Partial excerpt: “Introduction: The Blackness of Things,” from Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America by Huey Copeland ***
Congrats are due to film critic, programmer, and UCP author Dave Kehr on his new gig as adjunct curator of film at MOMA, where he
Laura Beck at Jezebel stared down the facade of The Library: A World History and liked what she saw (“You’re Gonna Drool Over This Pure,
Michel Anteby’s Manufacturing Morals: The Values of Silence in a Business School Education explores the pedagogy behind corporate accountability—from within the closed doors of Harvard
Neil Verma’s work examines idiosyncratic and affective spaces in media history, often those whose eccentricity hinges on particularly interdisciplinary cultural turns. In Theater of the
Camilo José Vergara is the kind of person of whom it might be said, “the epithet ‘polymath’ wouldn’t be cliché.” His photographic work, which often
Paddy Woodworth is an investigative journalist and a former staff writer for the Irish Times, used to taking on assignments from the foreign affairs desk,
Maia Bloomfield Cucchiara’s Marketing Schools, Marketing Cities considers the relationship between private markets and public education by focusing on Philadelphia’s Center City Schools Initiative. The Initiative
Congrats due to author Claudia L. Johnson, whose Jane Austen’s Cults and Cultures garnered the Christian Gauss Award from the Phi Beta Kappa Society. Johnson,
After this Sunday, October 13, Hyde Park will never be the same. Jack Cella, the general manager of the Seminary Co-op Bookstore for the past
