UCP News

Introducing UCP’s Summer Shorts

June 18, 2013
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Introducing UCP’s Summer Shorts

“Still longer than a tweet and still shorter than A River Runs Through It—” SUMMER CHICAGO SHORTS Publication Date: June 18, 2013 The University of Chicago Press is pleased to announce the launch of our summer series of Chicago Shorts—distinguished selections, including never-before-published material, off-the-radar reads culled from the University of Chicago Press’s commanding archive, and the best of our newest books, all priced for impulse buying and presented exclusively in DRM-free e-book format. Aimed at the general reader and running the gamut from the latest in contemporary scholarship to can’t-miss chapters from classic publications, Chicago Shorts continues to turn the page on the twenty-first-century reading experience. With summer upon us, we’ve selected a group of shorts that offer all the pleasures you look for in that season: they’re light, funny, and engaging; they stoke our dreams of faraway places and outdoor adventures; and like summer itself—they leave you wanting more. Among the Summer Shorts, you’ll find: Ain’t Love Grand! From Earthworms to Elephant Seals by Marty Crump God: The Autobiography by Franco Ferrucci (trans. by Raymond Rosenthal) Spiral Jetta Summer: Swimming in the Great Salt Lake by Erin Hogan It’s Alive! The Science of B-Movie Monsters by Michael LaBarbera . . .

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The Trials of an Editor

May 8, 2013
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The Trials of an Editor

We greet the spring with an annual rite, neither more nor less essential than the other invocations that usher in the season (woodpecker outside my window foxing with overzealous, semester’s-end induced sleep; big-leaved magnolia blossoms littering the street like well-boutonnièred toilet-paper folk art and norteño/Baby Bash productions looping over and under some dude’s fancy for the J. Geils Band). With this rite—the announcement of the recipient of any particular year’s Laing Prize—we drum up the legacy of Gordon J. Laing, former general editor of the University of Chicago Press. In February 1925, the same month that saw the New Yorker publish its first issue, Laing penned a satirical piece about university publishing for the in-house newsletter Press Impressions. Stravinsky strings on, and we reproduce it in its entirety below: *** The Trials of an Editor Some Experiences of the Man Intrusted with the Preparation of Manuscript for Our Publication By Gordon J. Laing, General Editor From Press Impressions, Volume 2, Number 5, February 1925 The editor of Press Impressions gave me the title of this article and I have let it stand. The fact, however, is that although I have been an editor for fifteen years, I have never had . . .

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2013 Laing Prize: Andreas Glaeser’s Political Epistemics

April 30, 2013
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2013 Laing Prize: Andreas Glaeser’s Political Epistemics

The Gordon J. Laing Prize is awarded annually by the University of Chicago Press to the faculty author, editor, or translator of a book published in the previous three years that brings the Press the greatest distinction. The varied expertise of past recipients has spanned the disciplines—from intellectual property wars and evolutionary theory to racial profiling and eighteenth-century Italian opera—and helped to generate an enviable listing of scholars that the University is lucky to call their own. On top of all that, this year marks the fiftieth anniversary of the Prize, first awarded to Bernard Weinberg in 1963 for A History of Literary Criticism in the Italian Renaissance. This year, the 2013 Laing Prize went to Andreas Glaeser, associate professor of soci0logy at the University, for Political Epistemics: The Secret Police, the Opposition, and the End of East German Socialism. Glaeser’s book considers socialist East Germany’s unexpected self-dissolution in 1989, building on extensive in-depth interviews with former secret police officers and the dissidents they tried to control, among other resources, to offer an epistemic account of socialism’s failure that differs markedly from existing explanations. Included below are some snapshots from the recent Laing Prize reception taken by our editorial director . . .

