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Read an Excerpt from “Nightingales in Berlin: Searching for the Perfect Sound”

May 23, 2019
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Philosopher and musician David Rothenberg is an expert in interspecies music. He has a long history of making live music with the sounds of nature, including birds, whales, and bugs. Now, with a new book and CD, Rothenberg turns his attention to the elusive figure of the nightingale. Rather than try to capture a sound not made for humans to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Rothenberg has released two albums that chronicle his music-making with the nightingales. Listen along while you read for the ultimate moment of zen. Are you surprised there are nightingales in Berlin? They have flown thousands of miles to get here, up from Africa and over the sea like refugees of the air. They sing from wells of silence, their voices piercing the urban noise. Each has his chosen perch to come back to each year. We know they will return, . . .

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Six Questions for Hollis Clayson, author of Illuminated Paris

May 18, 2019
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Six Questions for Hollis Clayson, author of Illuminated Paris

To celebrate International Museum Day on May 18th, we sent professor of art history and the Bergen Evans Professor in the Humanities at Northwestern University, Hollis Clayson, a handful of questions about art and the city of light. Let’s start at the beginning: what sparked your interest in the nighttime illumination of Paris? Was there an artwork, or a trip to the city, that started your research? The book grew out of my interest in the topic of Americans especially artists in Paris which of course grew out of my experiences (from wonderful to terrible) as an American in Paris, an American billing herself as an “expert” on French culture. At the beginning of the enterprise, I was initially focused exclusively on Mary Cassatt (who figures prominently in the book and in other essays of mine), but the light angle only really dawned when I saw a painting in storage at the old Terra Foundation Museum of American Art on Michigan Ave., which is on the cover of the book: Charles Courtney Curran, Paris at Night, 1889.   It made me start asking questions about the American imagination of the Paris night and how it differed from the conception of the modernity . . .

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5 Questions for Robin Wolfe Scheffler, author of “A Contagious Cause: The American Hunt for Cancer Viruses and the Rise of Molecular Medicine”

May 16, 2019
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5 Questions for Robin Wolfe Scheffler, author of “A Contagious Cause: The American Hunt for Cancer Viruses and the Rise of Molecular Medicine”

In his new book, A Contagious Cause: The American Hunt for Cancer Viruses and the Rise of Molecular Medicine, Robin Wolfe Scheffler explores the United States’s century-long search for a human cancer virus and reveals the ways in which the effort, while ultimately fruitless, profoundly shaped our understanding of life at its most fundamental levels. We sent Scheffler a few questions to learn more about his research, his motivations for writing the book, his recent reads, and more.  How did you wind up in this academic field, and what do you love about it? A British scientist named CP Snow once claimed that the sciences and humanities were two separate cultures, but I’ve never felt that way. I studied history and chemistry as a student at the University of Chicago. I was drawn to these two subjects because they each connected things—chemistry bridged biology and physics, history bridged the humanities and the social sciences. I explored everything from the economic geography of grain elevators to the mathematical modeling of dimerization before a professor suggested to me that studying the history of science might allow me to connect all of my interests. He was right!   Years later I still enjoy working in . . .

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Tough Enough by Deborah Nelson Receives the 2019 Laing Award

April 26, 2019
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Tough Enough by Deborah Nelson Receives the 2019 Laing Award

We are pleased to announce that Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, and Weil  by Deborah Nelson is the recipient of the 2019 Gordon J. Laing Award. The award was presented by University of Chicago President Robert J. Zimmer during a gala reception on April 25 at the University of Chicago Quadrangle Club. The Gordon J. Laing Award is conferred annually by vote of the Board of University Publications on the faculty author, editor, or translator whose book has brought the greatest distinction to the list of the University of Chicago Press. Books published in 2016 and 2017 were eligible for this year’s award. The prize is named in honor of the scholar who, serving as general editor from 1909 until 1940, firmly established the character and reputation of the University of Chicago Press as the premier academic publisher in the United States. Published in April 2017, Tough Enough focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared . . .

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5 Questions for Connie Voisine, Poet and Author of The Bower

April 25, 2019
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In honor of National Poetry Month, we sent Phoenix Poet Connie Voisine a few questions to delve into her writing and reading life and her thoughts on poetry today. Describe your ideal reader. My ideal reader never changes (ideal is ideal), but the person I write to is quite specific and variable. My old mentor, James McMichael, recommended directing a poem to a specific person, to make it rhetorically focused, urgent. I have some writer friends who represent the best of poetry with their rigor, intelligence, wit, and devotion to craft, and to each I have addressed poems and whole books to. My last book, however, was for the reader my daughter will be some day . . . to thank her. Do you see poetry as having a “moment” right now? And if so, why? I can’t answer that question. Probably. But I am more curious about what the moment produces than what generated it. I used to teach a group of women writers whose average age was perhaps 80. Those women could really read poems because they had done it all their lives. I could throw anything at them—language poetry, conceptual poetry, spoken word, as well as John . . .

