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August 12, 2010

Gina A. Ulysse on Human Rights, Haiti, and Wyclef

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Since long before the devastating earthquake that shook Haitian civilization to its core and turned the world's attention toward the embattled nation, Wesleyan anthropoligist, author, and Haitian native, Gina A. Ulysse has been busy offering Western academics critical insight into the tragedies and triumphs of Caribbean culture and society.

In 2007 the Press published her Downtown Ladies: Informal Commercial Importers, a Haitian Anthropologist and Self-Making in Jamaica—a fascinating look inside the lives of entrepreneurial women who travel abroad to import and export consumer goods sold in the public markets of Kingston, Jamaica. Now, with Haiti still in ruins, and the upcoming elections the focus of yet more concern as the candidacies of several pop-stars—including Wyclef, formerly of Fugees fame—may threaten to make a travesty of what could be a rather important turning point for the country, Ulysse has continued to engage the issues in real-time with a number of articles for the Huffington Post, and blog posts for the Ms. Magazine blog.

Click through the links above to read some of her most recent articles, or find out more about her book.

July 12, 2010

Duke Ellington's America reviewed in the Telegraph

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The Telegraph recently ran a review of two new books on two of the greatest names in twentieth century jazz. In his review Ian Thomson sets Harvey G. Cohen's Duke Ellington's America alongside a new book on Thelonious Monk, both of which, Thomson argues, eloquently demonstrate how these "two giants of jazz … reinvented black American music." The review begins:

At a funeral in New Orleans in 1901, Joe "King" Oliver played a blues-drenched dirge on the trumpet. This was the new music they would soon call jazz. A century on, from the hothouse stomps of Duke Ellington to the angular doodlings of Thelonious Monk, jazz survives as an important musical voice of America.

Ellington was the first jazz composer of real distinction. No other bandleader so consistently redefined the sound and scope of jazz. As a classically trained pianist he fused the hot, syncopated sounds of Jazz Age Harlem with an element of dissonance to produce something unique: a dance music of trance-inducing charm, originality and attack.

Continue reading at the telegraph.co.uk and read this excerpt from Cohen's book.

May 18, 2010

Harvey Cohen on BBC's Nightwaves

Harvey G. Cohen, author of Duke Ellington's America was recently interviewed by Philip Dodd on the BBC Radio 3 program Nightwaves. In the program Cohen discusses the profound influence Ellington and his music had on American culture and the complex role he played in America's civil rights movement. You can find the archived audio from the interview on their site. (You'll want to fast forward to about 17.10 for the beginning of Cohen's interview.)

Read an excerpt.

May 13, 2010

Duke Ellington's America in the New Yorker

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Duke Ellington's influence on the world of music is well documented, but less so his impact on race relations in twentieth century America. In his new biography, Duke Ellington's America, cultural historian Harvey G. Cohen shows how, as Ellington's music propelled him to international fame, he was able to harness his unique social status and artistic genius to influence issues of race, equality and religion. A recent article on Ellington in the New Yorker draws on Cohen's biography to offer a glimpse into Ellington's life and his strategies for manipulating American cultural attitudes towards race. In the article, Claudia Roth Pierpont paints a picture of Ellington as a man constantly struggling to maintain a broad appeal, (even in the American south where he occasionally played for segregated audiences), while making his music the front on which he waged war against the racism that inevitably shaped his compositions, performances, and his life.

Read it online at the New Yorker website.

Also read an excerpt from the book.

May 06, 2010

Press Release: Cohen, Duke Ellington's America

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Duke Ellington towered over the world of popular music for decades, a singular figure of nearly unmatched achievement and influence. From his unforgettable jazz standards like “Mood Indigo” and “Don’t Get Around Much Anymore,” to his longer, more orchestral suites that dramatically expanded the boundaries of the form, to his peerless leadership of his big band, Ellington left his mark on every aspect of jazz in its heyday.

With Duke Ellington’s America, Harvey G. Cohen offers music fans a vivid, comprehensive account of Ellington’s life and times, setting the artist and his music fully in the context of twentieth-century American culture and history. Making use of unprecedented access to Ellington”s archives—as well as new interviews with his friends, family, and band members—Cohen illuminates Ellington’s constantly evolving approach to composition, performance, and the music business, while also taking into account his role as a spokesman for civil rights and racial justice. Throughout, Cohen regularly hands the mike to Ellington himself, drawing from countless interviews the bandleader gave over the years to lend Duke Ellington’s America an immediacy and intimacy unmatched by any previous account.

December 16, 2009

Jazz.com interview with George E. Lewis

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Jazz.com's Ted Panken recently posted an in-depth two-part interview with George E. Lewis, author of A Power Stronger Than Itself: The AACM and American Experimental Music. In the interview Panken and Lewis engage in a detailed dialogue on the history, theory, as well as practice of one of the most influential jazz collectives of the 20th century—The Association for the Advancement of Creative Musicians.

From Panken's preface to the interview:

A Power Stronger Than Itself is a landmark work. The bedrock of the text is an exhaustively researched linear narrative history, constructed on over 90 interviews from which Lewis traces keen portraits of numerous members; AACM archival records; encyclopedic citations from contemporaneous literature, both from American and European sources; and vividly recounted personal experience.

Furthermore, Lewis contextualizes the musical production of AACM members—a short list of "first-wavers" includes such late 20th-century innovators as Muhal Richard Abrams, who stamped his character on the principles by which the AACM would operate; the founding members of the Art Ensemble of Chicago (Roscoe Mitchell, Joseph Jarman, Lester Bowie, Malachi Favors, and Don Moye); Anthony Braxton, Leo Smith, Leroy Jenkins, Henry Threadgil, Amina Claudine Myers, and John Stubblefield—within both the broader spectrum of experimental activity and the critical theory that surrounded it, expressing complex concepts with rigorous clarity and elegant prose.

Read both parts of the interview on the Jazz.com website, or for more about the book read this excerpt.

September 03, 2009

Abrams, Lewis, and Mitchell trio at the Chicago Jazz Festival

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In his book A Power Stronger Than Itself: The AACM and American Experimental Music George E. Lewis, the Edwin H. Case Professor of American Music at Columbia University, has produced the definitive history of the Association for the Advancement of Creative Musicians. Based in Chicago and counting among its members musicians like Anthony Braxton and Ishmael Wadada Leo Smith, the AACM emerged in the '60s as one of the most influential organizations in the history of North American avant-garde music and art. Since then it has become one of Chicago's premier outlets for the edgier side of jazz and has risen to international renown spawning groups like the globe-trotting Art Ensemble of Chicago.

And to this day, largely due to the AACM and its mission to carve out a space in the midst of Chicago's industrial landscape for musical creativity and experimentation, Chicago's avant-garde jazz scene continues to thrive. This Friday you can head on down to the Chicago Jazz Festival at the Petrillo Music Shell to check out the Trio featuring Muhal Richard Abrams and Roscoe Mitchell—both founding AACM members—alongside George Lewis himself on trombone. The Reader's Bill Meyer writes, "putting such uncompromising music on the big stage is a gutsy move by the Jazz Institute, but this may turn out to be the most rewarding set of the festival."

In the meantime, bone up on the history of the jazz in Chicago and all the Great Black Music the AACM helped produce with George E. Lewis's A Power Stronger Than Itself.