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Introducing Chicago Shorts

February 1, 2013
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Introducing Chicago Shorts

“Longer than a tweet and shorter than A River Runs Through It—” INTRODUCING CHICAGO SHORTS  The University of Chicago Press is pleased to announce the launch of Chicago Shorts—distinguished selections, including never-before-published material, off-the-radar reads culled from the University of Chicago Press’s commanding archive, and the best of our newest books, all priced for impulse buying and presented exclusively in DRM-free e-book format. Aimed at the general reader and running the gamut from the latest in contemporary scholarship to can’t-miss chapters from classic publications, Chicago Shorts turn the page on the twenty-first-century reading experience. Among the inaugural batch of nine Shorts, you’ll find: What Every Novelist Needs to Know about Narrators by Wayne C. Booth Ebert’s Bests by Roger Ebert Nixon and the Silver Screen by Mark Feeney A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? by Susie Linfield Custer’s Last Stand: The Unfinished Manuscript by Norman Maclean Shylock on Trial: The Appellate Briefs by Richard Posner and Charles Fried Erika and Klaus Mann in New York: Escape from the Magic Mountain by Andrea Weiss Bill Veeck’s Crosstown Classic by Bill Veeck with Ed Linn Rabbits with Horns and Other Astounding Viruses by Carl Zimmer . . .

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MLA 2013: A pair of Scaglione Prizes

January 10, 2013
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MLA 2013: A pair of Scaglione Prizes

Larry F. Norman and Frédérique Aït-Touati (photograph by Alan Thomas) Following the rush of scholarly meetings and conferences in the wake of the new year, belated congratulations are due to UCP authors Larry F. Norman and Frédérique Aït-Touati, for garnering the Aldo and Jeanne Scaglione Prizes in French and Francophone studies and comparative literary studies (respectively), from the Modern Language Association. The Scaglione Prize is “awarded annually for an outstanding scholarly work in its field—a literary or linguistic study, a critical edition of an important work, or a critical biography—written by a member of the association.” Norman, professor in the Department of Romance Languages and Literatures and in the Humanities Division at the University of Chicago, was commended for The Shock of the Ancient: Literature and History in Early Modern France, cited by the prize committee as follows: A deep interest in the view one culture holds of another animates The Shock of the Ancient: Literature and History in Early Modern France; Larry F. Norman lucidly examines the divide posited in seventeenth-century France between antiquity and modernity. The writers and thinkers who espoused connection to ancient culture were, paradoxically, those who divested themselves of unquestioned adherence to textual tradition; they argued not for the unassailable authority of the past, . . .

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UCP Best of 2012 Staff Picks

December 17, 2012
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UCP Best of 2012 Staff Picks

To catch the wave of year-end lists and Best of the Best citations, we thought to extend our reach beyond the books we publish here at the Press, and ask some of our scholarly tastemakers the works they’d endorse as most praiseworthy in 2012. Not every pick is new and you’ll see some selections here that may not flit across the landscape of other favorites lists—but we’ll be posting the books that made our radar blink all week long, with salutations to the authors, ideas, and publishers (large and small) that keep us coming back for more. *** Today, we’re off and running with picks from Carol Fisher Saller, our assistant managing editor of manuscript editing at the Press, author of The Subversive Copy Editor: Advice from Chicago (Or, How to Negotiate Good Relationships with Your Writers, Your Colleagues, and Yourself), and editor of The Chicago Manual of Style Online’s Q & A + Rodney Powell, our assistant editor acquiring in film and cinema studies and all-around movie guru:   What the Zhang Boys Know, by Clifford Garstang (Press 53, 2012), is a tender look at the residents of the Nanking Mansions condos in the unevenly gentrifying Chinatown of Washington, . . .

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Adrian Johns, derived from the Latin pirata

April 20, 2012
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Adrian Johns, derived from the Latin pirata

Adrian Johns is having a pretty good series of weeks. Earlier this month, the intellectual property specialist was named a 2012 Guggenheim Fellow. The chair of the Committee on Conceptual and Historical Studies of Science and the Allan Grant Maclear Professor in History at the University of Chicago, Johns plans to use his Guggenheim funding to study the intellectual property defense industry. Johns is no stranger to prizes. His earlier work The Nature of the Book: Print and Knowledge in the Making won the Leo Gershoy Award of the American Historical Association, the John Ben Snow Prize of the North American Conference on British Studies, the Louis Gottschalk Prize of the American Society for Eighteenth-Century Studies, and the SHARP Prize for the best work on the history of authorship, reading and publishing. Piracy: The Intellectual Property Wars from Gutenberg to Gates, his most recent volume, won the American Society for Information Science and Technology’s Book of the Year Award and was a CHOICE Outstanding Academic Title. Just yesterday, Johns was feted in a ceremony bestowing yet another honor on his work with Piracy, the Gordon J. Laing Prize for best faculty author, editor or translator of a book published in . . .

