From Josh Cook’s review of Recalculating by Charles Bernstein, in the May issue of Bookslut:
With translations, imitations, and homages, and with poems of poetry’s motion, and manifestos of politics and poetics, Bernstein has gone beyond a personal anthology of poetics to write a book I struggle to categorize. If you could remove all the term’s negative connotations, all the personal and cultural associations with boredom and restriction, if you could extract the term from the worst of academics and education, you could call Recalculating a textbook. It is the syllabus, the required reading, the example, the supplemental critical exploration, and the challenge. It is a shiv tearing at the fabric of poetry for a glimpse of the poetic future. It is the wall, the empty cans of spray paint, and the graffiti. It is the schematics for every part of the bomb but the fuse; the reader is the fuse. But as explosive as Recalculating is, the image of a bomb isn’t right, for, ultimately Bernstein is not a destroyer but a motivator. At the end of Recalculating, Bernstein wants you to believe poetry has not met its potential.
The . . .
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In wrapping of the year’s best-of-2012 lists, we couldn’t help but single out the University of Chicago Press titles that made the cut as reads worth remembering. With that in mind, here’s a list of our books that earned praise as cream of the crop here and abroad, from scholarly journals, literary blogs, metropolitan newspapers, and the like. If you’re looking, might we (and others) recommend—
A Naked Singularity by Sergio De La Pava
made the Philadelphia City Paper’s Best of the Year list named one of the best books of the year by the Houston Chronicle included in Bookriot’s list of the five most overlooked books of 2012 picked as the book of the year by a bookseller at the Oxford Blackwell’s: “ feel so evangelical about I want to run around screaming ‘YOU MUST READ THIS BOOK OR YOUR LIFE WILL BE INCOMPLETE,’ in Billy Graham style.” named one of the ten best fiction books of 2012 by the Wall Street Journal named by Wall Street Journal fiction editor Sam Sacks as one of his own favorite fiction books of 2012 named by Sasha Frere-Jones of the New Yorker as . . .
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The University of Chicago Press extends its congratulations to our own Unoriginal Genius Marjorie Perloff—whose astute exploits in literary theory, criticism of twentieth- and twenty-first-century poetics, and consideration of the visual arts we’ve blogged about before, now and again. Why raise another glass to Marjorie?
Well, the American Philosophical Society—the nation’s oldest and most esteemed scholarly organization (founded in 1743)—whose mission is to “promote useful knowledge in the sciences and humanities through excellence in scholarly research, professional meetings, publications, library resources, and community outreach,” just called her a member. Among her cohort of those inducted with distinction in the humanities? Mary Beard, Marjorie Graber, Wu Hung, Rosalind Krauss, Brent D. Shaw, and Salvatore Settis, in a class of 2012 inductees that extended its reach through the arts and public affairs (along with the physical, natural, and social sciences) to include such luminaries as Jill Abramson, William Kentridge, Cormac McCarthy, Gerhard Richter, and Richard Serra.
We’ve been lucky enough to shepherd several of Perloff’s books into publication, and though the list only reflects a portion of her overwhelming scholarship, it’s nothing to shake a stick at. Radical Artifice: Writing Poetry in the Age of Media, John Cage: Composed in America, Frank . . .
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