Read an excerpt from the book.

August 05, 2009

Mary Pattillo on the black middle class

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Mary Pattillo, author of Black Picket Fences: Privilege and Peril among the Black Middle Class and Black on the Block: The Politics of Race and Class in the City was interviewed recently on Penn State Public Broadcasting's Conversations webcast speaking on the topic of her two books: the American black middle class. In the interview Pattillo talks about the history of the rise of the black middle class and the unique issues that middle class African American's face today in negotiating their place within their communities and in American society at large.

Navigate to the Penn State website to view the episode.

Also read this excerpt from Black on the Block and another from Black Picket Fences.

July 07, 2009

Slumming and the unmatchable thrill of doing something disreputable

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The New York Times City Room blog ran an article yesterday on a 19th century pastime that began as a morally transgressive practice of the urban upper class, but also played an important role in dramatically recasting the racial and sexual landscape of cities like New York and Chicago. "Slumming", as the practice was popularly known, invited "well-off white urban [dwellers] to explore black, Chinese, gay, or poor working-class communities" in search of a good time, and the unmatchable thrill of doing something disreputable. In the late 1800's upper class whites, sometimes accompanied by a local guide, would push their way into the living spaces residents in impoverished neighborhoods in a voyeuristic attempt to "see how the other half lived," reveling in the excitement of police raids, opium dens, and "gawking at prostitutes, gays, lesbians and cross-dressers." The City Room posting cites Chad Heap, author of Slumming: Sexual and Racial Encounters in American Nightlife, 1885-1940 as he explains how, in the course of the following decades, the practice of slumming evolved into a vital avenue for communication and appreciation across social, economic and cultural barriers that typified Jazz-Age America. From the City Room blog:

"In the late 19th century, American cities, especially New York, began to become more sizable and cities became more spatially socially divided, especially along race and class lines," Professor Heap said.

He pointed to the post-Civil War building boom of the Gilded Age, which allowed the upper middle class to escape from the morass of poverty downtown. Slumming brought them back: "As problematic as slumming can be as a voyeuristic sport, it's positive in the context of its period." It allowed white Americans to choose to socialize and intermingle with more marginal groups in their cabarets, bars, speakeasies and nightclubs.

The article continues:

Slumming crossed not only ethic and class lines lines, but sexual lines as well. "That is, a spectatorship of sexualized groups," Professor Heap said. He noted that people would go and gawk at prostitutes, gays, lesbians and cross-dressers. It allowed many in the upper middle class to explore sexual identities without the constraints of their own neighborhoods.

And indeed eclectic neighborhoods like Greenwich Village and Chicago's Bronzeville might not be what they are today if not for the mingling between different social and economic groups facilitated by the early phenomenon of slumming.

The article also notes a resurgence in the practice today. For example, for twenty bucks you can still get a tour of some of Chicago's disappearing projects (though one should note that the poverty is still alive and well in our fair city), and tours of Brazilian favelas seem to be gaining in popularity, as well as staged illegal border crossings in Mexico's Parque EcoAlberto. But as Heap notes, most people today engage in the same type of voyeurism today simply by turning on the TV (or going to the movies for that matter).

Continue reading the rest of the article on the NYT City Room blog or read the introduction to Heap's book to find out more about this fascinating phenomenon of 19th century urban American life whose effects are still felt powerfully today.

Update: The New Yorker also ran a short but positive blurb about Heap's book recently. You can find it online in the Books Briefly Noted section of the magazine.

May 14, 2009

Press Release: Heap, Slumming

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Greenwich Village. Harlem. Bronzeville. Even in this freewheeling, globalized age, the names of these iconic neighborhoods still conjure up an atmosphere of glamour, excitement, and illicit thrills. But long before today’s teens or even yesterday’s beatniks wandered their streets, these neighborhoods exercised a powerful attraction for upright members of the middle class looking for dissipation and disreputable fun.

With Slumming, Chad Heap brings these early havens of hip to life, recreating the long-lost nightlife of early twentieth-century New York and Chicago. From jazz clubs and speakeasies to black-and-tan parties and cabarets, Heap packs Slumming with vivid scenes, fascinating characters, and wild anecdotes of a late-night life on the borders of the forbidden. And while he doesn’t ignore the role of exploitation and voyeurism in slumming—or the resistance it often provoked—he argues that the relatively uninhibited mingling it promoted across bounds of race and class helped to dramatically recast the racial and sexual landscape of burgeoning U.S. cities.

The unforgettable tale of an urban past that continues to resonate in our day, Slumming is a late-night treat for all urbanites and fans of the demi-monde.

Read the press release or read the introduction.

April 15, 2009

Press Release: Pager, Marked

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New in paperback!Marked gives us our first real glimpse into the tremendous difficulties facing ex-offenders in the job market. Devah Pager matched up pairs of young men, randomly assigned them criminal records, then sent them on hundreds of real job searches throughout the city of Milwaukee. Her applicants were attractive, articulate, and capable—yet ex-offenders received less than half the callbacks of the equally qualified applicants without criminal backgrounds.

Young black men, meanwhile, paid a particularly high price: those with clean records fared no better in their job searches than white men just out of prison. Such shocking barriers to legitimate work, Pager contends, are an important reason that many ex-prisoners soon find themselves back in the realm of poverty, underground employment, and crime that led them to prison in the first place.

“Pager shows that ex-offenders, white or black, stand a very poor chance of getting a legitimate job.… Both informative and convincing.” —Library Journal

Read the press release or read an excerpt.

March 31, 2009

Rehabilitating intellectualism

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For the past eight years the term "intellectual" has been frequently interpreted by the media as a piece of anti-populist or elitist rhetoric. But in a recent article for the New Republic Ross Posnock notes that Obama's presidency has rehabilitated the term as one of praise rather than opprobrium, and with it interest in the history of black intellectualism in America. Tapping into this renewed interest, Posnock cites Leonard Harris and Charles Molesworth's new book, Alain L. Locke: The Biography of a Philosopher for its revealing look at the life and thought of its highly influential, yet often neglected subject.

Inheriting the role of the leading spokesperson for black intellectualism from such figures as Booker T. Washington and W.E.B. Du Boise, the authors show how Alain L. Locke both continued their legacy of leadership but also vitally updated the role. Posnock writes: Harris and Molesworth's book "brings alive [Locke's] distinctive fashioning of the role of black intellectual" demonstrating his unique ability to operate as "a race man," but also as "an apolitical aesthete," keeping "up the pressure on both roles, as his thought continually refined itself and deepened." Thus, expanding the influence of black intellectuals in American culture Harris and Molesworth deliver fascinating evidence of Locke's profound impact as the "father of the Harlem Renaissance," promoting and sparring with such diverse figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey among others.

To find out more about Locke's unique and important contributions to American culture read Posnock's article at the New Republic website, then pick up a copy of Leonard Harris and Charles Molesworth's, Alain L. Locke: The Biography of a Philosopher.

