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January 14, 2009

Press Release: Barry Curtis, Dark Places

mid_DarkPlaces.jpgHorror movies revel in taking viewers into shadowy places where evil resides, whether it is a house, a graveyard, or a dark forest. These mysterious spaces foment the terror at the heart of horror films, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces full of shadows, creaky floorboards, and cobwebs in order to explore them—and the monstrous antagonists who dwell there.

In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films extend their power into the movie theaters and connect to the "dark places" of the human psyche. He examines diverse topics such as the special effects—ranging from the crude to state-of-the-art—used in movies to evoke supernatural creatures; the structures, projections, and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice, and vengeance. Dark Places also examines the reconfiguration of the haunted house in films as a motel, an apartment, a road, or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions.

Curtis draws his examples from numerous iconic films—including Nosferatu, Psycho, The Texas Chainsaw Massacre, and The Shining—as well as lesser-known international works, which allow him to consider different cultural ideas of haunting. Japanese horror films and their Hollywood remakes—such as Ringu and The Ring, or Juon and The Grudge—come under particular scrutiny, as Curtis explores Japanese cinema's preoccupation with malevolent forces from the past.

Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to the carnage.

November 05, 2008

David Cronenberg Exhibition at the Rome Film Festival

jacket imageOur colleagues at Intellect share this recent report from the Rome Film Festival

Mark Browning, author of David Cronenberg: Author or Filmmaker?, contributed to one of the text commentaries for a special exhibition, forming part of the 2008 Rome Film Festival. Chromosomes, featured fifty specially-enhanced close-ups, all with accompanying commentary, from a range of Cronenberg’s work, spanning over 30 years. It followed previous exhibitions on the work of Peter Greenaway, Michael Nyman and Atom Egoyan, all initiated by Volumina, a cultural body concerned with bringing Art and Film together in new and surprising ways. In 2005, they organized an exhibition to accompany Cronenberg’s lushly-illustrated, limited edition book, Red Cars, featuring a screenplay about the Ferrari dynasty and the battle for the 1961 Formula One championship. Browning’s commentary complemented a still from Spider, one of Cronenberg’s more underrated works. Links between Cronenberg and literature, the focus of Browning’s book, are particularly pertinent, not just in the light of Red Cars but Cronenberg’s keenly-awaited debut as a novelist, due for publication next year, provisionally entitled Consumed. The exhibition was at the Palazzo della Esposizioni in Rome.

October 21, 2008

The Witching Hour is upon us once again

jacket imageWith All Hallows Eve approaching, we invited our resident expert on ghouls and spirits and creatures that stalk dark cemeteries, Matthew Beresford, author of From Demons to Dracula: The Creation of the Modern Vampire Myth, to tell us what to beware of and how to stand guard against the blood thirsty phantoms of the night:

Very soon, strange and diabolical creatures shall arise once more. Along sidewalks and darkened streets Hell’s brood shall tramp their ghastly beat. Witches and warlocks, ghosts and ghouls, werewolves and vampires will stalk the night, visiting many of us as they come in search of, not blood as legend would have us believe, but candy! For on October 31st Halloween will be upon us once again, that age-old tradition where children don horror masks and costumes and venture out in search of treats. But although this celebration today is one of fun and good humour, and the creatures that haunt us on this particular night hold little fear over us, in the past it has been a different matter entirely. And of all the fantastical creatures evident at Halloween, none is more infamous than the caped and fanged harbinger of death, the vampire!

Movie poster for Taste the Blood of Dracula (1970) with Christopher Lee as Dracula

Continue reading "The Witching Hour is upon us once again" »

October 07, 2008

Presidential Politics on the Big Screen

jacket imageWith election mania in full swing, we invited film scholar Michael Coyne, author of Hollywood Goes to Washington: American Politics on Screen, to provide some must-see film clips that reveal how politics and the popular media are often entangled:

There's a long history of the interchangeability of the celebrity of politics and the politics of celebrity. The most obvious examples are John Kennedy, the President with the movie-star face, and Ronald Reagan, the ex-movie star who became President.

But films have at times certainly tried to shape political opinion. One famous example of Hollywood's deliberate intervention into the realm of politics was Louis B. Mayer's and Irving Thalberg's filmed contribution to the 1934 campaign for the Governorship of California, in which they successfully depicted Democratic challenger Upton Sinclair as the candidate of malcontents, misfits, radicals and foreigners, and the GOP incumbent Frank Merriam as the stalwart protector of American home and hearth. Similarly, due to a series of devastating TV ads, Lyndon Johnson was able to present himself as the candidate of peace and stability in 1964, in contrast to Barry Goldwater, who was painted as reckless, hellbent on smashing Social Security and apt to provoke nuclear war. Who can forget the effectiveness of the infamous “Daisy Girl” ad, conjuring up the drama and terror of atomic holocaust, and representing LBJ as the world's great hope for peace?:

Continue reading " Presidential Politics on the Big Screen" »

July 31, 2007

Ingmar Bergman

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Ingmar Bergman's legacy is impeccable.

