To study the disappearing past of Chicago's Maxwell Street neighborhood and acquaint himself with its present, Tim Cresswell explored the area on foot, photographing everything he saw. Here are a few of our favorite photos, from Cresswell's newly released book, Maxwell Street: Writing and Thinking Place. . . .
Monday Tuesday is the 2018 season home opener for the Cubs, and still riding high on 2016’s Series win, fans are expecting another post-season winning team with a better-than-good chance of making it all the way. Today’s Cubs team has a deep roster of better than average players, and a coach that has been masterful at coordinating their varied talents, but of course this hasn’t really been the case for quite a while. There was a time though, a long, long time ago, when the Cubs of old looked a lot more like the team does now. Rather than a team chocked full of All-Star prospects though, a small cadre of elite players, Joe Tinker, shortstop; Johnny Evers, second baseman; and Frank Chance, first; came together in rough-and-tumble early twentieth-century Chicago to form the defensive core of the most formidable team in big league baseball. A team that would lead the Chicago Cubs to four National League pennants and two World Series championships from 1906 to 1910. In Tinker to Evers to Chance: The Chicago Cubs and the Dawn of Modern America David Rapp brings this storied episode in Chicago Cubs history back to life, situating these early glory-days of . . .
Corruption might be just as Chicagoan as Mike Ditka’s chain of steakhouses (“We heard that the pork chops were the best in Chicago—not true. Overpriced for an adequate meal.”—Menupages)—the premise didn’t quite originate here, but the vibe is omnipresent, and its consequences are more or less our mise-en-scène. In Dirty Waters: Confessions of Chicago’s Last Harbor Boss, R. J. Nelson tells the tale of his rise and fall as the city’s last director of Harbors and Marine Services. A recent profile of Nelson at the Chicago Tribune delved into some juicy tidbits, which follow below. You can read the piece in full, here, too. *** Nelson recalled numerous, colorful bribery attempts — with boaters hoping to take advantage of the old way of doing things at Chicago’s harbors. One boater who wanted a slip in Belmont Harbor showed Nelson a glossy brochure with pictures of a penthouse condominium in Acapulco — saying Nelson could use it for a couple of weeks in exchange for his help. When Nelson responded “Absolutely not,” the boater added. “It’s fully equipped and includes a companion — gender of your choice!” Other boaters attempted leaving hundred-dollar bills on the counter, gift certificates to Marshall Field’s or sending boxes of Fannie May . . .
From a recent Chicago Reader review of R. J. Nelson’s Dirty Waters: Confessions of Chicago’s Last Harbor Boss, the story of one city employee’s rise and fall as Chicago’s director of Harbors and Marine Services: Dirty Waters, a fine chronicle of Nelson’s tenure as a city employee, begins with his first day on the job and concludes not long after he was ignominiously terminated by Forrest Claypool, then the Park District’s general superintendent. What Nelson encounters during that time will be familiar to anyone with a rudimentary knowledge of local government: parks department supervisors who demand permits for their personal boats, inept public-sector employees who receive high salaries due to political connections, and obfuscatory paperwork designed to deaden the enthusiasm and limit the geographic and civic access of ordinary boaters. t a play-by-play account of Nelson’s time as harbor boss, Dirty Waters might get bogged down by inside-baseball accounts of bygone local politics. But there’s a certain Chicagoness to Nelson’s storytelling that’s highly entertaining—the book reads like a series of anecdotes being told by a lifelong resident of the city. Nelson can veer off on tangents, sometimes excessively so, but more often than not the asides keep the narrative interesting, provide valuable context, . . .
Our free e-book for August is Ann Durkin Keating’s Rising Up from Indian Country: The Battle of Fort Dearborn and the Birth of Chicago. Download your copy here. *** In August 1812, under threat from the Potawatomi, Captain Nathan Heald began the evacuation of ninety-four people from the isolated outpost of Fort Dearborn to Fort Wayne, hundreds of miles away. The group included several dozen soldiers, as well as nine women and eighteen children. After traveling only a mile and a half, they were attacked by five hundred Potawatomi warriors. In under an hour, fifty-two members of Heald’s party were killed, and the rest were taken prisoner; the Potawatomi then burned Fort Dearborn before returning to their villages. These events are now seen as a foundational moment in Chicago’s storied past. With Rising up from Indian Country, noted historian Ann Durkin Keating richly recounts the Battle of Fort Dearborn while situating it within the context of several wider histories that span the nearly four decades between the 1795 Treaty of Greenville, in which Native Americans gave up a square mile at the mouth of the Chicago River, and the 1833 Treaty of Chicago, in which the American government and the Potawatomi . . .