January 28, 2009

Hyra and Pritchett on the Future of Public Housing

jacket imageThis morning at the Urban Institute Derek Hyra, author of The New Urban Renewal, and Wendell Pritchett, author of Robert Clifton Weaver and the American City joined a forum with other experts on urban affairs to discuss the question: Can public housing overcome its history of racial discrimination and segregation?

jacket imageThe discussion addressed such issues as whether public housing policies can simultaneously address the problems of poverty and race. And, if so, how? You can listen to a webcast of the panel and, for historical perspective, read an excerpt of Pritchett's book.

November 13, 2008

A modern music missed by modern scholarship

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The Chronicle of Higher Education's Peter Monaghan has written several interesting articles recently about the Association for the Advancement of Creative Musicians, "a celebrated avant-garde collective that began in the poorest neighborhoods of Chicago in the 1960s," and the subject of George E. Lewis's recent A Power Stronger Than Itself: The AACM and American Experimental Music. In both articles Monaghan notes the significance of Lewis's book as the first academic treatment of the AACM and the highly influential experimental music it produced, and ponders the question, put forth in Lewis's book, of why such a groundbreaking group of artists hasn't received more attention by mainstream academics:

In his book, both social history and critical study, Lewis makes a claim that devotees of the AACM have long embraced but that is discomforting some composers and critics: The jazz-related collective, which emerged from black, working-class areas of Chicago in the 1960s, became one of the most significant artistic forces of the 20th century—yet histories of American musical experimentalism almost never say so.…

Lewis cites the historian Jon D. Cruz's observation that criticism of the new music as "just noise" recalled many slave owners' earlier obliviousness to the significations of slave songs. "Similarly," writes Lewis, "the noisy anger of the new musicians seemed strange, surprising, and unfathomable to many critics, along with the idea that blacks might actually have something to be angry about."

As a result, Lewis contends, music historians have failed to acknowledge the influence of the "transgressive new black music" of the AACM and other innovators like Ornette Coleman, John Coltrane, and Cecil Taylor, dispatching them to the ranks of mere jazz oddballs.

Lewis's critique of American avant-gardism is "profoundly important and long overdue," according to a specialist in American and 20th-century music, Amy C. Beal, an associate professor of music at the University of California at Santa Cruz. "Histories of 20th-century music and jazz are racially segregated, and there are various institutional reasons why that happens," she says, "It's time we started examining them."

You can read both Monaghan's pieces —"Thoroughly Modern Music" and "Experimental Music and Academe"—online at the Chronicle.com website.

Also read an excerpt from the book.

September 11, 2008

Rain Taxi reviews A Power Stronger than Itself

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The Fall 2008 print edition of the Rain Taxi Review of Books published a positive review of George E. Lewis's new book A Power Stronger than Itself: The AACM and American Experimental Music. Rain Taxi contributor W. C. Bamberger begins:

Founded in 1965, the AACM … seeks to enable black composers and performers of experimental music to take control of its presentation and recording. For more than forty years the name and acronym have been appearing in the liner notes of recordings by The Art Ensemble of Chicago, Muhal Richard Abrams, and many others, but information about the group has always been rather hazy, a frustration that George E. Lewis's impressive sociological-historical study more than remedies.

Lewis, a trombonist and electronic musician, is also an AACM member and past president, and so brings an insider's perspective to his analysis. He also conducted nearly 100 interviews with musicians and writers and presents their memories and views, some of them clashing, in hopes that "a useful story might be realized out of the many voices heard in this book, the maelstrom of heteroglossia in which we nervously tread water." There is no picket fencing here: Lewis doesn't utilize the high point or famous member system, so many too-little known musicians have their say. This is in part to give credit where credit is due, and to refuse "stars" exclusive rights to the AACM's history.…

Others in his wake will find this a valuable resource, and will also find it difficult to match Lewis for depth and critical insight.

Pick up a copy of the Fall 2008 edition of Rain Taxi to read the review.

Also read an excerpt from the book.

September 08, 2008

The "coming home" of the black midle class

jacket imageJulia Vitullo-Martin has an interesting review of Derek S. Hyra's new book, The New Urban Renewal: The Economic Transformation of Harlem and Bronzeville, in Sunday's New York Post. In his book Hyra looks at the nation's two most important historic, urban black neighborhoods—New York's Harlem and Chicago's Bronzeville—to explore the shifting dynamics of class and race as these two iconic black communities undergo an unprecedented period of gentrification. From the Post review:

Hyra's most fundamental concern: As these neighborhoods come back economically, what will happen to their poor residents? Hyra notes that both Bronzeville and Harlem are "revitalizing without drastic racial changeover." In the last 10 years, Central Harlem's white population increased to 2% from 1.5%, and the white proportion in Bronzeville increased to 4% from 2.5%.

Yet while Hyra is very worried about the displacement of the poor, he argues that class antagonism is actually important to the redevelopment of formerly impoverished communities. Black middle-class values translate into effective political activity and organizations, including block clubs, planning boards and religiously affiliated community development corporations. The problem, as he sees it, is that the "coming home" of the black middle class will produce a neighborhood in which poor blacks are no longer welcome.

Is he correct? Only time will tell. After all, the new, large, urban black middle class is itself a new phenomenon. How its development will affect the historic neighborhoods it treasures is an open question.

Read the rest of the article on the New York Post website.

September 02, 2008

Press Release: Hyra, The New Urban Renewal

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Most of us probably think we know how urban gentrification works: rich young whites move into poor, non-white areas and gobble up cheap real estate, eventually forcing longtime residents to move to more affordable but distant locales. Since the late 1990s, however, a surprising new pattern has emerged as a handful of poverty-stricken black neighborhoods have evolved into residential hotspots boasting high-income housing, destination dining, designer boutiques, and even bed-and-breakfasts—all while managing to stay black.

No two neighborhoods in the country exemplify this trend better than Harlem in New York City and Bronzeville in Chicago. In this groundbreaking book, Derek S. Hyra—a resident of both of these neighborhoods—moves from the streets to city hall to corporate boardrooms, tracing the web of factors at play in the remarkable revitalization of these two historic enclaves.

Read the press release.

August 28, 2008

The costs of urban transformation

In yesterday's New York Sun Harvard economist Edward Glaeser reviewed Derek Hyra's new book The New Urban Renewal: The Economic Transformation of Harlem and Bronzeville. Hyra's book looks at urban gentrification in two neighborhoods—Chicago's Bronzeville and New York's Harlem—and its impact on various socio-economic groups, revealing a sharp divide between middle-income and less affluent residents in benefiting from such transformations. As Glaeser explains:

A dynamic private sector… has made New York and Chicago increasingly prosperous places over the last 15 years.… As these cities have done well, demand for space has exploded. We see rising demand in the skyrocketing price of space in Manhattan and in the cranes that seem to be a permanent feature of Chicago's Lake Shore Drive skyline. Booming demand has also increased the desire among middle-class people to move to formerly poor areas such as Harlem and Bronzeville: Upwardly mobile urbanites, priced out of more expensive areas, have become urban pioneers "gentrifying" areas that used to be poor. But just as the real pioneers weren't always such a blessing for the American Indians on the frontier, gentrifiers aren't always a boon for the established residents of an area.…

Continue reading the article on the New York Sun website.

