I.
In Cop Knowledge: Police Power and Twentieth-Century America, Christopher P. Wilson writes about narratives of police power in mass culture, from crime fiction and film to the denizens of contemporary culture that make use of the squad room, the beat, and the badge. His conclusion? That the stories we tell about police power are intimately linked to the course of modern liberalism, and to the current resurgence of neoconservatism.
II.
In January 2003, Slavoj Žižek penned the article “Gerhard Schroeder’s Minority Report and Its Consequences,” which explored themes from Steven Spielberg’s adaptation (2002) of the Philip K. Dick short story—in which criminals are arrested before they can commit their crimes, thanks to the efforts of a specialized police department, working under the government’s protective wing. For Žižek (and also for Spielberg, who went on the record), the police state evoked by the film was clearly transposed to U.S. international relations post-9/11, where (what has been labeled) the Bush doctrine suggested with a heavy hand that the American military might should remain “beyond challenge” in the foreseeable future. Žižek goes on in the piece to point out the election of . . .















