Author Essays, Interviews, and Excerpts

5 Questions for Sonali Chakravarti, author of “Radical Enfranchisement in the Jury Room and Public Life”

January 13, 2020
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Summoned for jury duty? In her new book, Radical Enfranchisement in the Jury Room and Public Life, Sonali Chakravarti seeks to change the way Americans think about their participation in the judicial process, arguing that juries as an institution provide an important site for democratic action by citizens. We sent Chakravarti a few questions recently to learn more about her motivations for writing the book. First, for those who haven’t yet encountered the book, could you describe the key problems you saw with the process of jury duty in the United States that led you to write about this? In the 2018 film Can you Ever Forgive Me?, Melissa McCarthy plays author Lee Heller, a biographer who has fallen on hard times. To make ends meet, she begins forging letters of literary luminaries such as Noel Coward and Dorothy Parker. She has a good run but is eventually arrested for fraud, found guilty, and sentenced to house arrest. The film ends with a quip about how when she is called for jury duty she responds, “I’m a convicted felon and am therefore unable to serve. Who said crime doesn’t pay?” The fact that evading jury duty can be the basis . . .

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Read an Excerpt from “The Culture of Feedback: Ecological Thinking in Seventies America” by Daniel Belgrad

December 12, 2019
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Read an Excerpt from “The Culture of Feedback: Ecological Thinking in Seventies America” by Daniel Belgrad

National Horse Day (#NationalDayoftheHorse) is December 13th. And in honor of this equestrian holiday, we’d like to share an excerpt from The Culture of Feedback by Daniel Belgrad focusing on human-animal relationships, particularly those between horses and their humans. The book digs deep into a dazzling variety of left-of-center experiences and attitudes and looks anew at the wild side of the 1970s. In doing so, Belgrad tells the story of a generation of Americans who were struck by a newfound interest in—and respect for—plants, animals, indigenous populations, and the very sounds around them.  In conjunction with the growing impact of ecological thinking and its emphasis on empathy, the Seventies witnessed a new focus on the affective quality of human-animal interactions. Acknowledging the emotional lives of animals demanded moving beyond behaviorist approaches to animal behavior, which remained rooted in the dualism of mind and matter that characterized Enlightenment science. This led to a particular excitement about exploring new forms of human relationship with horses, as these were animals that were known to resist behavioral conditioning. Due to its reliance on empathy and physicality, the new ideal for interacting with animals was often described in ecological texts as a kind of dance. The . . .

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By Way of Beginning: Read an Excerpt from “Dark Lens” by Françoise Meltzer

November 25, 2019
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The year 2020 will mark seventy-five years since the Second World War came to an end. In her new book, Dark Lens: Imaging Germany, 1945, Françoise Meltzer draws on her childhood memories of post-war Germany to consider how we construct our memories of war. Analyzing a collection of photographs taken by her mother, Jeanne Dumilieu, Meltzer confronts the ruins, wreckage, and ghosts that the war left behind. My mother, who was French, had been in the Resistance in Paris during the war. I never learned this from her (I found out from her friends, and by accident, in my late twenties); nor did she speak much about the occupation of Paris. The only thing she talked about was how hungry she and the Parisian population were throughout the war. When I asked her why she had never told me that she was in the Resistance, she retorted with some contained anger, “Today, everybody was in the Resistance. I have nothing to say about it.” But it must be said that this was a particularly tight-lipped genera­tion: my father never spoke of having been in the London Blitzkrieg, nor my uncle of surviving Buchenwald, nor my aunt of having hid­den my . . .

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6 Questions with Samuel Fleischacker, author of “Being Me Being You: Adam Smith and Empathy”

November 13, 2019
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In his new book, Samuel Fleischacker delves into the work of Adam Smith to draw out an understanding of empathy that respects both personal difference and shared humanity. We sent him a few questions to learn more about Smith, empathy, and how it all relates to our world today. Your book uses the philosophy of Adam Smith to explore the nature and value of empathy. To start us off, can you give us a quick introduction to Smithian empathy? Smithian empathy is the kind of shared feeling that arises when I imagine myself into your situation. David Hume had understood empathy (what he and Smith called “sympathy”—the word “empathy” wasn’t invented until after their time) as my feeling whatever you feel. Smith understands it as my feeling what I think I would feel if I were you, in your situation. Hume’s empathy is a kind of contagious feeling—I “catch” your feelings, whether of sadness or of joy, whether I want to do that or not. Smith’s empathy requires more action on our part and depends on imagination. I try to show that Smith’s kind of empathy is deeper and more important to morality. What drew you to Adam Smith, and to the topic of empathy . . .

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Lewis Raven Wallace: How to Speak Up and Speak Out

November 5, 2019
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It’s University Press Week! Today’s blog tour theme is ‘Speaking Up & Speaking Out’. Who better to reflect on the subject than activist and journalist Lewis Wallace, who was fired from his job in public radio for refusing to stay silent about the harmful and marginalizing myth of ‘objectivity’ perpetuated in the media world? Read on for his thoughts about today’s theme, and scroll for event info and a teaser trailer of Wallace’s new podcast, companion to his debut book, The View from Somewehere. “I was raised to believe that speaking out mattered, that we all had some responsibility to justice and fairness in the world. I remember lodging protests that only a child of privilege would: against the overly authoritarian school lunch supervisor; against a teacher who I believed insulted the sixth grade students’ intelligence. I circulated petitions and self-published newspapers about youth liberation and adult domination. But speaking out comes with consequences that are uneven and unfair, based on your position of power in the world. In my case, speaking out was easy until I came of age and came out as queer, and transgender in the late 1990s. Using my voice then became a necessity, rather than . . .

