organization of American Historians (1995–96) and was a member of the American Academy of Arts and Sciences. His final book Digging Up the . . .
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Camilo José Vergara is the kind of person of whom it might be said, “the epithet ‘polymath’ wouldn’t be cliché.” His photographic work, which often applies a time-lapsed and documentary style to the de-urbanization of American cityscapes, is both complicated and mirrored by his interests as a sociologist and ethnographer, themselves often focused on fracture, erosion, decline, and transformation. In 2002, he won a MacArthur Foundation “genius grant,” which cemented his reputation as one of our foremost chroniclers of the “urban.” His most recent book Harlem: The Unmaking of a Ghetto, sees him returning to many of the same locations over the course of decades (beginning in 1970) in order to document a community that is constantly changing, demographically and architecturally.
From a recent Publishers Weekly starred review of the book:
MacArthur Fellowship recipient Vergara’s archival stills are full of movement; the historic Baby Grand becomes King Party Center, a gift store, and then a Radio Shack. An ordinary address, 65 East 125th Street, first photographed in 1977, is transformed over the course of 13 photographs, becoming the Grocery Candy Smoke Shop, then a Sleepy’s, and finally, in 2011, a . . .
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