To continue the themes of University Press Week, which include “celebrat of the role of university presses in our intellectual, cultural, and civic life,” we asked our Sales and Marketing Director Carol Kasper to give us an insider’s perspective on the history of Chicago’s distribution program, which currently works with over one hundred individual publishers. Her thoughts on how the program has helped to facilitate “community and commerce” among university presses follow below:
November. Cold winds. Rain. The last bursts of fall color. Thanksgiving. And, now, University Press Week! A nice thing to see after thirty-plus years at the University of Chicago Press and a recent three-year stint on the board of the Association of American University Presses. Some of the things we talked about during my recent tenure are still ongoing—for instance, the effort to reach out to scholarly presses that aren’t attached to universities and to presses outside North America. These causes were two that I felt most strongly about, no doubt because of my experiences with Chicago’s distribution programs. So, a little meditation here on the nature of community and commerce in the scholarly publishing world in honor of University Press . . .
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“Still longer than a tweet and still shorter than A River Runs Through It—”
SUMMER CHICAGO SHORTS
Publication Date: June 18, 2013
The University of Chicago Press is pleased to announce the launch of our summer series of Chicago Shorts—distinguished selections, including never-before-published material, off-the-radar reads culled from the University of Chicago Press’s commanding archive, and the best of our newest books, all priced for impulse buying and presented exclusively in DRM-free e-book format.
Aimed at the general reader and running the gamut from the latest in contemporary scholarship to can’t-miss chapters from classic publications, Chicago Shorts continues to turn the page on the twenty-first-century reading experience.
With summer upon us, we’ve selected a group of shorts that offer all the pleasures you look for in that season: they’re light, funny, and engaging; they stoke our dreams of faraway places and outdoor adventures; and like summer itself—they leave you wanting more.
Among the Summer Shorts, you’ll find:
Ain’t Love Grand! From Earthworms to Elephant Seals by Marty Crump God: The Autobiography by Franco Ferrucci (trans. by Raymond Rosenthal) Spiral Jetta Summer: Swimming in the Great Salt Lake by Erin Hogan It’s Alive! The . . .
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The Gordon J. Laing Prize is awarded annually by the University of Chicago Press to the faculty author, editor, or translator of a book published in the previous three years that brings the Press the greatest distinction. The varied expertise of past recipients has spanned the disciplines—from intellectual property wars and evolutionary theory to racial profiling and eighteenth-century Italian opera—and helped to generate an enviable listing of scholars that the University is lucky to call their own. On top of all that, this year marks the fiftieth anniversary of the Prize, first awarded to Bernard Weinberg in 1963 for A History of Literary Criticism in the Italian Renaissance.
This year, the 2013 Laing Prize went to Andreas Glaeser, associate professor of soci0logy at the University, for Political Epistemics: The Secret Police, the Opposition, and the End of East German Socialism. Glaeser’s book considers socialist East Germany’s unexpected self-dissolution in 1989, building on extensive in-depth interviews with former secret police officers and the dissidents they tried to control, among other resources, to offer an epistemic account of socialism’s failure that differs markedly from existing explanations.
Included below are some snapshots from the recent Laing Prize reception taken by . . .
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Adrian Johns is having a pretty good series of weeks. Earlier this month, the intellectual property specialist was named a 2012 Guggenheim Fellow. The chair of the Committee on Conceptual and Historical Studies of Science and the Allan Grant Maclear Professor in History at the University of Chicago, Johns plans to use his Guggenheim funding to study the intellectual property defense industry.
Johns is no stranger to prizes. His earlier work The Nature of the Book: Print and Knowledge in the Making won the Leo Gershoy Award of the American Historical Association, the John Ben Snow Prize of the North American Conference on British Studies, the Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies, and the SHARP Prize for the best work on the history of authorship, reading and publishing. Piracy: The Intellectual Property Wars from Gutenberg to Gates, his most recent volume, won the American Society for Information Science and Technology’s Book of the Year Award and was a CHOICE Outstanding Academic Title.
Just yesterday, Johns was feted in a ceremony bestowing yet another honor on his work with Piracy, the Gordon J. Laing Prize for best faculty author, editor or translator of a book published in . . .
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For the second year in a row, a former Phoenix Poet has taken home the Poetry Foundation’s Ruth Lilly Poetry Prize—and, for W. S. Di Piero, the legacy is a long, tall glass of water. He joins the company of twenty-six fellow poets who have soldered the experience of working class lives into indomitable verse, like Philip Levine; those who, like C. K. Williams and Adrienne Rich, have championed social issues and countered injustice; and those, like John Ashbery, who also deal in the criticism of the visual arts.
What makes Di Piero unique, in a body of work conjures the presence of divinity in everyday life, redresses the grievances of a working-class South Philadelphia upbringing, and moves with effortless comfort from plain-style speech to bold translations from Euripides and Giacomo Leopardi, is exactly what doesn’t. He tells the truth, and I think it’s fair to say, it’s not slant. Di Piero questions poets and the quotidian equally, and what he arrives at is often something close to a sense of permission.
As Christian Wiman, editor of Poetry magazine stated the Foundation’s official announcement:
“R. P. Blackmur once said that great poetry ‘adds to the stock of available reality,’ and . . .
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