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Get to Know the Polka King: Read an Excerpt from “American Warsaw”

October 22, 2019
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We may have missed National Polka Day (August 9) and National Accordion Awareness Month (June), but that doesn’t mean we can’t celebrate a Polka legend any time of the year. And since October is Polish American Heritage Month, it seemed the perfect time to talk about Li’l Wally Jagiello, the Polka King, a favorite performer and icon of Polish Chicago. We’ll let Dominic A. Pacyga tell the story in this piece from his new book American Warsaw: The Rise, Fall, and Rebirth of Polish Chicago. “Walter Jagiello, known as Mały Władziu to his Polish American fans, was born and raised in Chicago. He began playing and singing polka music at the age of eight and started his career on Division Street in those same bars that Algren wrote about, places like the Gold Star, the Midnight Inn, Phyllis’s, Zosia’s, Al’s Village Inn, the Orange Lantern, and the Lucky Stop. Roughly sixty taverns lined Division Street in Polonia, and most offered live music. A consummate performer, Li’l Wally performed nearly nonstop his entire career. His 1956 hit “I Wish I Was Single Again” was on the top 40 charts, a rarity for a polka recording. Jagiello was one of the first . . .

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6 Questions with Michael Rossi, author of “The Republic of Color: Science, Perception, and the Making of Modern America”

October 14, 2019
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In Michael Rossi’s compelling new history, The Republic of Color, he shows readers how the control and regulation of color shaped the social contours of modern America—and redefined the way we see the world. We sent Rossi a few questions to learn more about color science and how it affects us today. First, can you give us a quick introduction to the “republic of color”—what does this term describe? As you might know, “the Republic of Color” was not the original title for the book. Credit goes to Prof. Kathleen Belew for coming up with the felicitous wording over dinner after a workshop session. Credit also to numerous other readers, colleagues, and friends who convinced me that my own titular ideas were obtuse and/or confusing. Thank you, all! This said, “the Republic of Color” works so well as a title because it emphasizes that the book is about color and politics. Rather than simply an ideologically neutral fact about the visual world, color perception—and especially scientific research about how human beings see, experience, and talk about color (or not)—was an important part of the project of American statecraft at the turn of the century. Instead of being ancillary to politics, . . .

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Celebrate #WorldMigratoryBirdDay with “The Art of the Bird”

October 12, 2019
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Celebrate #WorldMigratoryBirdDay with “The Art of the Bird”

Each year, the second Saturday in October marks the autumn celebration of World Migratory Bird Day, a biannual, international “awareness-raising campaign highlighting the need for the conservation of migratory birds and their habitats.” Stretched along Lake Michigan and sitting squarely on the Mississippi Flyway, the Chicago region is an incredibly important habitat for migratory birds—and a great place to go birdwatching. This October 12 and beyond, take a peek (or beak?) inside the recently published The Art of the Bird: The History of Ornithological Art through Forty Artists by expert ornithologist Roger J. Lederer. Lavishly illustrated with 200 color plates, this is a coffee table book that art lovers and birdwatchers alike will flock to. Below, we include some of the birds (or their cousins) to watch out for in Chicago this autumn. If you’ve hung hummingbird feeders in your garden, you may be lucky enough to catch a glimpse of a migrating ruby-throated hummingbird. These (not ruby-throated) hummingbirds, painted by American artist Arthur B. Singer (1917–90), were featured on the cover of Alexander Skutch’s The Life of the Hummingbird in 1973. As Lederer writes, Singer’s “reputation was made in 1961 with Oliver Austin’s Birds of the World book, which . . .

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Excerpt from “On the Heels of Ignorance” by Owen Whooley

October 10, 2019
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October 10 is #WorldMentalHealthDay, with the overall objective of raising awareness of mental health issues around the world. In honor, we’d like to share a short excerpt from the introduction to On the Heels of Ignorance: Psychiatry and the Politics of Not Knowing by Owen Whooley. His well-researched history begins with psychiatry’s formal inception in the 1840s and moves through two centuries of constant struggle to define and redefine mental illness as well as the best ways to treat it. Whooley’s book is no antipsychiatric screed, however; instead, he reveals a field that has muddled through periodic reinventions and conflicting agendas of curiosity, compassion, and professional striving to get to where it is today. The history of American psychiatry is a history of ignorance. Underlying psychiatry’s curious past—its repeated crises and dramatic transformations, its faddish theories and epistemic somersaults, its occasional achievements and egregious abuses—is a stubborn, inconvenient fact. Psychiatrists lack basic knowledge regarding mental illness. Madness evades articulation. Charged with the quixotic, perhaps doomed, mandate to impose reason on madness, psychiatrists have searched for an understanding of the mechanisms that produce mental distress, be they psychological, neurological, genetic, or social. These searches have been in vain. The most fundamental . . .

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Q & A with Poets Ahmad Almallah and Graham Barnhart

October 1, 2019
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This fall, the Phoenix Poets series features debut collections by two poets: Ahmad Almallah and Graham Barnhart. We spoke with these poets about their new books, the process of writing and assembling their collections, and their experiences of war, central to both of their works. This fall, each of you will publish your first book of poetry as part of the Phoenix Poets series (congratulations!). Could you both talk a little about your process of organizing your work into a collection and how you decided on the theme and scope for your book? Graham Barnhart (GB): I started writing these poems while I was in the MFA program at Ohio State. I’d been active duty for six years and just transferred to the national guard, so it was a strange time. I was still in the Army but also kind of not. I didn’t think of the poems as a book until later, but at the time I just followed the stories and experiences that most interested me—that sparked poems. I knew the theme of the book in very general terms would be war and my military experience, but the scope or focus didn’t emerge until I started trying to . . .

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