August 14, 2008

Kelan Phil Cohran and Chicago's mecca of the avant-garde

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The latest edition of Time Out Chicago is running an article about Kelan Phil Cohran—whose notable work as a jazz composer and multi-instrumentalist once landed him a spot in Sun Ra's Arkestra and, more recently, a central role in George E. Lewis's new book A Power Stronger Than Itself: The AACM and American Experimental Music. Lewis's book is the definitive history of the Association for the Advancement of Creative Musicians, an important and influential Chicago jazz collective which Cohran helped to found in 1965. But as Time Out's Jake Austen notes, Cohran not only played an important role in organizing the association and establishing Chicago as a mecca for avant-garde jazz, but continues to be a major force in the jazz scene today:

After settling in Chicago in the mid-'50s, Cohran became an integral part of the South Side's cultural fabric during the next half-century, forming the AACM and turning a Bronzeville movie house into the Afro-Arts Theater (home base of Cohran's Artistic Heritage Ensemble, Oscar Brown Jr. and Gwendolyn Brooks, among others). He also became a fixture in public schools, teaching and demonstrating his musical ideas from 1965 until the '90s.… But Cohran is best known for his stint with Sun Ra's Arkestra from 1959 to 1961.…

Yet what makes Cohran's work so compelling to contemporary audiences may be the ways he veers away from Sun Ra and his AACM colleagues. While Ra explored the spaceways, Cohran… studied his own planet.… Cohran's interest in folk, as well as an activist's desire to serve the people, makes his music more populist than most experimental sounds. "My music is an expression of my community," he says. "That's why it lasts: because it wasn't for me."

And tonight starting at 6:30 you can catch Cohran at the Pritzker Pavilion in downtown Chicago where he headlines a concert titled "Made in Chicago: Kelan Phil Cohran and the Legacy of Sun Ra." To find out more about Cohran, his stint with the Arkestra, and the role he played in forming the AACM, check out this excerpt from Lewis's book. To find out more about the show navigate to the Time Out Chicago website.

August 11, 2008

Venus Flytrap returns to Cincinnati

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John Kieswetter, the Cincinnati Enquirer's TV/Radio/Media reporter heralded the arrival of one of Cincinnati's favorite TV personalities, comedian and actor Tim Reid, with a nice post to his blog last Thursday. His posting touches on Reid's historic career in comedy, and details his recent itinerary, which brought him back to the city he once fictionally inhabited as radio DJ Venus Flytrap on the late 70's sitcom WKRP in Cincinnati. According to Keiswetter, Reid was scheduled to host the local Emmy Awards dinner and to throw out the first pitch at the Reds-Astros game. In his post Kieswetter remarks: "I bet he's surprised at how often he's recognized here, and how fondly so many of us remember 'WKRP.'"

But while most people recognize Reid from his hit TV show, fewer remember his earlier work in the pioneering stand-up act "Tim and Tom" with comedian Tom Dreesen—the first interracial comedy team in the history of show business. Now with Reid's forthcoming book, Tim and Tom: An American Comedy in Black and White, co-authored with Dreesen and Ron Rappaport, the fascinating story of this ground-breaking comedic duo is revealed—from their beginnings in the nightclubs of Chicago to to their acrimonious breakup after 5 hard years on the road.

The book is set to publish this September and Dreesen and Reid are scheduled to make quite a few appearances in support of the book's release. Navigate to the Tim and Tom book page to find out more about the book or to place an advance order. Also, see our author events page to find out more about the upcoming events.

July 30, 2008

NPR reviews A Power Stronger Than Itself

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Jazz critic Kevin Whitehead reviewed George E. Lewis's new book A Power Stronger Than Itself: The AACM and American Experimental Music for the July 29 edition of NPR's Fresh Air. In the review, Whitehead outlines the book's captivating scholarly portrait of the Chicago avant-garde jazz collective known as the Association for the Advancement of Creative Musicians, which, since its inception in 1965, has counted among its ranks internationally acclaimed artists such as Anthony Braxton, the Art Ensemble of Chicago, and Muhal Richard Abrams, and gained world wide recognition as one of the defining forces in the avant-garde jazz scene.

Listen to the archived audio on the NPR website.

Also, read an excerpt from the book.

June 19, 2008

Richard Wright Centenary

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This year is the 100th anniversary of the birth of African American author Richard Wright, whose famous novels Black Boy and Native Son redefined race relations in the 20th century. Appropriate to the occasion, the press released a new paperback edition of the authoritative biographical account of Wright's tumultuous life and literary career, Richard Wright: The Life and Times by Hazel Rowley. An illuminating article in the June 11 edition of the Times Literary Supplement references Rowley's book as it delivers a short biography of Wright, describing his rise and fall as one of the "stars" in the early twentieth century's "literary firmament," his complicated relationship to the civil rights movement, and the "hazards of his expatriation to France in the late 1940's." You can read the full article by James Campbell at the TLS Online. And then navigate here to find out more about Rowley's biography.

June 17, 2008

Interview with Mary Pattillo on WNYC

jacket imageMary Pattillo, author of Black on the Block: The Politics of Race and Class in the City was interviewed yesterday on WNYC's Brian Lehrer Show to discuss the gentrification of urban African American communities.

Pattillo's book is an eye-opening sociological exploration of Chicago's North Kenwood–Oakland neighborhood and the community's embattled process of revitalization, where the often conflicting interests of the black middle-class, their less-fortunate neighbors, and the established centers of white economic and political power frame a dramatic tale of the transformation of black communities in the twenty-first century.

In the interview Pattillo touches on many of the issues discussed in her book and fields some interesting questions from WNYC listeners. Listen to the audio on the WNYC website.

Also read an excerpt from the book.

June 11, 2008

The transformation of Harlem

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Derek S. Hyra, author of The New Urban Renewal: The Economic Transformation of Harlem and Bronzeville, was interviewed today on the BBC Radio 4 program Thinking Allowed. Host Laurie Taylor, on the ground in Harlem, interviewed Harlem residents and neighborhood leaders, as well as Hyra and other authors to understand both the history of Harlem and the "Second Harlem Renaissance" that is renewing and stressing the neighborhood.

Does gentrification bring upheaval or stability? Is change always good? Who are the winners and who are the losers?

The archived audio is available from the BBC.

June 03, 2008

The epic history of the AACM

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The June issue of Downbeat Magazine is running a positive review of George Lewis's new book A Power Stronger Than Itself: The AACM and American Experimental Music—the definitive history of one of the most influential avant-garde jazz collectives in existence, the Chicago-based Association for the Advancement of Creative Musicians. Writing for Downbeat jazz critic Howard Mandel begins his review:

George Lewis's epic history of the Association for the Advancement of Creative Musicians sets a new standard for scholarly writing about the people who make Great Black Music, or any other kind. A Power Stronger Than Itself: The AACM and American Experimental Music, interweaves interviews with 67 of Lewis's AACM colleagues, select journalistic reports and theoretical writings with the perspective of a trusted insider across a societal portrait worthy of Tolstoy. Lewis dramatizes the story of independent, underfinanced, determined, sophisticated artists from a working-class minority subculture struggling to launch an esthetic movement that emphasizes individuality, continuous exploration and personal development in a world that could hardly care less.

Downbeat magazine seems to be having some technical difficulties with their website, but for now you can read the full unedited version on Howard Mandel's blog Jazz Beyond Jazz.

Also read an excerpt from the book.

