Antonioni and Bergman
This week has been a tragic one in the world of cinema. Both Swedish director Ingmar Bergman, and his colleague Italian director Michelangelo Antonioni passed away within hours of one another this Monday, July 30th 2007; a coincidence that is perhaps indicative of the creative and intellectual space shared by the two masters of modern moviemaking. Both filmmakers became well known for their radically innovative visual styles and insightful explorations of modern society, and both have left behind a legacy of filmmakers and fans heavily influenced by their works, evidenced by the many articles published recently to mark their passing.
The New York Times has published several fascinating retrospectives on the two directors, and Roger Ebert, who discusses Bergman’s films in Awake in the Dark: The Best of Roger Ebert has also posted an article on Bergman to his website. But for those interested in more in-depth study, the press has two new books: the forthcoming The Architecture of Vision: Writings and Interviews on Cinema—a collection of essays, theory, and autobiographical sketches of Michelangelo Antonioni’s life and work, and the recently published The Magic Lantern: An Autobiography—a fascinating portrait of the life of the late Ingmar Bergman. One of our international partners, Amsterdam University Press, has also recently released Ingmar Bergman: A Reference Guide, which at over 1000 pages, qualifies as one of the most comprehensive references on Bergman’s work available.