Jessa Crispin, author of The Dead Ladies Project: Exiles, Expats, and Ex-Countries and editor-in-chief at Bookslut and Spolia magazine(s), recently appeared on an episode of WTTW’s Chicago Tonight, her former stomping grounds as book reviewer. Along with video of Crispin’s conversation (not Dorothy Gale, 2:12; running away to Romania, 6:00; “Don’t Do It, Harper Lee,” 7:58), there’s an excerpt from the book on William James and Berlin, and some quotes from the interview, if digital players leave you cold. You can read more about The Dead Ladies Project, here. . . .
Below follows a brief excerpt from “Heat Wave,” Chicago magazine’s excellent, comprehensive oral history of the week of record-breaking temperatures in July 1995 that killed more than 700 people, became one of the nation’s worst disasters, and left a legacy of unanswered questions about how civic, social, and medical respondents were ill-equipped and unable to contend with trauma on such a scale. *** Mark Cichon, emergency room physician at Chicago Osteopathic Hospital I remember talking to friends at other hospitals who said, “Man, we’re in the middle of a crisis mode.” It was across the city. Our waiting room and the emergency departments were packed. We were going from one emergency to another, all bunched together, almost like a pit crew. The most severe cases were the patients with asthma who were so far into an attack we couldn’t resuscitate them. I remember a woman in her early 30s. The paramedics had already put a tube into her lungs. We were trying to turn her around, but there was nothing that could be done. Eric Klinenberg, sociologist and author of the 2002 book Heat Wave: A Social Autopsy of Disaster in Chicago (to the Chicago Tribune in July 2012) did . . .
What Stevie Wonder really meant to sing was “no book launch Saturday within the month of June,” and with that in mind, here are some recent images from those book-related fêtes staged a smidge sooner, during the long green march of spring. *** Snapshots from the official book launch for The Big Jones Cookbook: Recipes for Savoring the Heritage of Regional Southern Cooking, featuring Chef (and author) Paul Fehribach, some of his clientele, and a band of University of Chicago Press culinary enthusiasts: A photograph from the Dublin launch of Gillian O’Brien’s Blood Runs Green: The Murder that Transfixed Gilded Age Chicago (these young readers are actually O’Brien’s nieces and nephew): And, finally, this photograph from Andrew Hartman’s talk about A War for the Soul of America: A History of the Culture Wars at the In These Times HQ: To read more about books from Chicago’s most recent list, click here. . . .
2015 marks the 50th anniversary of the Association for the Advancement of Creative Musicians, Inc.(AACM), founded on Chicago’s South Side by musicians Muhal Richard Abrams (pianist/composer), Jodie Christian (pianist), Steve McCall (drummer), and Phil Cohran (composer). A recent piece in the New York Times by Nate Chinen summarizes their achievements, in short: Over the half-century of its existence, the association has been one of this country’s great engines of experimental art, producing work with an irreducible breadth of scope and style. By now the organization’s significance derives not only from the example of its first wave—including Mr. Abrams, still formidable at 84—but also from an influence on countless uncompromising artists, many of whom are not even members of its chapters in Chicago and New York. The AACM’s legend extends beyond their Chicago origins—just as emphatically as it remains intertwined with them. Aiming to “provide an atmosphere conducive to the development of its member artists and to continue the AACM legacy of providing leadership and vision for the development of creative music,” the AACM turned twentieth-century jazz on its head, rolled it sideways, stood it upright again, and then leaned on it with the right combination of grace and pressure. Among the events organized around this anniversary are Free at First . . .
Bronzeville: Recommended reading for a new podcast
Josh Olson’s new 10-part podcast Bronzeville, which stars Laurence Fishburne, Larenz Tate, and Tika Sumpter, chronicles the lives of players in the illegal lottery that swept the African American community in the 1940s before the game was taken over by the mob. If that’s not enticing enough, here’s a list of some recommended background reading on the city, then and now; how it become one of America’s most iconic black neighborhoods; and why its redevelopment—in which the middle class benefits as lower-income residents are pushed out—continues to matter, now more than ever. *** Derek S. Hyra’s The New Urban Renewal: The Economic Transformation of Harlem and Bronzeville explores the shared metamorphosis of these formerly notorious urban ghettos into two of our most iconic black communities, as the pressure of late-capitalist gentrification and a complicated web of factors—local, national, and global—shaped their remarkable revitalization. St. Clair Drake and Horace R. Cayton’s Black Metropolis: A Study of Negro Life in a Northern City, based on research conducted by Works Progress Administration field workers, is a sweeping historical and sociological account of the people of Chicago’s South Side from the 1840s through the 1930s, as path-breaking today as it was when it was first published in 1945. Diane Grams’s Producing Local . . .
Read more »