The December 22 & 29 issue of the TLS is packed with reviews of our new volumes of the writings of Friedrich Dürrennmatt (see below). Each of the reviews—not to mention the books themselves—merits a separate blog post. Michael Butler’s review of Friedrich Dürrenmatt’s Selected Writings completes the TLS‘s coverage of our publications from this prodigious and engaging writer who is regrettably known only for several of his plays. Butler notes that since Dürrenmatt’s death in 1990, his work has suffered a “long silence at least outside of the industrious groves of academe.” Butler continues: The University of Chicago’s bold attempt with these meticulously presented volumes to “rediscover” Dürrenmatt for an English speaking readership is therefore welcome. The names of such distinguished scholars as Kenneth J. Northcott and Theodore Ziolkowski are a guarantee of high editorial standards, and each volume is equipped with a succinct and sensible introduction.… English readers have much to be grateful for. Above all, they have been provided with translations of impressive accuracy. Dürrenmatt is not an easy author to get into English, but Joel Agee has succeeded splendidly. He catches with admirable linguistic agility the shifts of tone and the unexpected shafts of humor amid . . .

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In the December 22 & 29 edition of the Times Literary Supplement Ian Brunskill’s review of Dürrenmatt’s The Inspector Barlach Mysteries: The Judge and His Hangman and Suspicion begins: The more well-ordered a world (or narrative) appears to be, the greater the potential for devastation …. that, to a large extent, is what drew Dürrenmatt in the 1950s to the traditionally disciplined realm of crime fiction, the conventions and formulas of which he proceeded, with some relish, to turn upside down. The resulting short novels have long been among his most popular works. Now wonderfully translated by Joel Agee, they are part of the University of Chicago Press’s promotion of the author. And indeed with these translations of The Inspector Barlach Mysteries the Press has done its best to reinvigorate interest in Dürrenmatt’s atypical crime stories. Both of the mysteries in this book make a radical departure from convention as they follow Inspector Barlach through worlds in which the distinction between crime and justice seems to have vanished. In The Judge and His Hangman, Barlach forgoes the arrest of a murderer in order to manipulate him into killing another, more elusive criminal. And in Suspicion, Barlach pursues a former . . .

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Last week Alberto Manguel—whose own work as a translator and editor makes him quite a qualified critic—wrote a review for the Spectator of Friedrich Dürrenmatt: Selected Writings. Translated by Joel Agee, the Selected Writings collects in three volumes the best of Dürrenmatt’s plays, fictions, and essays—and as Manguel acknowledges—captures the essence of the author’s work. Manguel writes: I’d like to congratulate the University of Chicago Press for allowing us once again to read Friedrich Dürrenmatt in English, thereby restoring to the English-speaking public one of the most important writers of the 20th century … Dürrenmatt’s best writing has been included, and almost any of these pieces is an astonishing example of a writer’s power to portray and explain experience, and then subvert the whole procedure by opening up his arguments to unanswerable questions. Reading Dürrenmatt’s work leaves us with the impression of having witnessed the creation and then the explosion of a small galaxy. The light continues to reach us long after closing his books. We created a Friedrich Dürrenmatt website where you can peruse a fascinating collection of excerpts and essays, including an interview with Dürrenmatt . . . .

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