May 22, 2008

Race and the Birth of Jazz in New Orleans

jacket imageCharles Hirsch's new book Subversive Sounds: Race and the Birth of Jazz in New Orleans was reviewed yesterday in the Times-Picayune. Contributing writer Jason Berry begins by drawing a parallel between the early New Orleans jazz scene Hirsch brings to life in his book, and the city as we know it today:

The music we now call jazz flowered at the dawn of the last century, a time of grinding poverty and struggle for black people, as Charles Hersch writes in a provocative new history, Subversive Sounds.

A political scientist by training, Hersch illuminates how musicians of color drew from realities that few white people experienced in forging a form of dance music for people of both races. In that sense, Subversive Sounds is more than timely. The social realities of New Orleans today resemble the city in 1900: racial polarization beneath a blanket of poverty and uncertain leadership. A century ago tourism was in its infancy; today's "cultural economy" markets an urban identity shaped by African-American traditions that ran deepest in downriver wards that were wrecked in the flooding of 2005, areas where tour buses show visitors the wonder of our Pompeii on the Mississippi.

Read the full review at the Times-Picayune.

May 14, 2008

Press Release: Lewis, A Power Stronger Than Itself

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Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles from Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton to Douglas Ewart, the Ethnic Heritage Ensemble, and Nicole Mitchell has been matched by the enormous international influence of the collective itself in inspiring a generation of musical experimentalists.

George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images.

Read the press release.

Also, read an excerpt from the book.

May 07, 2008

An innovative blend of storytelling and scholarship

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In a recent review posted to the Bookslut website, Barbara J. King praises anthropologist Richard Price's most recent book Travels with Tooy: History, Memory, and the African American Imagination for its unique ethnographic account of the author's encounter with the enigmatic subject of Tooy—a priest, philosopher, and healer living in a shantytown on the outskirts of Cayenne, French Guiana. Commending the book for drawing not only on Price's ethnographic and archival research, but also on Tooy's teachings, songs, and stories, King writes:

The book glows with knowledge, Tooy's as much as Rich's, as Rich is the first to say; he writes of Tooy with love, as a friend, but also with respect, calling him "a fellow intellectual.…"

The complexity of Rich's analysis sits side by side with the complexity of Tooy's time-and-space travel. As I close the book (and begin to listen to Tooy's voice at Rich's website ), I know that I grasp only a small fraction of what Tooy knows. It's a good feeling, in a peculiar way; after all, that's what inhabiting an unfamiliar reality will do for a person—teach her what she doesn't know, and how to learn something more.

Read the article at Bookslut. Also listen to a selection of archived sound files to accompany the book.

May 02, 2008

The collective history of the AACM

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Today's New York Times is running a piece on author George E. Lewis's new book, A Power Stronger Than Itself: The AACM and American Experimental Music—the authoritative historical account of one of America's most influential avant-garde jazz collectives. Founded in 1965, many icons of the avant garde, musicians like Anthony Braxton and Leo Wadada Smith, have joined its ranks. And many of them continue to play as members of the collective today. The NYT article includes information on several upcoming events in NYC including a special book release concert happening next Friday (May 9th) at the Community Church of New York. From the NYT:

The Association for the Advancement of Creative Musicians, [is] an organization that has fostered some of the most vital American avant-garde music of the last 40 years.

Though noncommercial, often pointedly conceptual and unabashedly arcane, this music has had a profound influence over the years on several generations of experimental musicians worldwide.

The scene plays out vividly in A Power Stronger Than Itself: The A.A.C.M. and Experimental Music, an important book by the trombonist-composer-scholar George Lewis due out from the University of Chicago Press this month. Reconstructing that inaugural meeting from audio tapes, Mr. Lewis conveys not only Mr. Abrams's aim but also the vigorous debate begun by his notion of "original music." (Whose music? How original?) From the start, its clear, the association expressed its firm ideals partly through collective discourse.

Next Friday night another sort of discourse will unfold at the Community Church of New York in Murray Hill, when the association convenes a panel discussion with a handful of its current members, including Mr. Lewis, the multireedist Henry Threadgill and the pianist and vocalist Amina Claudine Myers. The conversation will precede a concert featuring Mr. Lewis and Mr. Abrams in an improvising trio with the trumpeter Wadada Leo Smith.

You can read the full article on the NYT website, or see an excerpt from the book. To find out more about the show navigate to the AACM's New York chapter website.

April 10, 2008

The monumental AACM

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In 1965 a group of Chicago musicians dedicated to exploring the frontiers of American jazz banded together to create the Association for the Advancement of Creative Musicians—one of the most radical and influential musical collectives in the history of the genre. Now, author George E. Lewis has chronicled the definitive history of the movement in, A Power Stronger Than Itself: The AACM and American Experimental Music, a book music critic Peter Margasak praises in today's Chicago Reader for "[going] deeper into the formation and development of the AACM than any previous history, and as a formal acknowledgment of the group's enormous importance and influence…."

Margasak's article continues:

In the early 60s the marketplace was indifferent or hostile to creative jazz, and the AACM was the first sustained musician-run group to support it, producing legendary artists like Anthony Braxton, the Art Ensemble of Chicago, and Henry Threadgill. The organization remains active today, led by reedist Douglas Ewart and flutist Nicole Mitchell, and its members still display the fierce determination and brilliant creativity that made its name a seal of quality.

And on Tuesday, April 15, 4:15 pm you'll have a chance to see some of the AACM's brilliant creativity yourself if you head down to the Chicago Cultural Center's Cassidy Theater where the author along with some of AACM's current members will deliver a live performance and discussion of "the history of the AACM and strategies independent artists can use to form similar collectives."

The book is officially slated for release next month, but in the meantime, you can read the rest of the Reader article online, or see an excerpt from the book.

Time Out magazine also weighs in with an article published in their most recent issue. You can find it online here.

March 17, 2008

Race, Gender, and Politics: Dangerous Frames

jacket imageNicholas J. G. Winter is publishing his book, Dangerous Frames: How Ideas about Race and Gender Shape Public Opinion at the perfect time, just as these issues are getting their most concrete expression in the political sphere. We asked him to reflect on the the Democratic presidential race in light of the ideas he explores in his book.


The historic presence in the Democratic primary race of both the first woman and the first African American with serious shots at a major party nomination has understandably brought lots of media attention to the roles of gender and race in Americans’ political thinking and voting. Much of this coverage obscures rather than clarifies those roles.

On the one hand, commentators ask whether black and female voters support “one of their own.” Do black voters support Obama? Do women support Clinton?

On the other hand, others ask some version of the question “Are Americans more racist or more sexist?” Is gender more fundamental to American social structure, or is racism more centrally embedded in American politics. More concretely, will white male swing voters be more disinclined to vote for a woman or an African American man in the general election?

Continue reading "Race, Gender, and Politics: Dangerous Frames" »

February 13, 2008

Press Release: Rowley, Richard Wright

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Consistently an outsider—a child of the fundamentalist South with an eighth-grade education, a self-taught intellectual, a black man married to a white woman—Richard Wright nonetheless became the unparalleled voice of his time. The first full-scale biography of the author best known for his searing novels Black Boy and Native Son, Richard Wright: The Life and Times brings the man and his work—in all their complexity and distinction—to vibrant life. Acclaimed biographer Hazel Rowley chronicles Wright's unprecedented journey from a sharecropper's shack in Mississippi to Chicago's South Side to international renown as a writer and outspoken critic of racism.

