Art and Architecture, Reading list

How to Celebrate “Go to an Art Museum Day”

November 9 is “Go to an Art Museum Day,” and we’re celebrating by highlighting some fantastic exhibitions currently on view at museums around the US and Canada. Can’t make it to the shows? Learn more about these exhibitions and their subjects from wherever you are with corresponding books from UCP and our distributed client presses.


“Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies”

Brooklyn Museum, Brooklyn, NY

A color lithograph called Negro es Bello (Negro es Bello II) by Elizabeth Catlett. The image features two faces in opposite corners and a grid of smaller circles, each with a black panther in the middle and the text “BLACK IS BEAUTIFUL.”
Elizabeth Catlett, Negro es Bello (Negro es Bello II), 1969/1970, color lithograph, National Gallery of Art, Ailsa Mellon Bruce Fund. © 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY

Elizabeth Catlett (1915-2012) was a pioneering Black visual artist and activist, known especially for her work in printmaking and sculpture. A major traveling retrospective, now on view at the Brooklyn Museum, gives this revelatory artist long-overdue attention. The show has already been reviewed widely, including landing on the New York Times list of exhibitions to see this fall.

The cover for Elizabeth Catlett. The dark cover features a photograph of a wooden fist sculpture and has the title in bold metallic letters at the top.

The catalog, edited by curator Dalila Scruggs, features over two hundred color images, along with essays on a range of topics including Catlett’s development as an artist-activist, the impact of political exile on her work, her pedagogical legacy, her achievement as a social realist printmaker, her work with the arts community of Chicago’s South Side, and the diverse influences that shaped her practice.

Learn more about the show, and the catalog, and catch the show at its next stops in Washington, DC, and Chicago!


A photograph of Replica of a Chip by Marilou Schultz, a woven geometric piece hanging on a white wall.
Marilou Schultz (geb. 1954, Leupp, Arizona) Computer Chip (1994) Auf Holz aufgezogene Wolle 120 × 146 × 20 cm American Indian Science and Engineering Society, Albuquerque, New Mexico Ohne Titel (2008) Wolle 250 × 120 cm Nerman Museum of Contemporary Art, Kansas City Zur Installation gehört Archivmaterial, das in Zusammenhang steht mit der Fairchild Industries Computerchipfabrik, Navajo Reservation, Shiprock, New Mexico (1965–1975)

“Woven Histories: Textiles and Modern Abstraction”

National Gallery of Canada, Ottawa, Ontario

Throughout the twentieth century, textile art was often considered to be lower than other art forms like painting and sculpture, and this exhibition challenges those hierarchies that have long separated textiles from other art. Bringing together works by more than forty-five diverse creators, this exhibition features textile techniques from weaving to netting and felting.

The book cover for Woven Histories. The cover features the book’s title in white text in front of a detail of a blue and tan woven piece.

The exhibition’s curator, Lynn Cooke, is also the editor of a corresponding book that showcases artists from the exhibition, including Sophie Taeuber-Arp, Anni Albers, Ed Rossbach, Ruth Asawa, Lenore Tawney, Liz Collins, and many more.

Learn more about the exhibition, and see the book here.


“Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde”

Grey Art Museum, New York, NY

A painting of Berthe Weill. Weill is depicted wearing a black dress and glasses, and she’s standing in front of stacks of paintings and picture frames.
Credit: Georges Kars, Portrait of Berthe Weill, 1933. Oil on canvas, 56 x 46 cm. Private collection © Maxime Champion: Delorme & Collin du Bocage.

This show at NYU’s Grey Art Museum highlights the art historical impacts of gallerist and art dealer Berthe Weill (1865-1951). Through her groundbreaking career as the first woman modern art dealer, she gave early exhibitions to some of the most famous modern artists—including Pablo Picasso, Henri Matisse, and Amedeo Modigliani—as well as being an avid supporter of women artists. This exhibition celebrates Weill’s contributions as a gallerist, as a champion of art, and as a Jewish woman who overcame sexism, antisemitism, and economic disadvantages to promote the artists she loved.

 A blue book cover with graphic illustrations of a pair of eyes, a paintbrush, and a painter’s palette. The title, Pow! Right in the Eye! Is in black and white text.

Get the story of Weill’s life in her own words with Pow! Right in the Eye!, translated into English for the first time by William Rodarmor and edited by one of the exhibition’s curators, Lynn Gumpert. This provocative 1933 memoir offers rare insights into the world of the twentieth-century Parisian avant-garde and tells the history of Weill’s gallery that spanned four decades.

Learn more about the exhibition, and check out Pow! Right in the Eye!. You can also catch the exhibition in Montreal in 2025!


“Samia Halaby: Eye Witness”
Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, MI

A two-page book spread with images of artworks by Samia Halaby.
The cover of Samia Halaby: Centers of Energy. The cover has a white background and the title in red text above an image of a colorful abstract painting.

Samia Halaby (b. Jerusalem, Mandatory Palestine, 1936) is widely recognized as a pioneer in twentieth-century abstraction and computer-generated art and as a leading scholar of Palestinian art. In the last twenty years, Halaby has expanded her practice to larger, more ambitious paintings and canvas-based assemblages. The exhibition, Samia Halaby: Eye Witness, follows her creative journey through a diverse array of paintings. Published by Hirmer and distributed by the University of Chicago Press, Samia Halaby: Centers of Energy explores the formal and thematic relationships across bodies of work by the artist.

Learn more about the exhibition and check out the book.


“Andrea Morales: Roll Down Like Water”

Memphis Brooks Museum of Art, Memphis, TN

The book cover for Andrea Morales: Roll Down Like Water. The cover features the title in a light brown font overlaid in front of a photograph of a person viewed from behind with their hands clasped over their head.

Peruvian-American artist Andrea Morales, whose photographs honor her community in Memphis and the surrounding area, has her first major museum exhibition on view in Memphis. Informed by Movement Journalism, her work captures community life and activism in the American South, and she centers her practice on building a long-term collaborative relationship with the communities she photographs.

Andrea Morales: Roll Down Like Water, the first book on the artist, accompanies the exhibition and showcases a decade of work by the photographer. The catalog is published by Paul Holberton Publishing and distributed by the University of Chicago Press.

Learn more about the exhibition and check out the catalog.


All of these books are available now on our website. Use the code UCPNEW at checkout to take 30% off.