Philosophy

Why did Barbara Streisand clone her dog?

March 14, 2018
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Why did Barbara Streisand clone her dog?

Jessica Pierce has done a lot of thinking about animals and ethics. A bioethicist by training, her books on the subject include The Last Walk: Reflections on Our Pets at the End of Their Lives, Wild Justice: The Moral Lives of Animals, coauthored with Marc Bekoff, and more recently Run, Spot, Run: The Ethics of Keeping Pets. So who better to weigh in on the ethics of pet cloning – a topic which, as you likely know, has captured a bit of public attention recently due to the news of Barbara Streisand having cloned her coton de tulear (a breed that coincidentally looks a lot like this guy, or gal as the case may be <–). Pierce’s recent op-ed in the New York Times titled “You Love Dogs? Then Don’t Clone Them” argues that the cloning industry creates a canine underclass of egg donors and surrogate mothers whose welfare is overlooked in the rush to profit by reproducing facsimile copies of rich people’s dead pets. From the article: “Clones like Ms. Streisand’s dogs Miss Violet and Miss Scarlett don’t materialize out of thin air but require the help of a whole team of female dogs. The cloning process begins with . . .

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An American Conscience: The Reinhold Niebuhr Story

February 20, 2017
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This April, Emmy Award–winning filmmaker Martin Doblmeier’s documentary about the American theologian Reinhold Niebuhr (1892–1971), An American Conscience: The Reinhold Niebuhr Story, debuts on public television. The film explores the life of Niebuhr, theological liberalism’s best-known promoter (author of the “Serenity Prayer”), and how he positioned himself as a voice of conscience during some of the twentieth-century’s most potent times of racial unrest, depression, and global conflict. Hal Holbrook reads as Niebuhr, and the film includes interviews with Jimmy Carter, Andrew Young, David Brooks, Cornel West, and others. You can read more at the Journey Films website, and in the interim, here’s a list of works by and about Niebuhr, published by the University of Chicago Press. *** The Children of Light and the Children of Darkness: A Vindication of Democracy and a Critique of Its Traditional Defense, first published in 1944, is considered the standard bearer of Niebuhr’s philosophy, which took up the timely question of how democracy as a political system could best be defended. The Irony of American History, cited by politicians as diverse as Hillary Clinton and John McCain, posits the incongruity between personal ideals and political reality as both an indictment of American moral complacency and a warning against . . .

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RIP Tzvetan Todorov (1939–2017)

February 9, 2017
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RIP Tzvetan Todorov (1939–2017)

Tzvetan Todorov (1939–2017)—literary theorist, intellectual historian, and philosopher—died earlier this week; in particularly uncanny circumstances, our free e-book of the month happens to be his The Fear of Barbarians. Rather than link to an obit, we’re going to reblog a conversation between Todorov and media scholar WJT Mitchell—who had never met in person or previously exchanged correspondence—that unfolded over three days on our blog, back in December 2010, on the heels of the then-recent publications of Barbarians and Mitchell’s Cloning Terror. Little more than six years ago, and the topics they discuss—the politics of occupation, the war on terror, the then-emergent Wikileaks, Goya, the US State Department’s penchant for torture, Guantanamo, cloning—feel both like prescient observations from a time now past, and nearly enraging in their unfortunate contemporaneity. Below, you’ll find links to Parts II and III. Download your free copy of The Fear of Barbarians here. ** We’re kicking things off with a series of letters between Tzvetan Todorov, author of The Fear of Barbarians: Beyond the Clash of Civilizations and W. J. T. Mitchell, author of Cloning Terror: The War of Images, 9/11 to the Present on the visual imagery of the war on terror, our current global political climate, and the role of . . .

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The Birth of Theory at New Books in History

December 16, 2016
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The Birth of Theory at New Books in History

  Andrew Cole’s The Birth of Theory posits Hegel as the world’s ur-critical theorist, accounting for the origins of his dialectic as a theory, and situating the thinker’s unconventional (for modern philosophy) turn toward the medieval and premodern realms, which ultimately embedded Hegel in its long tradition, and suggested “that it is precisely Hegel’s engagement with medieval modes of thought that make his work a productive source for Marx and the later thinkers who develop dialectical thinking into theory as we know it today.” Cole’s work was previously reviewed by the likes of Qui Parle (“The Birth of Theory is filled with illuminating and often counterintuitive readings. . . . Cole’s argument touches on an array of important avenues of inquiry, offering counterproposals that should unsettle the doctrinally comfortable and reinvigorate theoretical discussions in a variety of connected fields: Hegel scholarship and the history of Continental philosophy; Marxist and post-Marxist analysis of culture, ideology, and commodity fetishism; literary criticism, whether historicist or not; and contemporary discussions of new vitalisms, materialisms, and speculative ontologies. . . . The Birth of Theory offers a set of tantalizing and highly original arguments.”) and the Review of Metaphysics (“The Birth of Theory is an ambitious, original, lucidly-written, scrupulously-researched, . . .

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Hegel and The Birth of Theory

December 7, 2015
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Hegel and The Birth of Theory

The recently published May 2015 issue of PMLA included a special feature in its “Theories and Methodologies” section devoted to a number of wide-ranging commentaries by contemporary scholars on Andrew Cole’s The Birth of Theory. Cole’s book—readily endorsed by Fredric Jameson and Mladen Dolar, among others—situates Hegel’s dialectic as the ur-theory and method of social analysis from which most of the major thinkers of the nineteenth and twentieth centuries would further constitute “theory” as distinct from systematic philosophy. In collaboration with PMLA, we’re pleased to excerpt the opening of Cole’s own piece for the journal, “The Function of Theory at the Present Time,” which follows below. You can read more about the issue in full here, or visit Cole’s page at Princeton University, here. *** From “The Function of Theory at the Present Time” by Andrew Cole Let me start by defining “theory,” because the definition itself illustrates why we can name Hegel as its inventor, rather than Marx or Nietzsche, both of whom pick up where Hegel left off. As I suggest in The Birth of Theory, Hegel founds theory in his break from Kant, which I regard as the signal moment when philosophy transforms into theory as we now know it. What makes Hegel . . .