Drawing on journals, letters, and eyewitness accounts, Richard Wright probes the author's relationships with Langston Hughes and Ralph Ellison, his attraction to Communism, and his so-called exile in France. Skillfully interweaving quotes from Wright's own writings, Rowley deftly portrays a passionate, courageous, and flawed man who would become one of our most enduring literary figures.

Read the press release.

October 01, 2007

Review: Pager, Marked

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The online e-zine PopMatters is running an interesting review of Devah Pager's new book Marked: Race, Crime, and Finding Work in an Era of Mass Incarceration. Like much of the other press this book has been receiving lately, the review focuses on Pager's revealing analysis of the links between the U. S. penal system and the deep rooted racial and economic inequalities in the U. S. job market. PopMatters reviewer Steve Horowitz writes:

Most Americans find the idea of serving two punishments for the one crime unfair, yet according to Princeton Professor of Sociology Devah Pager, this happens all the time. A person spends time in jail, and then suffers from the stigma of incarceration after being released.… This isn't news to anyone with even a passing familiarity with the justice system. However, Pager extends her analysis one step further through an experimental field study in metropolitan Milwaukee. She sends out pairs of young men with matched resumes on job searches for employment and makes some startling discoveries.

The Princeton professor shows that employers regularly exclude ex-offenders from consideration for entry-level, low-paying jobs, and provides strong evidence that the situation for young black men is significantly worse than for their white counterparts. Her study shows that white men who do not have a criminal record are more than twice as likely to be considered for a job as white men with ex-offender records. A white man with a criminal record has the same chance of being considered for a job as a black man without one. A black man without a record, or a white man with a criminal history, is three times more likely to be considered for a job than a black man with a criminal record.

Hrowitz concludes:

Much of what Pager says flies against the conventional belief these days that says that race is no longer a strong barrier against getting a job. She points out that most Americans no longer believe that ascribed characteristics, like race, hinder a person from employment. That may be true for middle-class and high-end jobs, but unfortunately, racism is still a problem on the low end of the pay scale, where most people with a record look for work.

Read an excerpt from the book.

September 28, 2007

Press Release: Pager, Marked

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“In 1970, President Nixon announced a massive war on crime. More prisons were built and more people incarcerated than ever before in U.S. history. With the media's portrayal of convicts as demons, the public attitude toward anyone who had ever been arrested became bleak and hostile. According to Pager [Marked: Race, Crime, and Finding Work in an Era of Mass Incarceration], this attitude prevails today, particularly in the job market. Using scholarly research, field research in Milwaukee, and graphics, she shows that ex-offenders, white or black, stand a very poor chance of getting a legitimate job (though black men with clean records fared the same as whites just out of prison). As a result, many live in poverty or return to crime. Pager is not an activist clamoring for reform but instead presents her findings in a clearheaded manner, pointing out the societal consequences of the predicament and suggesting ways for change. Written for the general reader with a nod to the academic audience, the book is both informative and convincing. Highly recommended.”—Library Journal

Read the press release. Read an excerpt from the book.

September 27, 2007

Finding Work in an Era of Mass Incarceration

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The Boston Globe's Christopher Shea wrote an interesting piece for last Sunday's paper on America's growing prison system and its formative impact on American society. In his article, Shea details the revealing social experiment in Devah Pager's new book, Marked: Race, Crime, and Finding Work in an Era of Mass Incarceration, to show how the American penal system has become an "engine of inequality … actively [widening] the gap between the poor—especially poor black men—and everyone else." Shea continues:

In an ideal penal system, prisoners might exit the system having paid their debt to society and be more or less restored to their previous status as free men and women. But Pager's book demonstrates just how detached from reality that view is. She had four college students, two black and two white, pose as applicants for low-level jobs in Milwaukee.…

They used résumés that were nearly identical—high school degrees, steady progress from entry-level work to a supervisory position—except that in some cases the applicant had a drug conviction in his past… for which he served an 18-month sentence and then behaved perfectly on parole.…

In her field study, Pager found that her black applicants with criminal records got called for an interview—or to interview on the spot, as they applied in person—a mere 5 percent of the time. That compared with 14 percent for the black applicants without a criminal record. Meanwhile, the white applicants with a record were called back 17 percent of the time, compared with 34 percent for the white men lacking the blotch on their résumé. "Two strikes"—blackness and a record—"and you're out" is how Pager summarizes her findings.

Read the rest of the article on the Boston Globe website.
Read an excerpt from Pager's book.

August 29, 2007

Review: Pager, Marked

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Daniel Lazare has written a fascinating review of several books on America's growing prison crisis for Monday's edition of the Nation. According to Lazare, the U.S. prison system currently incarcerates about a quarter of the world's prisoners with "about 3.2 percent of the adult population under some form of criminal-justice supervision." And for African Americans, Lazare writes, "the numbers are even more astonishing. By the mid-1990s, 7 percent of black males were behind bars, while the rate of imprisonment for black males between the ages of 25 and 29 now stands at one in eight." But according to Lazare this is only half the problem; what happens after this large, racially disparate prison population is released to face the prospects of finding a job and living without crime? Lazare turns to Devah Pager's new book, Marked: Race, Crime, and Finding Work in an Era of Mass Incarceration for the answer:

In Marked, Devah Pager, who also teaches sociology at Princeton, uses a simple technique to show how mass incarceration has undone the small amount of racial progress achieved in the 1960s and '70s. Working with two pairs of male college students in Milwaukee, one white and the other black, she drilled them on how to present themselves and answer questions. Then, arming them with phony résumés, she sent them out to apply for entry-level jobs. The résumés were identical in all respects but one. Where one member of each team had nothing indicating a criminal record, the other's résumés showed an eighteen-month sentence for drugs.…

The results? The white applicant with a prison record was half as likely to be called back for a second interview as the white applicant without. But the black applicant without a criminal record was no more likely to be called back than the white applicant with a record, while the black applicant with a record was two-thirds less likely to be called back than the black applicant without. The black applicant with a record therefore wound up doubly penalized—as a black man and as an ex-con. With the chances of a call-back reduced to just 5 percent, the overall effect, Pager writes, was "almost total exclusion from this labor market.…" This is not only bad news for those arrested but bad news for those who have to foot the bill for their incarceration and for dealing with the social problems that labor-market exclusion on this scale helps generate."

Read an excerpt from the book.

August 06, 2007

The South Side as Sociological Specimen

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In a recent article for the Chicago Tribune staff reporter Ron Grossman delivers a fascinating account of the long legacy of sociological study that has used Chicago's South Side as its laboratory. Grossman begins his article by mentioning one of the latest additions to this legacy, Mary Pattillo's Black on the Block: The Politics of Race and Class in the City. Her book, like those of the many other sociologists who have chosen to study the South Side's unique black urban communities, focuses on the sharp divides in race, class, and culture that can be found in the area's neighborhoods. But it also explores a growing phenomena in Chicago's South Side communities, the black urban middle class. Examining the social impact of the gentrification of neighborhoods that have for years been home to some of the city's poorest residents, Pattillo's book continues to break new ground in one of the most often studied urban neighborhoods in America.

