Review: Kenney, Jazz on the River
The Journal of American History recently reviewed William Howland Kenney’s Jazz on the River: "The history of how riverboat entertainment venues shaped the evolution of jazz receives long-overdue analysis in this thorough and sensitive study.… By locating jazz ‘on the river,’ Kenney draws a picture of the Jazz Age that shifts attention from the nightclubs and dance halls of major cities, broadening the social and occupational histories of the first four decades of jazz performance. His portrait of aspiring musicians who used the river to enhance their social mobility also brings a new dimension to our understanding of the Great Migration. For Kenney, the shifting racial and cultural tensions communicated through jazz resound as jazzmen riff on the ever-shifting currents of these great heartland rivers."
In Jazz on the River, William Howland Kenney brings to life the vibrant history of this music and its seduction of the men and women along America’s inland waterways. Here for the first time readers can learn about the lives and music of the levee roustabouts promoting riverboat jazz and their relationships with such great early jazz adventurers as Louis Armstrong, Fate Marable, Warren "Baby" Dodds, and Jess Stacy.
Read an excerpt.