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Excerpt: A Significant Life

April 3, 2015
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Excerpt: A Significant Life

  “A Meaningful Life” An excerpt from A Significant Life: Human Meaning in a Silent Universe by Todd May *** Let us start with a question. What does it mean to ask about the meaningfulness of life? It seems a simple question, but there are many ways to inflect it. We might ask,“What is the meaning of life?” Or we could ask it in the plural: “What are the meanings of life?” If we put the question either of these ways, we seem to be asking for a something orsomethings, a what that gives a human life its meaningfulness. The universe is thought or hoped to contain something—a meaning—that is the point of our being alive. If the universe contains a meaning, then the task for us becomes one of discovery. It is built into the universe, part of its structure. In the image that some philosophers like to use, it is part of the “furniture” of the universe. When we say that the meaning of life is independent of us—that is, independent of what any of us happens to believe about it—we do not need to believe that there would be a meaning to our lives even if none . . .

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2015 PROSE Awards

February 20, 2015
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2015 PROSE Awards

Now in their 39th year, the PROSE Awards honor “the very best in professional and scholarly publishing by bringing attention to distinguished books, journals, and electronic content in over 40 categories,” as determined by a jury of peer publishers, librarians, and medical professionals. As is the usual case with this kind of acknowledgement, we are honored and delighted to share several University of Chicago Press books that were singled-out in their respective categories as winners or runners-up for the 2015 PROSE Awards. *** Kurt Schwitters: Space, Image, Exile By Megan R. Luke Art History, Honorable Mention *** House of Debt: How They (and You) Caused the Great Recession, and How We Can Prevent It from Happening Again By Atif Mian and Amir Sufi Economics, Honorable Mention *** American School Reform: What Works, What Fails, and Why By Joseph P. McDonald Winner, Education Practice *** The Public School Advantage: Why Public Schools Outperform Private Schools By Christopher A. Lubienski and Sarah Theule Lubienski Winner, Education Theory *** Earth’s Deep History: How It Was Discovered and Why It Matters By Martin J. S. Rudwick Honorable Mention, History of STM *** The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition By Pier Paolo . . .

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Ted Cohen (1939–2014)

March 21, 2014
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Ted Cohen (1939–2014)

Ted Cohen, legendary professor at the University of Chicago and scholar of aesthetic philosophy, whose expertise included, “jokes, baseball, television, photography, painting and sculpture, as well as the philosophy of language and formal logic,” passed away last Friday at age 74. From the University of Chicago News: While some philosophers aim to construct large-scale theories, others “look with a very fine, acute eye at specific phenomena and work from the example outwards, beginning with the ordinary and exposing the extraordinary within it,” said Cohen’s longtime friend and colleague Josef Stern. “Ted was that kind of philosopher.” From the Chicago Maroon: Many students remembered him as an expert in his field and an excellent professor, always welcoming others’ insight and connecting his rambling anecdotes back to the text. The “classic image” of him smoking outside of Harper Memorial Library wearing a red beret will also be a part of that memory, said fourth-year Julie Huh. “His presence exuded such nonchalance, and he always took his time with his cigarette outside Harper.” We remember Ted Cohen as the author of Jokes: Philosophical Thoughts on Joking Matters (1999) and contributor to The Great Latke–Hamentash Debate (2005), the latter of which chronicles the event . . .

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Excerpt: Robert B. Pippin’s After the Beautiful

January 23, 2014
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Excerpt: Robert B. Pippin’s After the Beautiful

Excerpt from After the Beautiful: Hegel and the Philosophy of Pictorial Modernism by Robert B. Pippin There are many reasons to be skeptical that anything of value can result from trying to project Hegel into the future like this. After all, anyone who has heard anything about Hegel has probably heard that he said two things: that philosophy was its own time understood in thought, and some summary of the following remarks. In all these respects art, considered in its highest vocation, is and remains for us a thing of the past. Thereby it has lost for us genuine truth and life, and has rather been transferred into our ideas instead of maintaining its earlier necessity in reality and occupying its higher place. What is now aroused in us by works of art is not just immediate enjoyment but our judgment also, since we subject to our intellectual consideration (i) the content of art, and (ii) the work of art’s means of presentation, and the appropriateness or inappropriateness of both to one another. The philosophy of art is therefore a greater need in our day than it was in days when art by itself as art yielded full satisfaction. Art . . .

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Excerpt: Contesting Nietzsche

December 2, 2013
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Excerpt: Contesting Nietzsche

An excerpt from Contesting Nietzsche by Christa Davis Acampora *** Homer is Nietzsche’s exemplar for two key crucial concerns throughout his works: creativity and power. The potency of Homer’s poetic transformation of human toil and struggle both fascinated and spurred Nietzsche to try to capture and command the same kind of force. Nietzsche’s Homer is not simply the founder of a certain form of culture; he is a revolutionary, a reformer, someone who effects a tremendous revaluation. Thus, it is important in Nietzsche’s account that Homer is late. Here, late means that Nietzsche regards the emergence of what is classically considered Homeric as standing at the end of a significant period of cultural development rather than at the beginning. Nietzsche regards Homer as having overcome dominant cultural traditions that developed prior to his arrival on the scene. Thus, he considers Homeric literature to be a late development in Greek culture rather than its founding moment. The life of struggle, previously portrayed by Hesiod as a kind of punishment for all . . .

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