You can read Grossman's article online at the Tribune website, or navigate to the press's site to find out more about Pattillo's fascinating new book, as well as read an excerpt.

July 24, 2007

Mary Pattillo on the future of Chicago's black urban communties

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Mary Pattillo, author of the recently published Black on the Block: The Politics of Race and Class in the City, penned a fascinating op-ed piece for Sunday's Chicago Tribune on the rapidly changing face of Chicago's black urban communities. Pattillo's article begins:

"No more blacks." That was the forecast of a resident of the Oakland community when asked about the future of her South Side neighborhood.

"No more blacks?" I responded, worried in no small part because my research is about black gentrification.

"[A] couple of blacks" would be left, the woman then allowed. "They got money.

This simple prediction is rich with meaning. For one thing, it helps establish the players in the widespread upscaling of Chicago: The little man. The middleman. And then, The Man.

The prediction also lays out what's at stake, not just in Oakland and North Kenwood on the South Side, but in various Chicago neighborhoods. In the process of "building, breaking, rebuilding" the City of the Big Shoulders, as Chicago's poet Carl Sandburg so eloquently put it, who is going to keep the little man from being left behind? Are Chicago's shoulders big enough to serve, include and celebrate everyone?

Pattillo's article seems to leave this question open ended, but makes a point that it is the rising black middle class who must ultimately shoulder the responsibility of brokering between the lower and upper classes if the future of some of the more underprivileged members of Chicago's black urban communities is to look any brighter.

Also, social historian Arnold Hirsch (Making the Second Ghetto: Race and Housing in Chicago 1940-1960) reviewed Pattillo's new book in the July 14 edition of the Tribune. The online version is still up on their website.

Read an excerpt from the book.

June 26, 2007

Review: Pattillo, Black on the Block

jacket imageThe Chicago Reader recently ran an insightful analysis of Mary Pattillo's new book, Black on the Block: The Politics of Race and Class in the City. Reviewer Harold Henderson reflects on how Pattillo's participant-observer study of Chicago's North Kenwood—Oakland neighborhood reveals a tangled network of competing interests, even within the community itself, that if left unresolved make any predictions as to the future of the neighborhood and its inhabitants uncertain at best. Henderson writes:

Mayor Daley's brave new Chicago doesn't work for everyone. Eric Klinenberg tried to make this point five years ago with Heat Wave, his examination of who suffered and how during a 1995 natural disaster. Now Northwestern University sociologist Mary Pattillo nails it with Black on the Block: The Politics of Race and Class in the City

She traces North Kenwood—Oakland's fortunes from late-19th-century prosperity to 1970s poverty and back to relative prosperity, then focuses on the uneasy position of the growing population of middle-class black professionals, who often find themselves acting as brokers between "the Man" downtown and the "littlemen" back in the hood.…

After two decades of gentrification the neighborhood has three new schools, less public housing, less crime, and a booming real-estate market. But most of its low-income kids still attend the old, underachieving schools. Former residents of the demolished public-housing high-rises have seen their promised right of return demolished as well. And the new black bourgeoisie is as enthusiastic about stopping the old timers' sociable practice of boulevard barbecuing as it is about fighting crime. Through the lens of this neighborhood Pattillo depicts a city where liberty and justice for all is being transformed—ever so slowly, ever so reasonably—into order and tranquility for some.

Henderson concludes: “A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one.”

Read an excerpt from the book.

May 17, 2007

Mary Patillo on Eight Forty-Eight

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Author Mary Pattillo was featured Tuesday on Chicago Public Radio's daily news-radio talk show Eight Forty-Eight. Pattillo speaks with host Richard Steele about her new book Black on the Block: The Politics of Race and Class in the City and the revitalization of Chicago's North Kenwood-Oakland neighborhood. Their conversation explores the problems facing this rapidly gentrifying black community to touch on broader issues of race and class in contemporary urban America. You can find archived audio of the show on the Chicago Public Radio website.

Pattillo will also be at 57th Street Books today at 7pm to read from her book. In the meantime, you can check out an excerpt on our website.

May 09, 2007

Press Release: Kaplan, The Interpreter

jacket imageNo story of World War II is more triumphant than the liberation of France, made famous in countless photos of Parisians waving American flags and kissing GIs as columns of troops paraded down the Champs Élysées. But one of the least-known stories from that era is also one of the ugliest chapters in the history of Jim Crow. In The Interpreter, celebrated author Alice Kaplan recovers this story both as eyewitnesses first saw it, and as it still haunts us today.

The American Army executed 70 of its own soldiers between 1943 and 1946—almost all of them black, in an army that was overwhelmingly white. Through the French interpreter Louis Guilloux's eyes, Kaplan narrates two different trials: one of a white officer, one of a black soldier, both accused of murder. Both were court-martialed in the same room, yet the outcomes could not have been more different.

Kaplan's insight into character and setting make The Interpreter an indelible portrait of war, race relations, and the dangers of capital punishment.

"American racism could become deadly for black soldiers on the front. The Interpreter reminds us of this sad component of a heroic chapter in American military history."
Los Angeles Times

"A cross section of a tragedy … This is an extraordinary book."
John Lukacs, Boston Globe

Read the press release.

April 10, 2007

Review: Pattillo, Black on the Block

jacket imageThe March 31 Boston Globe featured an article reviewing several new books about urban gentrification and its complex impact on the politics of race and class in contemporary urban America. These works together create, in the words of reviewer Sudhir Alladi Venkatesh, "a more nuanced picture of gentrification."

Venkatesh praises Mary Pattillo, author of Black on the Block: The Politics of Race and Class in the City, for her detailed examination of this issue through her first-hand account of conflict, cooperation, and community building in Chicago's North Kenwood-Oakland (NKO) neighborhood—a rapidly changing African American community on Chicago's South Side. From the review:

Pattillo eschews most norms of social scientific objectivity by taking up residence in NKO. She is a homeowner and secretary of a local neighborhood association with great influence over local development—not to mention a Northwestern University professor. …

Pattillo acknowledges her complicated role, as both interested party and analyst. But through her experience we see how complicated life can be for the black middle class.

In her neighborhood, Pattillo and other newly-arriving homeowners, many of whom find themselves sandwiched between empty lots and dilapidated, low-income housing projects, are caught between two motivations: the wish to live in an area with decent stores, well-maintained parks, and adequate city services; and the ethical pull of advocating on behalf of those poorer blacks who might be displaced if the neighborhood continues to gentrify.

Ultimately, Black on the Block argues that while these fissures have come to define the black community, the reality is that many African Americans choose participation over abdication and involvement over withdrawal—even when disagreements become bitter and acrimonious.

Read an excerpt from the book.

April 09, 2007

Press Release: Patillo, Black on the Block

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Mary Pattillo is a Newsweek Woman of the 21st Century because of her critically acclaimed last book, Black Picket Fences, which changed forever the way many of us think about the black middleclass in America today. In Black on the Block, Pattillo returns to the South Side of Chicago to explore how class conflicts within the black community are dramatically changing the shape and terms of racial solidarity. Her focus is the work that more affluent members of the black community are doing to lift historically impoverished and dilapidated neighborhoods out of abject poverty—and the tensions that arise between poorer and middleclass blacks when they do so. Black on the Block explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old timers as they clash over the political implications of gentrification and reaching out to white economic power bases.