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5 Questions for Karen Routledge, author of “Do You See Ice?: Inuit and Americans at Home and Away”

April 24, 2019
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Many Americans imagine the Arctic as harsh, freezing, and nearly uninhabitable. But as Karen Routledge shows in Do You See Ice?, the living Arctic—the one experienced by native Inuit and others who work and travel there—is a diverse region shaped by much more than stereotype and mythology.  We sent Routledge some questions recently to delve into exactly how she came to study this unusual topic. How did you end up working as a professional historian, and what do you love about it? I’m a historian for Parks Canada, the Canadian national park service. I was lucky to end up here. When I was a graduate student, I thought I wanted a tenure-track job, and feared I’d be a failure if I didn’t get one. Near the end of my PhD, a Parks Canada historian (my now-colleague Meg Stanley) told me they were hiring. I realized I badly wanted the job. Thankfully I got it, and I’ve been here since 2010. This has ended up being an ideal job for me. I love that Parks Canada projects can reach a wide audience, and that so many local people and visitors are passionate about our sites. I work mostly on project teams . . .

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Earth Day: Read the Entry for Today from “A Year with Nature”

April 22, 2019
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Herpetologist and natural history writer Marty Crump is a collector of wild tales; and in this bedside book for nature lovers, her treasure chest of stories opens wide. Gathering science and lore, wit and wisdom into a day-by-day, charmingly illustrated wander through the year, A Year with Nature is a quotidian companion that doesn’t eschew conservation issues even as it encourages contemplation, awe, and fun. On April 17, we read a dispatch from the annual Black Bear Festival in Louisiana; on August 12, we learn about World Elephant Day; and on November 13, the day that Coleridge published his famous Rime of the Ancient Mariner, we fly with the albatross (of course). From pythons to oceans, from the moon to the Hope Diamond, the world that this joyful book celebrates is one that is still wild and wonderful—and worth protecting. This Earth Day, read on for A Year with Nature’s inspiring April 22 entry celebrating photographer and preservationist Ansel Adams, who died thirty-five years ago today. APRIL 22 Photography and Wilderness Preservation You don’t take a photograph, you make it. —ANSEL ADAMS, photographer Naturalists, conservationists, environmentalists, and others who dedicate their lives to preserving landscapes strive to accomplish their goals in different ways . . .

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Exploring Chicago’s Maxwell Street with Tim Cresswell

April 17, 2019
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To study the disappearing past of Chicago's Maxwell Street neighborhood and acquaint himself with its present, Tim Cresswell explored the area on foot, photographing everything he saw. Here are a few of our favorite photos, from Cresswell's newly released book, Maxwell Street: Writing and Thinking Place. . . .

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Write That Book: Exercises for Creative Thinking from Janet Burroway

April 12, 2019
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In 1972, Janet Burroway was assigned to teach a “narrative techniques” class at Florida State. But when she went to find a text to use with the class, she could not find anything that spoke to fiction writing. “There were (it is difficult now to imagine) virtually no books to serve as guidance,” she explains in the introduction to the tenth edition of Writing Fiction, which publishes at the end of April. “Strunk and White’s Elements of Style was a mainstay, but it took, as White notes, a barking tone toward its writer novices. I reread E. M. Forster’s lovely Aspects of the Novel, but it was mostly too abstract and too advanced for my Florida eighteen-year-olds. I combed Eric Bentley’s The Life of the Drama for clues to plot. I read another how-to, the name and author of which I no longer remember, but which memorably assured me that women use a lot of exclamation points but men should not.” So Burroway, a writer of novels herself, decided to create a guide of her own. Three decades later, Writing Fiction has sold more than a quarter million copies and remains the go-to book for aspiring writers. And despite the . . .

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7 Questions for Andrew Hartman, author of A War for the Soul of America

April 9, 2019
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When it was published in 2015, Andrew Hartman’s history of the culture wars was widely praised for its compelling and even-handed account. Yet, what received nearly as much attention was Hartman’s declaration that the culture wars were over—and the left had won. In the wake of Trump’s rise, which was driven in large part by aggressive fanning of those culture war flames, Hartman has brought A War for the Soul of America fully up to date for this second edition, which look towards the signs of a new politics to come. We sent him a few questions recently to find out what it feels like to be wrong and what he sees for the future. The first edition of A War for the Soul of America: A History of the Culture Wars, argued that the culture wars had basically played themselves out. There would still be skirmishes, but the larger struggle had reached its endpoint, and that endpoint represented an overwhelming victory by the left. Two months after the book was published, Donald Trump came down the escalator at Trump Tower to announce he was running for president. So . . . how’s it feel to be wrong? Ha! Well, it’s . . .

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