This oldie but goodie by Magnus Fiskesjö from Prickly Paradigm Press definitely remains the singular anthropological text published on the relationship between the Thanksgiving turkey pardon and the War on Terror: Each Thanksgiving, the president of the United States symbolically pardons one turkey from the fate of serving as a holiday dinner. In this pamphlet, anthropologist Magnus Fiskesjö uncovers the hidden horrors of such rituals connected with the power of pardon, from the annual turkey to the pardoning of the original Teddy Bear. It is through these ritualized and perpetually remembered acts of mercy, Fiskesjö contends, that we might come to understand the exceptional—and troubling—status of the “War on Terror” prisoners being held by the United States at Guantánamo Bay. “In The Thanksgiving Turkey Pardon, Swedish anthropologist Magnus Fiskesjö, see in the annual presidential reprieve of an otherwise doomed turkey something much more than a lark. (Just ask a vegetarian; it’s no joke.) ‘It is really a symbolic pardoning act which, through public performance, establishes and manifests the sovereign’s position at the helm of the state by highlighting . . . his power to control matters of life and death.’ That observation leads Fiskesjö to some troubling thoughts on the . . .

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From a recent review of Michael Taussig’s The Corn Wolf at Pop Matters: Taussig’s work is the sort of bewilderingly beautiful prose (one is often tempted to call it poetry) that’s able to operate on multiple intellectual levels. The first essay in the collection, “The Corn Wolf: Writing Apotropaic Texts”, immerses the reader fully and mercilessly in the style. It opens with a poor graduate student realizing that writing up their fieldwork is the most difficult and important task of graduate school, and also the one thing graduate school teaches you nothing about. Fieldwork and writing; “they are both rich, ripe, secret-society-type shenanigans. Could it be that both are based on impossible-to-define talents, intuitions, tricks, and fears?” No wonder many careerist academics dislike him. Of course the essay isn’t so much about graduate writing as about his own writing, and about the act of writing—the magical act of writing—itself. For example, Taussig considers anthropology’s treatment of magic and shamanic sorcery: “Pulling the wool over one’s eyes is a simpler way of putting it… What we have generally done in anthropology is really pretty amazing in this regard, piggybacking on their magic and on their conjuring—their tricks—so as to come up with explanations that . . .

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“The World of Chess” from Gary Alan Fine’s Players and Pawns: How Chess Builds Community and Culture *** Chess is not the oldest game of humankind. That honor goes to an Egyptian board game dating back to 3500– 4000 BC. But chess’s longevity is remarkable. While claims of the true beginnings of chess are various and the origins are shrouded in mystery, consensus exists that the game as we recognize it began on the Indian subcontinent in approximately 700 AD, although Persia shaped the early game as well. As with so many origin stories, one can find political motives. For instance, some claim that chess originated in Uzbekistan or even in China. Chess is considered a war game, or at least a game that models warfare or prepares soldiers, although some legendary origins (Myanmar or Sri Lanka) suggest in a more pacifist fashion that the game was developed to provide a less bloody equivalent to conflict. Given the passion of Napoleon for the game, such sublimation was not inevitably effective. When the game spread to the Islamic world, which rejected gambling and gaming, chess was permitted because it was considered preparation for war. In the Soviet Union, the game was treated . . .

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