Read the press release. We also have an excerpt from the book.

March 13, 2007

Press Release: Glaude, In a Shade of Blue

jacket imageJohn Dewey once said that every generation has to accomplish democracy for itself, because social justice is something that cannot be handed down from one person to another: it has to be worked out in terms of the needs, problems, and conditions of the present moment and its distinct challenges. In this impassioned and inspirational work, Eddie S. Glaude Jr. puts Dewey’s idea into the service of his fellow African Americans. According to Glaude, black politics have grown increasingly stagnant and even ineffectual because of their basis in the sufferings and indignities of the past instead of the real-live obstacles of the present moment. To remedy this, Glaude here dislodges black politics from the dogmas and fixed ideas of the Civil Rights movement and points them in the direction of more pragmatic solutions rooted in the here and now. Poor health, alarming rates of imprisonment, drugs, and the advanced concentration of poverty in our nation’s cities warrant a form of political engagement that steps out of the shadows of the black freedom struggles of the 1960s and rises to the complexities of the 21st century with more innovative thinking, a greater emphasis on responsibility and personal accountability, and a fuller embrace of education and participatory democracy.

Heady, provocative, and brimming with practical wisdom, In a Shade of Blue is a remarkable work of political commentary on a scale rarely seen today. To follow its trajectory is to learn how African Americans arrived at this critical moment in their history and to envision where they might head next.

Read the press release. Read an excerpt from the book.

March 07, 2007

Eddie Glaude on the Tavis Smiley Show

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Eddie S. Glaude Jr., author and Princeton University professor of religious studies, was featured on the Tavis Smiley Show last weekend discussing "how his new book, In a Shade of Blue: Pragmatism and the Politics of Black America, offers a starting point for examining the upcoming election season through the eyes of African Americans." You can listen to archived audio from the program online at the Tavis Smiley Show website.

With In a Shade of Blue Glaude, one of our nation's rising young African American intellectuals, makes an impassioned plea for black America to address its social problems by recourse to experience and with an eye set on the promise and potential of the future, rather than the fixed ideas and categories of the past. Heady, inspirational, and brimming with practical wisdom, this timely book is a remarkable work of political commentary on a scale rarely seen today. To follow its trajectory is to learn how African Americans arrived at this critical moment in their history and to envision where they might head in the twenty-first century.

Read an excerpt.

January 15, 2007

Martin Luther King Jr. Day

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Since 1986 Martin Luther King day has been celebrated as a federal holiday in honor of one of the most influential and effective leaders of the American civil rights movement. And what better way to spend your day off than taking a little time to reflect on the long story of America's struggle toward equality, past and present. The Press has published a comprehensive list of books on civil rights in America, covering everything from the life of Martin Luther King's mentor Bayard Rustin, to more contemporary views on African-American citizenship.

To find more books on the American civil rights movement and the legacy of Dr. Martin Luther King Jr. see our related complete catalog categories in Black Studies, Politics, and Sociology.

Happy MLK day!

November 15, 2006

John Hope Franklin receives the John W. Kluge Prize

190px-John_Hope_Franklin.jpgAn article in today's New York Times reports that historian John Hope Franklin has been awarded the John W. Kluge Prize for lifetime achievement in the study of humanity. The Times calls the million dollar award "the prize that Alfred Nobel forgot … specifically intended for areas that the Nobel Prizes do not cover like history, political science, sociology, and philosophy." Franklin, currently emeritus professor of history at Duke University, will split the prize with Yu Ying-shih, a professor of Chinese history at Princeton.

The New York Times writes that "Franklin is widely regarded as among the first scholars to explore fully the role of African Americans in the nation's history." Some of that scholarship was published by the University of Chicago Press. We published Racial Equality in America (1976), George Washington Williams: A Biography (1985), and Reconstruction after the Civil War, now in a third edition.

This is the third year that the Kluge Prize has been awarded by the Library of Congress. Franklin is the fourth UCP author to receive the prize; previous winners include Jaroslav Pelikan, Paul Ricoeur, and Leszek Kolakowski.

April 25, 2006

Review: Allen, Talking to Strangers

jacket imageThe Boston Review recently reviewed Danielle Allen's Talking to Strangers: Anxieties of Citizenship since Brown v. Board of Education. From the review by Nick Bromell: "Allen understands that democracy originates in the subjective dimension of everyday life, and she focuses on what she calls our 'habit of citizenship'—the ways we often unconsciously regard and interact with fellow citizens…. [Her] focus on race is entirely appropriate."

"Don't talk to strangers" is the advice long given to children by parents of all classes and races. Today it has blossomed into a fundamental precept of civic education, reflecting interracial distrust, personal and political alienation, and a profound suspicion of others. In Talking to Strangers, a powerful and eloquent essay, Danielle Allen, a 2002 MacArthur Fellow, takes this maxim back to Little Rock, rooting out the seeds of distrust to replace them with "a citizenship of political friendship."

Read an excerpt and interview with the author.

February 21, 2006

"Acting white"

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"Go into any inner-city neighborhood, and folks will tell you that government alone can't teach kids to learn. They know that parents have to parent, that children can't achieve unless we raise their expectations and turn off the television sets and eradicate the slander that says a black youth with a book is acting white."
—Barack Obama, Keynote Address, Democratic National Convention, 2004

Ron Netsky, a writer for City (Rochester, NY), observed that the term "acting white" has been appearing in the media a lot lately (most recently in The Philadelphia Inquirer and the New York Times) . Signithia Fordham and John Ogbu popularized the term in a study published in Urban Review in 1986. Fordham is also the author of Blacked Out: Dilemmas of Race, Identity, and Success at Capital High, a book which explores academic achievement within the Black community and the price students pay for attaining it.

Earlier this month, Netsky interviewed Fordham about Black education issues and what it means to "act white."

City: In Blacked Out, you write that one of the things that seems to make the education process difficult is generational.

Fordham: After the Brown decision and the Civil Rights act—in the 1960s generally—black people were engrossed in acknowledging what they had achieved. Their children were the kids that I studied, and their parents were always baffled by why their kids wouldn't take advantage of what they saw as the wider opportunities available to them. And rightfully so. You fight for something so hard, why don't the kids do so much better? Because if we had those opportunities, we would have gone much further in life than we've actually gone.

But they don't get what is happening in culture systems, how they operate. These kids are fearful of the loss of identity. This is not something they would verbalize or even have the understanding to talk about if you asked them.

The rest of the interview and an essay by Signithia Fordham titled "Was Rosa Parks 'acting white'?" can be read here.

Visit our black studies catalog.

February 17, 2006

Author Event: Ronne Hartfield

jacket imageOn February 21, Ronne Hartfield will discuss and sign Another Way Home: The Tangled Roots of Race in One Chicago Family as part of Southern Illinois University Carbondale's Black History Month celebrations. The event is free and open to the public.

Spanning most of the twentieth century, Another Way Home celebrates the special circumstance of being born and reared in a household where being a woman of mixed race could be a fundamental source of strength, vitality, and courage. Read an excerpt from the book.

Visit our black studies catalog.