Presidential Politics on the Big Screen
With election mania in full swing, we invited film scholar Michael Coyne, author of Hollywood Goes to Washington: American Politics on Screen, to provide some must-see film clips that reveal how politics and the popular media are often entangled:
There's a long history of the interchangeability of the celebrity of politics and the politics of celebrity. The most obvious examples are John Kennedy, the President with the movie-star face, and Ronald Reagan, the ex-movie star who became President.
But films have at times certainly tried to shape political opinion. One famous example of Hollywood's deliberate intervention into the realm of politics was Louis B. Mayer's and Irving Thalberg's filmed contribution to the 1934 campaign for the Governorship of California, in which they successfully depicted Democratic challenger Upton Sinclair as the candidate of malcontents, misfits, radicals and foreigners, and the GOP incumbent Frank Merriam as the stalwart protector of American home and hearth. Similarly, due to a series of devastating TV ads, Lyndon Johnson was able to present himself as the candidate of peace and stability in 1964, in contrast to Barry Goldwater, who was painted as reckless, hellbent on smashing Social Security and apt to provoke nuclear war. Who can forget the effectiveness of the infamous “Daisy Girl” ad, conjuring up the drama and terror of atomic holocaust, and representing LBJ as the world's great hope for peace?:
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