Culture War? What Is It Good For?
An excerpt from Jacqui Shine’s review of Andrew Hartman’s A War for the Soul of America: A History of the Culture Wars at the LA Review of Books:
Though the allegiances of the culture wars tend to fall along predictable political lines, Hartman gives special attention to surprising moments of reversal and repetition. He notes, for example, that colorblind conservatism actually marks something of a reversion to an earlier colorblind liberalism, rather than the invention of a new ideological stance from whole cloth. After 1965, Hartman argues, a “reconstructed racial liberalism favored a proactive government that would guarantee black Americans not only ‘equality as a right and a theory’ but also, as the nation’s leading liberal Lyndon Johnson famously put it, ‘equality as a fact and a result.’” The fruit of this strategy was the rise of affirmative action, and “the line that divided opponents in the affirmative action debate … was the line between an older colorblind racial liberalism and a newer color-conscious racial liberalism that had incorporated elements of Black Power into its theoretical framework.” Thus, when conservatives took up the rhetoric of colorblindness to oppose racial quotas, they were repurposing an earlier liberal position. Hartman likewise stresses the peculiar politics of the national debate over pornography, in which “the logic of anti-porn feminism influenced the Christian Right,” and William Buckley Jr. found himself agreeing with Andrea Dworkin that pornography should be banned, though not about why.
Read the review in full here.
To read more about The War for the Soul of America, click here.