One hundred years ago, in November 1906, this press published a small book with a long title: Manual of Style: Being a Compilation of the Typographical Rules in Force at the University of Chicago Press, to Which Are Appended Specimens of Types in Use. Over the years, it grew in length and in reputation, becoming a standard reference for compositors, copyeditors, and publishers. In the later decades of the twentieth century, the audience for the Manual grew to encompass individual writers and scholars.
In its 100th anniversary year, in its fifteenth edition, the Manual has become an online reference work. The online version of the Manual offers the fully searchable text of the fifteenth edition with added features including tools for editors, a quick citation guide, and searchable access to the popular Chicago Style Q&A.
In this still-emerging world of online publishing, the look and the role of online works are not well-established. We believe that we’ve created an online product that is useful for editors and publishers, effectively utilizes the technology of the online medium, and has a business model that’s attractive to the consumer and sustainable for the publisher. We believe that we have created innovative and user-friendly . . .














Walter Benjamin (July 15, 1892-September 27, 1940)
Today, September 27th, is the anniversary of the death of Walter Benjamin. Widely considered to be one of the most important intellectuals of the twentieth century, Benjamin’s work synthesized Marxist philosophy with Jewish mysticism to produce a unique contribution to the fields of philosophy and literary criticism.
The quintessence of a renaissance thinker and outspoken critic of Fascism, Benjamin’s work was a powerful response to the totalitarian Nazi regime that plagued his native Germany. Through his writing Benjamin sought to expose the futility of the Fascist belief in historical and political progress by destabilizing the various dogmas underlying it. It was his powerful intellectual condemnation of Fascism that would make him a known target of the Nazi gestapo and eventually lead to his death by suicide on September 27, 1940 in a failed attempt to flee the Vichy regime across the French-Spanish border.
An opponent of the static belief systems that eventually condemned him, he might have appreciated the multitude of philosophical and literary works that have since taken him as their subject and the variety of interpretations each one lends to the significance of his life and death. A most recent and welcomed addition to such works is . . .
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