Dispatch just in from our Department of All Things Reference and Regional about annual Chicago favorite, the Printers Row List Fest: Come out and join us this weekend at the 2011 Printers Row Lit Fest, one of the most anticipated events of the year for authors, publishers, booksellers, and book lovers in Chicago. Among the bookstalls and reading stages occupying five city blocks in the South Loop, you’ll find the University of Chicago Press booth on Dearborn just south of Harrison. We’ll be selling some of our most popular regional and general interest titles at great prices, including The Thinking Student’s Guide to College by Andrew Roberts for $10 and a table full of books such as the The Rules of Golf in Plain English and The University of Chicago Spanish Dictionary for just $5. While you’re there, catch our distinguished authors speaking at the following events: 10:00 AM on Saturday at University Center/River Room Hillary Chute, author of Graphic Women and Melissa Ann Pinney, author of Girl Ascending, in conversation with Mary Schmich of the Chicago Tribune 10:30 AM on Saturday at University Center/Loop Room Adoption Nation with Jane Katch, author of Far Away from the Tigers: . . .
Remembering Leo Steinberg (1920-2011)
Sad news from New York about the passing of Leo Steinberg, one of the twentieth century’s most acclaimed art historians, whose critical insights, eloquent writings, and articulate ideas about art from Renaissance to modern, sharpened the minds of several generations of scholars, critics, and artists. Born in Moscow, educated in Berlin and London, Steinberg earned his doctorate from New York University’s Institute of Fine Arts in 1960. Steinberg later taught at the City University of New York, Hunter College, and Harvard University, and was the Benjamin Franklin Professor of the History of Art at the University of Pennsylvania, a position he held for sixteen years (1975-91). Steinberg pioneered a now much more common approach to art and letters: as his own body of work moved from criticism into art history, he continued to write articles for the most influential journals and magazines of his day, from Partisan Review and Harper’s to ArtNews and Art, many of which are collected in Other Criteria: Confrontations with Twentieth-Century Art. A maverick scholar of Rauschenberg (Encounters with Rauschenberg: A Lavishly Illustrated Lecture) and the Renaissance noted for his thoughtful integration of works, both internally and externally, Steinberg formed an infamously imagined triad with Clement . . .
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