Learn about Bergman from Brigitta Steene's award-winning Ingmar Bergman: A Reference Guide

or from

Egil Tornqvist's Between Stage and Screen: Ingmar Bergman Directs.

Finally, read from the master director himself:

The Magic Lantern: An Autobiography

February 27, 2007

Review: Ghosts of Songs by Kodwo Eshun

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Adrian Searle recently reviewed the exhibition behind Kodwo Eshun's upcoming book Ghosts of Songs: The Art of the Black Audio Film Collective in the Guardian. The exhibition is presently showing at Liverpool's FACT center.

Searle reviews the history of the Black Audio Film Collective and its penchant for political discussion and debate:

The collective was heavily informed by film and psychoanalytic theory, by political discussion and debate. It is salutory to note how unfashionable these are, however much intense theorising there is in the exhibition catalogue. Sadly, much of it is likely to remain unread. Perhaps the most significant achievement of the group was the formulation of a poetic, a tone of voice, a particular kind of filmic space that resisted categorisation.

He also notes Eshun's commentary :

Kodwo Eshun, the group's most compelling commentator, writes that they "projected a stance of high seriousness with seductive stylishness." Stylishness could be serious too, and they always carried their seriousness with something much more than style.

Learn More about the Book

Read the Review

Visit FACT

January 02, 2007

Review: Karaoke by Zhou Xun and Francesca Tarocco

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James Parker recently reviewed Zhou Xun and Francesca Tarocco's Karaoke: A Global Phenomenon in the Boston Globe. Parker uses the book to trace some of the highlights of Karaoke's history. In the end, he offers his article as a tribute to karaoke-lovers: "I dedicate this one to the karoke-lovers, who will make tonight their own."

In Karaoke, Zhou Xun and Tarocco reveal karaoke's surprisingly complex history and significant cultural impact around the world. Originating in postwar Japan, karaoke soon spread to Southeast Asia and the West. Karaoke traces how the practice became a wildly successful social phenomenon that constantly evolved to keep pace with changes in technology and culture. Drawing on extensive research and international travels, the authors chart the varied manifestations of karaoke, from karaoke taxis in Bangkok to nude karaoke in Toronto to the role of karaoke in prostitution. Extensive personal anecdotes reveal the dramatic range of social experiences made possible by karaoke and how the obsession with performance and song has touched politics, history, and pop culture throughout global society.

Read the Review

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December 06, 2006

Review: Stalking by Bran Nicol

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Stalking remains popular today. Edel Kennedy writes in the Irish Independent that "Our modern attitude to love and relationships is breeding a generation of lusty stalkers," and quotes Bran Nicol's recently released Stalking from Reaktion Books: "Stalkers can find it particularly hard to read the implicit codes."

Visit the Irish Independent (Requires free log-in)

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November 06, 2006

Award: Mad, Bad and Dangerous by Christopher Frayling

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Christopher Frayling's Mad, Bad and Dangerous was nominated for an International Horror Guild award in nonfiction works produced in 2005.

According to the IHG site,

The International Horror Guild Awards are now in their twelfth year. Based on public recommendations, the juried awards recognize outstanding achievements in the field of Horror and Dark Fantasy. Nominations are derived from recommendations made by the public and the judges' knowledge of the field.

From Victor Frankenstein to Dr. Moreau to Doc Brown in Back to the Future, the scientist has been a puzzling, fascinating, and threatening presence in popular culture. From films we have learned that scientists are either evil maniacal geniuses or bumbling saviors of society. Mad, Bad and Dangerous? puts this dichotomy to the test, offering a wholly engaging yet not uncritical history of the cinematic portrayal of scientists.

Visit the IHG online

Learn More about Christopher Frayling's Mad, Bad and Dangerous?

June 05, 2006

Press release: The West in Early Cinema by Nanna Verhoeff

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The archetypal Western conjures up images of John Wayne, Clint Eastwood, or even the Lone Ranger—the solitary cowboy shooting his way through uncivilized country. But in its nascent form, the Western was a complex genre that embraced surprisingly diverse themes. In The West in Early Cinema, Nanna Verhoeff examines the earliest films made between 1894 and 1915, and reveals how the films meditate on a world far beyond the West, speaking to the relentless march of civilization.

Read the Press Release

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March 24, 2006

Author Event: Laura Mulvey

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Laura Mulvey will speak at Wellesley College in Massachusetts on Wednesday, April 5, 4:30 p.m., in Science Center 277. A reception will precede the lecture. This event is free and open to the public.

Mulvey, professor of film and media studies at Birbeck College, University of London, will discuss the relationship between new media technologies and spectatorship. Her lecture, entitled "Discovering the Pensive and the Possessive Spectator," is based on her recently published Death 24x a Second: Stillness and the Moving Image in which she argues that new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures.

Read more about the upcoming lecture

Learn more about Death 24x a Second