Earlier this month, a nice review of Luigi Pirandello’s Shoot!: The Notebooks of Serafino Gubbio, Cinematograph Operator appeared in the New York Sun. Reviewer Adele Kudish praised the novel’s translator, C. K. Scott Moncrieff: "His Shoot! is the only English version ever published and proves to be a truly timeless and important rendering of Pirandello’s novel. Moncrieff skillfully re-created Pirandello’s dreamlike prose, which flitters in and out of consciousness, according to the mechanized tempo of Gubbio turning the handle of his machine." . . .
Contrary to popular belief, not all ancient cave art was created by senior male shamans. R. Dale Guthrie, author of The Nature of Paleolithic Art, reveals that many graphic scenes of sex and hunting were drawn by teenage male "graffiti artists." In an interview with LiveScience, Guthrie said, "Lots of the wild animals in the caves have spears in them and blood coming out of their mouths and everything that a hunter would be familiar with. These were the Ferraris and football games of their time. They painted what was on their minds." The LiveScience feature on Guthrie, which is accompanied by four cave images, can be read . . .
How Healthy Are We?: A National Study of Well-Being at Midlife, edited by Orville Gilbert Brim, Carol D. Ryff, and Ronald C. Kessler, was recently reviewed by Psychiatric Services: A Journal of the American Psychiatric Association: "It is an impressive and lengthy compendium and a valuable contribution to the epidemiology literature, including valuable insights into a range of psychosocial factors that define and affect middle-aged life in our society." . . .
Adekeye Adebajo recently reviewed Andrew Apter’s The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria for the Times Literary Supplement: "Traditional studies of Nigerian foreign policy have often ignored the cultural dimensions of Nigeria’s efforts to play a leadership role in Africa, although Nigeria has historically assigned itself the role—as the largest black nation on earth, comprising one in every five sub-Saharan Africans—of protecting black people globally. The country’s diplomats have, therefore, tried to champion the rights and interests of black people not just in Africa, but, for example, also in Brazil. Andrew Apter fills a gap in the literature by focusing on the spectacular Festival of Arts and Culture (FESTAC), which was hosted by Nigeria in 1977." . . .
If you believe that love is better described as “the drunken kisses of cyclones” than the predictable cheesiness found in a Hallmark card, then you’ll be cheered by the paperback release of Surrealist Love Poems, edited by Mary Ann Caws. This collection from such luminaries as André Breton, Robert Desnos, and Paul Eluard celebrates the irrational, obsessive, impassioned, and erotic states of love, demonstrating throughout the truth of Breton’s words, that “the embrace of poetry like that of the flesh / As long as it lasts / Shuts out all the woes of the world.” The book also includes fourteen alluring photographs from the likes of Man Ray, Lee Miller, and Claude Cahun. Read three poems from the book. . . .
Since ancient times, the heart has been associated with love and passion, but the familiar heart shape (♥) dates from the Middle Ages. Heart-shaped valentines are actually a special instance of the entwining of books and hearts that Eric Jager examined in The Book of the Heart. When we published his book, Jager wrote a special feature for our website in which he traces the heart-as-book metaphor through history. Read his essay, “Reading the Book of the Heart from the Middle Ages to the Twenty-First Century.” . . .
Tim Harford reviewed nine popular economics books in the Chronicle of Higher Education, including Edward Castronova’s Synthetic Worlds: The Business and Culture of Online Games. Harford says that "Synthetic Worlds is a surprisingly profound book about the social, political, and economic issues arising from the emergence of vast multiplayer games on the Internet. What Castronova has realized is that these games, where players contribute considerable labor in exchange for things they value, are not merely like real economies, they are real economies, displaying inflation, fraud, Chinese sweatshops, and some surprising in-game innovations." Harford also wrote a longer review of the book last month for the Financial Times; that review is available on his website. You can also read our interview with Castronova. . . .