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W. S. Di Piero wins the Ruth Lilly Poetry Prize

April 19, 2012
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W. S. Di Piero wins the Ruth Lilly Poetry Prize

For the second year in a row, a former Phoenix Poet has taken home the Poetry Foundation’s Ruth Lilly Poetry Prize—and, for W. S. Di Piero, the legacy is a long, tall glass of water. He joins the company of twenty-six fellow poets who have soldered the experience of working class lives into indomitable verse, like Philip Levine; those who, like C. K. Williams and Adrienne Rich, have championed social issues and countered injustice; and those, like John Ashbery, who also deal in the criticism of the visual arts. What makes Di Piero unique, in a body of work conjures the presence of divinity in everyday life, redresses the grievances of a working-class South Philadelphia upbringing, and moves with effortless comfort from plain-style speech to bold translations from Euripides and Giacomo Leopardi, is exactly what doesn’t. He tells the truth, and I think it’s fair to say, it’s not slant. Di Piero questions poets and the quotidian equally, and what he arrives at is often something close to a sense of permission. As Christian Wiman, editor of Poetry magazine stated the Foundation’s official announcement: “R. P. Blackmur once said that great poetry ‘adds to the stock of available reality,’ and . . .

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Announcing the 2012 Guggenheim Fellows

April 13, 2012
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Announcing the 2012 Guggenheim Fellows

  The 2012 class of Guggenheim Fellows was announced this week by the John Simon Guggenheim Memorial Foundation, inciting some exuberant responses on the part of several winners (check out Terry Teachout’s Twitter feed). The Guggenheim has long been hailed as the “mid-career award,” honoring scholars, scientists, poets, artists, and writers, who have likely published a book or three, professed a fair amount of research, and are actively engaged in projects of significant scope. The fellowship possesses some tortured origins—(John) Simon Guggenheim, who served as president of the American Smelting and Refining Company and Republican senator from Colorado, seeded the award (1925) following the death of this son John (1922) from mastoiditis (Guggenheim’s second son George later committed suicide, and more infamously his older brother Benjamin went down with the Titanic). Among this year’s crop (we dare say more forward-leaning than previous years?) is a roster of standout “professionals who have demonstrated exceptional ability by publishing a significant body of work in the fields of natural sciences, social sciences, humanities, and the creative arts,” affiliated with the University of Chicago Press: Creative Arts Christian Wiman, editor of Poetry magazine and author of three poetry collections, coeditor of The Open Door: . . .

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Rev. Frederick William Danker (1920–2012)

February 13, 2012
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Rev. Frederick William Danker (1920–2012)

The world lost one of its most noted lexicographers earlier this month with the passing of Rev. Frederick William Danker. A scholar of the New Testament and the Greek tragedians, a prolific author, a much-admired teacher, and perhaps the foremost expert on the early Christian use of the ancient Greek language, Danker died following complications from a fall. His crowning achievement, the Third Edition of Bauer’s Greek-English Lexicon of the New Testament and Other Early Christian Literature (2000), for which he served as editor, totaled almost 1,100 pages and contained more than 5,500 ancient Greek words and 25,000 additional references to classical, Early Christian, and modern literature. A graduate of Concordia Seminary and the University of Chicago, Danker (along with his older brother William) was among 45 faculty members fired from Concordia in 1974, for the “liberal” bent of their teachings. Following this, Danker cofounded Seminex, the Concordia Seminary in Exile, before later closing his academic career at the Luthern School of Theology, and committing to work (“12 years working 14-hour days”) on the Lexicon, and its later abbreviated version, the Concise Greek-English Lexicon of the New Testament (2009). Danker’s contributions included incorporating new archeological findings that shed new light . . .

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