One of the reasons that the master heister Parker is still with us fifty years after pulling his first job is that he’s very good at keeping quiet. He knows better than to plan a job in the town where he’s going to pull it, and he certainly doesn’t encourage advance attention.
That’s too bad, because the job he’s pulling this weekend is getting a lot of publicity. Tomorrow night sees the premiere of Parker, a new movie starring Jason Statham and Jennifer Lopez—the first adaptation to actually use Parker’s name—and that’s brought a spate of attention to Parker in all his incarnations.
In the Village Voice, Nick Pinkerton runs through the long (and, let’s be honest, checkered) history of adaptations of Parker. Statham’s English accent is a first for Parker, but Pinkerton points out that the movies have always found him mutable:
e has been black—Jim Brown, too gentle in 1968′s wasted opportunity The Split —and (sort of) a 25-year-old Danish girl. Made in U.S.A. (1966), with a trench-coated Anna Karina in the lead, is ostensibly based on Stark’s The Jugger, though it’s really but one element in Jean-Luc Godard’s mulligan stew of American pulp . . .
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In wrapping of the year’s best-of-2012 lists, we couldn’t help but single out the University of Chicago Press titles that made the cut as reads worth remembering. With that in mind, here’s a list of our books that earned praise as cream of the crop here and abroad, from scholarly journals, literary blogs, metropolitan newspapers, and the like. If you’re looking, might we (and others) recommend—
A Naked Singularity by Sergio De La Pava
made the Philadelphia City Paper’s Best of the Year list named one of the best books of the year by the Houston Chronicle included in Bookriot’s list of the five most overlooked books of 2012 picked as the book of the year by a bookseller at the Oxford Blackwell’s: “ feel so evangelical about I want to run around screaming ‘YOU MUST READ THIS BOOK OR YOUR LIFE WILL BE INCOMPLETE,’ in Billy Graham style.” named one of the ten best fiction books of 2012 by the Wall Street Journal named by Wall Street Journal fiction editor Sam Sacks as one of his own favorite fiction books of 2012 named by Sasha Frere-Jones of the New Yorker as . . .
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More staff selections for your holiday favor—today we asked Carol Kasper, marketing director extraordinaire, and Jeff Waxman, promotions manager/literary gadabout, to chime in about what moved them most this past year. Their picks for the Best Read of 2012 follow below:
Prague Winter: A Personal Story of Remembrance and War, 1937–1948 by Madeleine Albright
When I became an adolescent, I learned that our family boogeyman was (rather remarkably to me at the time) the interwar British Prime Minister Neville Chamberlain. All my grandparents had immigrated to the United States from Austria-Hungary at the very beginning of the twentieth century, and they nurtured their ties to “the Old Country” even after the Slovak and Ruthenian regions of that empire became the nation of Czechoslovakia. When Britain signed the Munich Agreement in 1938 and gave Hitler the Czech area known as the Sudetenland, Chamberlain infamously implied that stopping another war with Germany was worth the price of those Slavs in “a far away country” populated by “people of whom we know nothing.”
In Prague Winter, Madeleine Albright does a brilliant job of explaining the ethnic complexities in central and eastern Europe that made the area vulnerable to . . .
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