Scranton Author on the Animals of Christian Art
In a piece for the Washington Post’s On Faith blog, Susan Bratton, author of Christianity, Wilderness, and Wildlife, examines the presence of animals in Christian art. She writes:
From the mosaics at Ravenna to the stained glass of medieval cathedrals, Christian art is a zoo. River otters, after all, play chess on a column at Naumburg Cathedral in Germany. The ascendancy of a Christian aristocracy infused weapons and hunting back into commissions for frescoes and capitals by the early Middle Ages. The first ascetics, meanwhile, treated these passions as worldly and proved their holiness by caring for injured animals and inviting them into their desert or forest hermitages. For a Celtic or a desert monk to receive the trust and companionship of animals, wild and domestic, was a sign of the coming of God’s kingdom on earth, as predicted by the prophet Isaiah. In the confines of the monastery, the lion or wolf could lie down with the lamb - and the monk. Themes such as ravens feeding Elijah or St. Antony, St. Jerome and his lion, or St. Giles protecting a hind from the huntsmen of the king teach ethics and may carry a thinly disguised political message about the abuse of secular power.
You can read the entire post here.






