Our Once and Future Planet delivers an account of one of the most impressive areas of current environmental experimentation and innovation: ecological restoration. Veteran investigative reporter Paddy Woodworth spent years traveling the globe and talking with people—scientists, politicians, and ordinary citizens—who work on the front lines of the battle against environmental degradation, and the book positions the restoration of our ecosystems as vital—and often successful—leverage.
A recent review of the book in the Irish Examiner highlighted the implications of this restoration, from the vantage of long-term, if uncertain, commitment:
Here, as elsewhere, the fight to preserve refugia and take a long term view of restoration is well justified, but seldom a priority for a society and their political leaders guided by short term considerations.
Species restoration, especially of ‘cuddly’ animals or ‘trophy’ birds of prey, tugs at the heartstrings and can gain public support and finance. But habitat restoration is a much more difficult task to finance from the public purse. Woodworth’s experience confirms the complexity of the latter and reveals just how much of a knowledge gap exists for effective restoration. Ecological succession is a dynamic process, constantly being pushed by environmental changes . . .
Read more »
“Still longer than a tweet and still shorter than A River Runs Through It—”
WINTER 2014 CHICAGO SHORTS
The University of Chicago Press is pleased to announce the launch of our latest series of Chicago Shorts—distinguished selections, including never-before-published material, off-the-radar reads culled from the University of Chicago Press’s commanding archive, and the best of our newest books, all priced for impulse buying and presented exclusively in DRM-free e-book format.
Aimed at the general reader and running the gamut from the latest in contemporary scholarship to can’t-miss chapters from classic publications, Chicago Shorts continues to turn the page on the twenty-first-century reading experience.
This group of Winter 2014 Shorts are perfect readings to stow away with for an hour or two in the sludge of the season: they cover a range of topics, from the sentience of animals and advice from behavioral economics to the rhetoric of pregnancy; they deliver unforgettable characters like a Confucian magistrate who doubles as a detective and “Blue Babe,” a wooly bison; and to suit this time of year—they deliver some new knowledge to keep you warm.
Among the Winter Shorts, you’ll find:
Hayek’s The Road . . .
Read more »
Leo Steinberg (1920–2011) was an art historian whose focus extended from the Renaissance to the modern, and who left a critical legacy on several generations of scholars, critics, and artists. One of his classic works. The Sexuality of Christ in Renaissance Art and in Modern Oblivion, addressed the as-yet-unsuspected eroticism of the iconographies devoted to Christ and Mary, which generated much controversy throughout Steinberg’s career.
In a recent piece for the New Yorker’s Page-Turner blog, Lee Siegel uses Steinberg’s writing as a lens for understanding the correlation between Pope Francis’s embrace of gay Catholics and his devotion to the poor and afflicted. Here, Siegel notes a central tenet of Steinberg’s book, specifically that, “as a result of the rise of the Franciscan order, around 1260, an emphasis on Christ’s nakedness, and, thus, on his humanity, joined compassion to an acceptance of the role of sexuality in human life.”
Siegel points out that a Renaissance-era credo of the Franciscan order, from which Pope Francis takes his name, was nudus nudum Christum sequi (“follow naked the naked Christ”). He goes on to account for how Steinberg’s art historical thesis implies a theological premise . . .
Read more »
John Lardas Modern (I almost typed “Vardas”—let’s call it an accidental homage to Agnès Varda, who is someone I think about when I think about those weird spaces at the edge of realism, when you fall into pure perspective and some sort of spiritual fizzing or its harsher alternative; anyhow, she was one of five people present at Jim Morrison’s burial, so I am filing my moment of misprision as subliminally relevant) has a really interesting website. In addition to penning Secularism in Antebellum America and serving as an editor-at-large for the Immanent Frame, Modern is a curator and vinyl collector. Interested, interesting.
His Vinyl Prayers Project, “a virtual mix-tape of vinyl prayer,” allows him to (and for the most part—seamlessly) blend those identities into the persona of a monkishly meditative steward of tracks repressed and unhinged from pop culture that hover in the realm of what he defines as prayer, or, “a weapon, a request to heal the body or boost the brain, an epistemic cry, a meditation, a mediation, a quip, a plea, a means of passive resistance, a wonderful gift from God.” Like for all collectors and most seekers, there is a strange borderland to cross between obsession and devotion, and this is likely the archive you’d desire to listen to again and . . .
Read more »
Congrats due to author Claudia L. Johnson, whose Jane Austen’s Cults and Cultures garnered the Christian Gauss Award from the Phi Beta Kappa Society. Johnson, the Murray Professor of English Literature at Princeton University, a specialist in eighteenth- and early nineteenth-century literature, with a particular emphasis on the novel, is also the author of Jane Austen: Women, Politics, and the Novel and Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s—Wollstonecraft, Radcliffe, Burney, Austen, both of which we were fortunate enough to publish.
Jane Austen’s Cults and Cultures
A quick description from the citation:
The Christian Gauss Award is offered for books in the field of literary scholarship or criticism. The prize was established in 1950 to honor the late Christian Gauss, the distinguished Princeton University scholar, teacher and dean who also served as President of the Phi Beta Kappa Society. Other previous award winners have included books written by eminent authors such as Harold Bloom, Christopher Benfey, and Marjorie Garber.
Johnson’s book considers the transformation of Jane Austen, sort of well-heeled nineteenth-century author of six novels, into “Jane Austen,” the figure whose silhouette adorns . . .
Read more »
A piece on Terrence Malick’s latest film To the Wonder appeared shortly after its release this April at New York Magazine‘s online site Vulture. Nothing about the title of the piece need grab you at first engagement—though “Radiant Zigzag Becoming: How Terrence Malick and His Team Constructed To the Wonder” is elegiac and ponderous and a bit of a mouthful, not unlike the reputation of Malick’s oeuvre. What ends up fascinating in this article—besides lines we like such as, “the film has struck some as a particularly Malick-y Terrence Malick film”—is the breakdown of that radiant zigzag becoming, which the writer traces to a scholarly introduction penned for an edition of Samuel Richardson’s Pamela; or Virtue Rewarded, a tawdry Stockholm Syndrome-done-good epistolary novel that shocked and awed its eighteenth-century readers. The Intro was written by our own Margaret A. Doody, the John and Barbara Glynn Family Professor of Literature at Notre Dame and a specialist in Restoration and eighteenth-century British literature.
The relevant connection to Doody’s work?
One odd but telling reference point Malick gave his editors was Margaret A. Doody’s introduction to the Penguin Books edition of Samuel Richardson’s revolutionary . . .
Read more »